School of Fine Art
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- School of Fine Art (2703)
Number of outputs: 1437
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Kholeif, Omar
(2026)
Double Fantasy: Learning, Living and Loving with Ibrahim Massouda: A Surrealist Egyptian Story?
In:
The Color and Lyricism of Alberto Massuda.
Oscar Niemeyer Museum, Brazil, pp. 140-149.
Newth, Martin
(2026)
Event Horizons – between Image, Material and Machine.
In: Trusting Voices and Artificial Intelligence, 16-18 April, 2026, University of Chester, United Kingdom.
Guy, Laura, Pearce, Naomi and Webb-Ingall, Ed
(2026)
Love and Work: Materialising Creative Approaches to Archives.
In: Love and Work: Materialising Creative Approaches to Archives, 17 April 2026, The Warburg Institute, London, UK.
Guy, Laura
(2026)
Dyke Research.
In: Association for Art History 2026 Annual Conference, 8-10 April 2026, University of Cambridge, UK.
Paul, Nalini
(2026)
The Selkie's Song.
Three Rivers Festival, Scotland.
Salmon, Margaret
(2026)
Mackintosh.
Morris, Rosie and Barker, Sara
(2026)
Chora.
36 Gallery, Lime Street, Newcastle upon Tyne, UK,
27 February - 8 March 2026
Tripp, Sarah, Fusco, Maria and Browning, Jude
(2026)
The artists writing journal 2HB.
In: Spineless Wonders: Secure Each Sentence, 12 February 2026, Online.
Adams, Rachel
(2026)
Interference.
Yoshimi Arts, Osaka, Japan,
1 February - 22 February 2026
Kholeif, Omar
(2026)
Accumulating Vocabularies: Parsing Through Otobong Nkanga’s Aesthetic Language.
NKA: Journal of Contemporary African Art, 58.
ISSN Print: 1075-7163; Online: 2152-7792
Barker, Sara
(2026)
Reenactment.
Reid Gallery, Glasgow School of Art, Glasgow, Scotland,
10 - 31st January 2026
Kholeif, Omar
(2025)
Huguette Caland: imagine/otherwise.
imagine/otherwise, 5
.
Sternberg Press, London and MIT Press, MA, London, UK and Cambridge, MA.
Hannah, Michelle
(2025)
Blue Spell.
Mendelson, Zoe
(2025)
Exquisite, Imaginary Cure.
Annex Gallery, Stow Building,The Glasgow School of Art, Scotland,
14 November - 18 December 2025
Haynes, Laura
(2025)
Hold.
In:
Hold.
(limited edition publication).
Douglas, Caroline
(2025)
Retouching The Archive: Gender and Class in Early Photography in Scotland.
PhD thesis, Royal College of Art.
Newth, Martin
(2025)
Objecthood and the Photographic Apparatus: Between Image, Material and Machine.
In: Photographic Objecthood: Construction, Presence, and the Sculptural Encounter, 21 January, 2026, Henry Moore Foundation, Leeds, England.
Kholeif, Omar
(2025)
RO U T I N G H O M E W I T H C A R L O S B U N G A.
In:
Carlos Bunga: Inhabit the Contradiction.
Foundation Calouste Gulbenkian, Lisboa, Lenz Press, Milan and Distributed Art Publishers, New York, Lisbon, Portugal, pp. 102-123.
ISBN 9791280579928
Bodor, Judit and Hunter, Roddy
(2025)
Archiving Autonomy: Regenerating The Attic Archive As An Open-Source Web Platform.
Festival Internacional de la Imagen, 24.
ISSN 2981-5193
Tripp, Sarah, Guy, Laura, Fusco, Maria and Cockram, Josie
(2025)
How Would We Like to Supervise?
In: A workshop supporting diverse approaches to supervising PhD candidates in the arts, 2 October 2025, Online.
Macias, Stacy, Landberg, Topiary, Harker, Jaime Lynn, Vaccaro, Jeanne and Guy, Laura, eds.
(2025)
Special issue: Journal of Lesbian Studies: The Dyke 90s.
Taylor & Francis.
Salmon, Margaret, Jack, Marcus, Leaver-Yap, Mason and Taal, Tako
(2025)
Roundtable: Working Nearby: Mason Leaver-Yap, Margaret Salmon, Tako Taal.
DOWSER, 10.
pp. 1-56.
ISSN 2634-7091
Park, Sin
(2025)
The notes on process.
Journal of Contemporary Painting, 11.
pp. 53-66.
ISSN 2052-6695
Hannah, Michelle
(2025)
JOSEPHINE.
Performance Research, 28 (7).
pp. 136-139.
ISSN 1352-8165
Hannah, Michelle
(2025)
Pulsatile.
Montez Press Radio.
McGraw, Michael
(2025)
Architecture of the refugee camp.
In: Traces, Ruptures, Returns, 11 September 2025, Mirror Gallery, Arts University Plymouth, UK.
Coutts, Nicky
(2025)
Thin.
Tripp, Sarah
(2025)
Social Contracting with Sarah Tripp.
In: Decentring Through Digitality, 28 August 2025, Online.
Haynes, Laura
(2025)
Expect them to err: an editorial.
In:
The Yellow Paper: Journal for Art Writing.
The Yellow Paper Press, The Glasgow School of Art, pp. 5-11.
ISBN 978-2-9162092-8-2
Guy, Laura and Smyth, Cherry
(2025)
Correspondences and Fractures: Lesbians Talk Queer Formations.
British Art Studies: Queer British Art Since the 1980s, 1 (27).
ISSN 2058-5462
Guy, Laura and Gordon, Theo
(2025)
Instituting Queer Art in Britain.
British Art Studies: Queer Art in Britain since the 1980s (27).
ISSN 2058-5462
Anderson, Fiona, Dunster, Flora, Gordon, Theo and Guy, Laura
(2025)
Introduction: Queer Art in Britain since the 1980s.
British Art Studies: Queer Art in Britain since the 1980s, 27.
ISSN 2058-5462
Guy, Laura, Anderson, Fiona, Dunster, Flora and Gordon, Theo, eds.
(2025)
Special Issue: British Art Studies: Queer Art in Britain Since the 1980s.
British Art Studies, 1
(27).
Paul Mellon Centre for Studies in British Art and the Yale Center for British Art.
Eyres, Erica
(2025)
Memory Problems.
Norberg Hall Gallery, Calgary, Canada,
3 July - 23 August 2025
Salmon, Margaret
(2025)
Assembly.
Hunterian Art Gallery, Glasgow,
Friday 27 June 2025 - Sunday 19 October 2025
Guy, Laura, Jamal, Nazmia, Dunster, Flora and Gordon, Theo
(2025)
Cultural Production and Legacies of Section 28.
In: Legacies of Section 28, 6-7 June 2025, Institute of Advanced Studies, UCL.
Kholeif, Omar
(2025)
Finding My Blue Sky: The Search for Feeling in Art, Again.
Lisson Grove, Lisson Gallery, Bell Street Galleries,
29th of May - 26th July 2025
Topping, Jane
(2025)
React! React! React!
or
Three Stories of Autoimmunity
or
Another Reason Not to Smoke.
Good Press, Glasgow.
Hannah, Michelle
(2025)
Thinskin.
Haynes, Laura and Thompson, Susannah
(2025)
Talking About Writing: Art Writing as an Interdisciplinary Field.
In:
What is Creative Criticism? – A Field Report on a Colloquium.
University of Oxford.
Bodor, Judit and Hunter, Roddy
(2025)
Archiving Autonomy: Regenerating The Attic Archive As An Open-Source Web Platform.
In: XXIV International Image Festival / 2025 International Conference on Media Art History RE:GENERATIVE, 2-9 May 2025, Department of Visual Design, University of Caldas, Manizales in partnership with Jorge Tadeo Lozano University, Bogotá, Colombia.
Punton, Lesley
(2025)
"Midwinter".
De Main, Helen
(2025)
The Personal Remains Political: a practice-based inquiry into the use of feminist consciousness-raising and printmaking as participatory methods for working with women.
PhD thesis, Glasgow School of Art.
Angell-Preece, Helen
(2025)
Three, and more, Auto-geographies, Weaving into (and Out-of) Place: A Post-colonial Approach to Re-mapping Spaces of Home and Belonging.
PhD thesis, Glasgow School of Art.
Topping, Jane
(2025)
Who’s nou? How one story used television to summon a non-human fiction-self device for the author.
In: The Art of Storytelling: Archetypes in Focus, 24-26 May 2025, University of Oxford, UK.
Kholeif, Omar
(2025)
Light on Things / Ghosts Sheltering Beneath a Cloud of Entropy.
Central Museum/Hartwig Art Foundation/Lanhuis Museum, Utrecht, Netherlands,
12 April - 26 October 2025
Stubbs, Michael
(2025)
Group Exhibition: Space Oddity, Atelier Gallery, Leiston, Suffolk, UK, 2025.
Atelier Gallery, Leiston, UK,
4 April - 28 April, 2025
McClanahan, Angela
(2025)
Funerary Photographs as Enduring Kinship and Community Ties in Twentieth-Century Appalachia and Transappalachia: Material and Relational Methods.
Journal of Appalachian Studies, 31 (1).
pp. 33-43.
ISSN 2328-8612
Kholeif, Omar
(2025)
Would it be okay if we told a story? Hoda Tawakol and Me.
In:
Hoda Tawakol: Some Ties Linger On.
Kerber Verlag.
ISBN 9783735610072
Bodor, Judit and Hunter, Roddy
(2025)
On Autonomous Archiving and Archiving Autonomy.
In: History/Reality #3 – Engaging with The Attic Archive, 9 April 2025, National College of Art and Design (NCAD), Dublin, Ireland.
McBride, Christina
(2025)
International Women's Day - Women of Donegal.
Govanhill Glasgow, and Buncrana County Donegal,
08 March 2025
Kholeif, Omar
(2025)
Lubaina Himid and Magda Stawarska: Nets for Night and Day.
MUDAM - The Modern Art Museum of Luxembourg,
7 March - 24 August 2025
Hannah, Michelle
(2025)
(red triangle).
Elston, Ginny
(2025)
Glimmering Realities, Hidden Objects: Rethinking a Formalist Critique of the Art Object through New Materialism.
PhD thesis, Glasgow School of Art.
Guy, Laura
(2025)
Contribution in Practice.
In:
Challenging Institutionalization: A Propositional Toolkit for Doing Supervision of Artistic and Practice-Based Research.
The Contemporary Condition
.
Sternberg, London, pp. 31-36.
ISBN 9781915609625
Kholeif, Omar and Arundhati-Thomas, Skye
(2025)
The Mirror Has Two Faces.
In:
Lalitha Lajmi: imagine/otherwise.
imagine/otherwise, 3
.
The MIT Press and Sternberg Press, Cambridge MA and London, UK, pp. 1-96.
ISBN 9781915609342
Haynes, Laura
(2025)
The House of Inspection.
In:
'A Social Process of Unknowing Yourself in Real Time': Work on Conversation.
The Yellow Paper Press.
ISBN 978-1-9162092-4-4
Kholeif, Omar
(2025)
Pictures, Windows, Portals, Lives: An Assembly of Critical Feelings.
The Brooklyn Rail Foundation, Brooklyn, New York.
Jackson, Deborah
(2025)
Class Matters: Culture Declassified.
In:
Survival Strategies.
PNG - the Parallax Network Group.
Fraser, Marita
(2025)
Teaching, Practicing, Researching for a Feminist Future.
In: Have Some Imagination: Towards a Manifesto for Arts Education, 7-8 February 2025, Baltic Centre for Contemporary Art.
Coutts, Nicky
(2025)
Traumatic Objects (presentation).
In: Fabulation, 3-4th April 2025, HDK Valand, Sweden.
Haynes, Laura and Briggs, Kate, eds.
(2025)
'A Social Process of Unknowing Yourself in Real Time': Work on Conversation.
The Yellow Paper Press, UK: Glasgow.
ISBN 9781916209244
Tripp, Sarah and Cascella, Daniela
(2025)
This is Not What I Think.
In:
'A Social Process of Unknowing Yourself in Real Time': Work on Conversation.
Yellow Papers, UK.
Šik, Becky
(2025)
“A bringing Together”.
In:
'A Social Process of Unknowing Yourself in Real Time': Work on Conversation.
Art Writing, Glasgow.
Haynes, Laura
(2025)
Dutiful daughters, difficult mothers and sanctioned spheres: Chantal Akerman’s No Home Movie and My Mother Laughs.
In: International Care Ethics Research Consortium (CERC) conference on Care, Aesthetics, and Repair, 23-25 & 30-31 January 2025, Utrecht, The Netherlands.
McKee, Francis
(2025)
All Change In Strict Tempo.
In: Material Scotland, Stana Nenadic Memorial Conference, University of Edinburgh, 15-16 May, University of Edinburgh.
Mendelson, Zoe
(2025)
The Virus (as Network) and the Expanded Field
Or
A Letter (in reply) to Matt Hancock.
In:
On Emergence: Practices of art and education.
.PNG - the Parallax Network Group
.
U–Jazdowski Castle Centre for Contemporary Art, Warsaw, Poland.
McBride, Christina
(2025)
Dinnseanchas.
The Briggait Glasgow,
09/11/24 - 08/01/25
Newth, Martin
(2024)
Live Rooms. From the Individual to the Dialogic in Fine Art Studios.
In: Places and Spaces: The Architectures of Art and Design Education at the Association of Art History 2025 Conference, 9-11 April 2025, University of York.
Hannah, Michelle, Jackson, Deborah and Dawson, Hayley Jane
(2024)
Moving Images Within Precarious Structures: Class Matters.
Many Studios, Glasgow,
5th December 2024
Newth, Martin
(2024)
In Transit at the AMPS (Architecture, Media, Politics, Society) Research & Teaching Conference Exploring Academia – From Practice to Publishing.
In: MPS (Architecture, Media, Politics, Society) Research & Teaching Conference Exploring Academia – From Practice to Publishing, 10 - 12 June 2025, Czech Technical University, Prague.
Kholeif, Omar
(2024)
Peter Sedgley: Orbiting an Enigma.
The Redfern Gallery, London, United Kingdom.
ISBN 9780948460906
Robertson, Fiona
(2024)
tit-bits.
Thomsons, Glasgow.
ISBN 9780993120817
Mersinis, Michael and Brind, Susan
(2024)
Reading Landscape Field Guides #1-2-3 Book Launch.
In: Reading Landscape Field Guides #1-2-3 Book Launch, 14th November 2024, Annex Gallery, The Glasgow School of Art.
Reading, Christina and Rankovic, Katarina
(2024)
Real and Imagined Explorations of Self: A Conversation with Katarina Ranković.
In:
Conversations on Creative Process, Methods, Research and Practice: Feminist Approaches to Nurturing the Creative Self.
Routledge, Oxon and New York, pp. 36-47.
ISBN 9781032259994
Guy, Laura
(2024)
The Queer Work of Photography / La fotografía como trabajo queer.
Exit (96).
pp. 7-15.
ISSN 1577-2721
Ramsay, Graham and Beagles, John
(2024)
Black Pudding Self-Portrait.
Scottish National Portrait Gallery, Edinburgh,
26 October 2024 - 16 March 2025
Newth, Martin
(2024)
John Morrison & Martin Newth: Art – I know what I like and I like what I know.
In: John Morrison & Martin Newth: Art – I know what I like and I like what I know, 13 October, 2024, Maltings Cinema, Berwick upon Tweed.
Morris, Rosie
(2024)
GESTURES.
Church of St. John, Healey, NE44 6BJ,
4-6 October 2024
Fraser, Marita
(2024)
Speaking With the School Run.
Journal of Contemporary Painting, 10 (1 - 2).
pp. 125-154.
ISSN 2052-6695
Kholeif, Omar
(2024)
Simone Fattal: Charting a Territory to take Flight.
In:
Simone Fattal: Suspension of Disbelief.
IVAM: Institute of Modern Art, Valencia, Spain.
ISBN 9788448270377
Jones, Hannan, Mallalieu, Miriam and Hannah, Michelle
(2024)
Performance 'Burnout' at 'Between any two possibilities there is darkness'.
Fraser, Marita and Hutchinson, James
(2024)
Feminist Methods.
Annex Gallery, Glasgow School of Art,
23 September 2024 - 1 November 2024
Haynes, Laura
(2024)
Art Writing as Reparative and Interdisciplinary Pedagogy.
In: Routledge, Czech Technical University and AMPS Research & Teaching Conference, 10-12 June 2025, Prague, Czech Republic.
Hunter, Roddy
(2024)
the practice, as was
the practice, as is
: a performance lecture, a performed film.
In: Hosts and ghosts. Research-led teaching in performance, Wednesday, October 30, 2024, Gray's School of Art, Robert Gordon University, Aberdeen.
Smith, Stephanie and Stewart, Eddie
(2024)
SMITH/STEWART PRESENT TENSE.
Reid Gallery & Ground Floor Corridor,
21 September - 19 October 2024
Kholeif, Omar and Himid, Lubaina
(2024)
Magda Stawarska: imagine/otherwise.
imagine/otherwise, 2
.
The MIT Press and Sternberg Press, Cambridge MA and London, UK.
ISBN 9781915609298
Haynes, Laura, ed.
(2024)
The Yellow Paper: Journal for Art Writing.
The Yellow Paper Press.
ISBN 978-1-9162092-7-5
McGraw, Michael
(2024)
New Artist bookworks.
In: New Artist Bookworks, 31st July 2024, Online zoom Lecture, Bristol, UK..
Park, Sin
(2024)
There is A Wild Tree Standing and We Sing Again.
The Briggate,
8 July - 12 August 2024
Myers, Alice
(2024)
Imagining a Polyvocal Prison Image Archive: Dialogical photography and the aesthetics of ethics in spaces of incarceration.
PhD thesis, Glasgow School of Art.
Carter, Justin, McCausland, Onya, McNally, Danny and Robertson, Frances
(2024)
Practicing Landscape Field Guide No. 3: Landscapes of Energy and Extraction: Material Agency and Meaning.
Practicing Landscape: Field Guide, 1
(3).
Reading Landscape, Glasgow.
ISBN 978-1-7385275-6-4
Hannah, Michelle
(2024)
Studio Somewhere Residency at Tramway.
Michelle Hannah.
McGraw, Mick
(2024)
Technology of the time.
Bower Ashton Library, Bristol,
4th July 2024- 3rd September 2024
Fraser, Marita
(2024)
Feminist methodologies of refusal in "speaking with" Yvonne Rainer's 'Trio A'.
In: Feminist Past, Feminist Futures, Wednesday 26th June 2024, Callendar House, Callendar Park, Falkirk.
Haynes, Laura
(2024)
What is Creative Criticism? A Colloquium.
In: What is Creative Criticism? A Colloquium, 20 June 2024, University of Oxford.
Haynes, Laura
(2024)
Kitchen Island.
Newth, Martin and Patricia, Ellis
(2024)
Foundations of Belonging in MA Fine Art. Family Groups.
In: FOUNDATIONAL, 29-30 August, 2024, The Royal College of Art, London.
Brind, Susan and Harold, Jim
(2024)
'NOMADIC DIALOGUES: Site, Place and Dislocation' - artist pages for 'Pedagogy of Place: A Field Guide to Reading Landscape for Artists, Architects, & Designers'.
Wall, Gina, Hale, Alex, Mersinis, Michael and Brind, Susan
(2024)
Practicing Landscape Field Guide No. 2: Landscapes of Energy and Extraction: Landscape as Archive.
Practicing Landscape: Field Guide, 1
(2).
Reading Landscape, Glasgow.
ISBN 9781738527571
McDonald, Kyla
(2024)
Rediscovery, Recovery, Revision: An exploration of feminist methodologies in curatorial trends at the centre in Europe and North America since 2007.
PhD thesis, The Glasgow School of Art.
Newth, Martin, Sowden, Tom, Brownie, Barbara, Denicke-Polcher, Sandra and Mitchell, Chris
(2024)
The possibility of things: a teaching case study on addressing global responsibilities in postgraduate education through an interdisciplinary, collaborative, large scale, and blended learning unit.
In: Digitally Engaged Learning Conference, DEL 2024, 26-27 Septmber, 2024, Nanyang Academy of Fine Art, Singapore.
Kholeif, Omar
(2024)
Nil Yalter: Circular Tension by Omar Kholeif.
Mousse Publishing, Milan, Italy.
ISBN 9788867496297
Noonan-Ganley, Joseph, Watney, Simon, Dillon, Tom and Tripp, Sarah
(2024)
How Much Percussion Can We Take?
In:
THE CESSPOOL OF RAPTURE ARTIST’S TEXTS 2012-2024.
MA Bibliotheque, France, pp. 99-107.
ISBN 9781738507917
McKee, Francis
(2024)
Chaos, Clocks, and Watermelons Part 2.
Francis Mckee Substack.
Kholeif, Omar
(2024)
Drawing Time: Duets.
Sharjah Art Foundation, UAE,
4 May - 4 August 2024
Kholeif, Omar
(2024)
Lubaina Himid: Do You Want an Easy Life?
NKA: Journal of Contemporary African Art, 54 (2).
pp. 6-23.
ISSN Print: 1075-7163; Online: 2152-7792
Newth, Martin and Hunter, Roddy
(2024)
Assessing Assessment. Dialogic assessment practices, pass/fail regimes and student agency.
In: GSA Learning and Teaching Conference 2024: Creative Education as a Creative Sustainable Practice, Wednesday 5th June 2024, The Glasgow School of Art.
Barker, Sara and Cooper, Will
(2024)
'I once went down to the sea again'.
The Wyllieum, Greenock,
26th April - 1st September
Young, Sharon
(2024)
Hysterical correspondence: A play for voices.
JAWS Journal of Arts Writing by Students, 8 (2).
pp. 177-198.
ISSN 2055-2823; ONLINE 2055-2831
McKee, Francis
(2024)
Chaos, Clocks, and Watermelons Pt 1.
Francis McKee Substack.
Park, Sin
(2024)
Reflection on the Painting: Notes of Carol Rhodes.
In: Carol Rhodes: Seen and Unseen, 6 April - 23 April 2024, Reid Leid Lecture Theatre, Glasgow School of Art.
Topping, Jane
(2024)
Introduction and screening of two films at In the Cloud of Unknowing: Encounters with the UFO Phenomena.
In: IN THE CLOUD OF UNKNOWING: ENCOUNTERS WITH THE UFO PHENOMENON A symposium at Mildred’s Lane and “in the cloud”, 17 and 18 July 2024, Mildred’s Lane, Pennsylvania, USA.
Guy, Laura
(2024)
Showing the Work: Feminist archival practice and exhibition.
In: Women in Revolt: Radical Acts, Contemporary Resonances, 21-22 March 2025, TATE Britain.
Šik, Becky
(2024)
Mercury Revisited.
Topping, Jane
(2024)
Shit Hair.
Young, Sharon
(2024)
Animating the Surface of the screen and the body.
Animation Studies 2.0 blog.
Topping, Jane
(2024)
How Many Electric Sheep? Yet Another Version of Yet Another Conference Paper on Yet Another Adaptation of Blade Runner.
In: Transitions – 2024 Annual Conference of Science Fiction Research Association, 7-11 May 2024, University of Taru, Estonia.
Mersinis, Michael, Hodson, Elizabeth, Harold, Jim, Brind, Susan and Bird, Nicky
(2024)
Practicing Landscape Field Guide No. 1: Landscapes of Energy and Extraction: Mining the Animal.
Practicing Landscape: Field Guide, 1
(1).
Reading Landscape, Glasgow.
ISBN 9781738527540
Coutts, Nicky
(2024)
Drawing Beyond Human at the Drawing Research Forum.
In: Drawing Research Forum, 23 February 2024, The Drawing Room, London, UK.
Kholeif, Omar
(2024)
All Things Unsettled, Remain.
In:
Helen Khal: Gallery One and Beirut in the 1960s.
Sternberg Press; The MIT Press, artPost21, London, UK and Cambridge, MA, pp. 118-175.
ISBN 9781915609212
McKee, Francis
(2024)
Anything Goes Part 2.
Francis McKee's Substack.
Garden, Ren
(2024)
Sound of Violent Images / Violence of Sound Images: Pulling apart Tom and Jerry.
PhD thesis, The Glasgow School of Art.
McKee, Francis
(2024)
Anything Goes Part 1.
Francis McKee's Substack.
McKee, Francis
(2024)
Wormwood, lizards and the railroad man Pt. 2.
Francis McKee Substack.
Thompson, Susannah
(2024)
Scotland and the Origins of Modern Art [Book Review].
The Burlington Magazine, 1450 (166).
p. 104.
ISSN 0007-6287
Kholeif, Omar
(2024)
EGYPTIAN CINEMA: Dreaming of a fugitive culture.
In:
Routledge Handbook on Arab Cinema.
Routledge, London, pp. 389-395.
ISBN 9781032295336
Bird, Nicky, Brind, Susan, Carter, Justin, Evans, Brian, Elkovich, Carol, Greated, Marianne, Harold, Jim, Hooper, Alan, McMullan, Shauna, Mersinis, Michael, Punton, Lesley, Thomson, Amanda and Wall, Gina
(2023)
Pedagogy of Place - A Field Guide to Reading Landscape for Artists, Architects, & Designers.
Intellect Books, Bristol.
McMullan, Shauna
(2023)
A Rhizomatic Method.
In:
Pedagogy of Place - A Field Guide to Reading Landscape for Artists, Architects, & Designers.
Intellect Press, Bristol.
Douglas, Caroline
(2023)
Pioneers of Colour: Fulhame and Somerville’s Protophotography.
In: Colour Matters 2023, 6-8 December 2023, Trinity College, University of Oxford.
Kholeif, Omar
(2023)
Lubaina Himid and Magda Stawarska: Plaited Time / Deep Water.
Sharjah Art Foundation, Al Mureijah Square, UAE,
29 October 2023 - 29 January 2024
Šik, Becky
(2023)
Mercury (Queereal Dissemination) in Queereal Secretions: Artistic Research as Exquisite Practice.
In:
Queereal Secretions: Artistic Research as Exquisite Practice.
Article Press Glasgow.
Coutts, Nicky and Rogers, Henry, eds.
(2023)
Queereal Secretions: Artistic Research as Exquisite Practice.
Article Press, Glasgow.
Hodson, Elizabeth
(2023)
Reflections on Joining.
In:
Queereal Secretions: Artistic Research as Exquisite Practice.
Article Press, Glasgow.
Hannah, Michelle
(2023)
'Screentime'.
In:
Queereal Secretions: Artistic Research as Exquisite Practice.
Glasgow School of Art, Glasgow.
Topping, Jane
(2023)
A Nebulous Void and Null.
In:
Queereal Secretions.
Article Press, Glasgow, pp. 72-79.
ISBN 9781873352137
Hannah, Michelle
(2023)
Burnout.
Sinclair, Ross
(2023)
The Drummers Arms (Part One, Autumn Tour 2023) 1 - 6.
National Galleries, RSA Building, The Mound Edinburgh,
25 November - 21 December 2023
Greenwood, Storm
(2023)
Queer (and) Decolonial (and) Feminist Botanical Entanglements: I Am Listening.
PhD thesis, The Glasgow School of Art.
Topping, Jane
(2023)
What’s Under the Bed in Drew Barrymore’s Island Hotel from Hell?
Patricia Fleming Gallery.
Copestake, Anne-Marie
(2023)
A response to In The Year Of The Quiet Sun by The Otolith Group.
No publisher.
McClanahan, Angela
(2023)
The Materiality of Death Images in 20th Century Kentucky and
Transappalachia: Producing and Reaffirming Kinship through Funerary Photography.
In: Appalachian Studies Association Annual Conference, 7-9 Mar 2024, Western Carolina University.
Coutts, Nicky, Rogers, Henry, Hannah, Michelle, Hodson, Elizabeth, Murray, Liz, Šik, Becky, Topping, Jane, McKee, Francis and McGilvary, Owain
(2023)
Queereal Secretions.
Annex Gallery, Stow Building, The Glasgow School of Art,
13 November - 15 December 2023
McKee, Francis
(2023)
Skirting the event horizon.
In:
Queereal Secretions: Artistic Research as Exquisite Practice.
Article Press, Glasgow.
McBride, Christina
(2023)
THALL UDAÍ / OVER BY.
Seanscoil Bhun an Inbhir , Gaoth Dobhair Donegal, Eire,
110/11/23 - 10/01/24
Brownrigg, Jenny and Thompson, Susannah
(2023)
Early Eardley: Selected Works 1940-1950.
Reid Gallery and Windows on Heritage,
9 November - 16 December 2023
Thompson, Susannah
(2023)
Carole Gibbons [Book Review].
The Burlington Magazine, 165 (1448).
p. 1257.
ISSN 0007-6287
Topping, Jane
(2023)
Drew Barrymore's Island Hotel from Hell.
Patricia Fleming Gallery, Oxford House, 4 Oxford Lane, Glasgow, G5 9ER,
3 Nov - 16 Dec 2023
Thompson, Susannah
(2023)
Beagles and Ramsay: NHOTB and RAD [Exhibition Review].
Sight and Sound, 34 (1).
ISSN 0037-4806
Coutts, Nicky
(2023)
The Concretian Stone.
In:
Queereal Sectretions: Artistic Research as Exquisite Practice.
Article Press, The Glasgow School of Art, pp. 144-151.
Thompson, Susannah
(2023)
Face to Face: Interviews as Practice in the work of Stephen Sutcliffe.
In:
Theorising the Artist Interview.
Routledge.
Young, Sharon and Bosy, Karen
(2023)
What do you think about when you think about skies?
Itinerant Space, Pilot.
Deere, Leslie
(2023)
Action at a Distance: Reformatting the Paradigm of Spectatorship through Virtual Gestures and Audio-Visuals.
PhD thesis, The Glasgow School of Art.
McClanahan, Angela
(2023)
Project Loops, “Edgelands” and the Permanent Reimagining of Landscape.
Journal of Contemporary Archaeology, 10 (1).
pp. 124-138.
ISSN 2051-3437
Cho, Yeonjoo
(2023)
Painterly Hybridisation: Re-presenting Oriental Painting as an Intercultural Hybrid.
PhD thesis, The Glasgow School of Art.
Ramsay, Graham and Beagles, John
(2023)
NHOTB & RAD.
Gallery of Modern Art, Glasgow,
14 October 2023 - 28 April 2024
Thompson, Susannah
(2023)
Carole Gibbons [Exhibition Review].
Artforum.
p. 192.
ISSN 1086-7058
Rankovic, Katarina and Truelove, Ian
(2023)
Augmented Armageddon.
Information as Material & Leeds Beckett University, Leeds, UK.
Hannah, Michelle
(2023)
HEADREST XII.
No Bounds Radio.
Rankovic, Katarina
(2023)
Scripting for Agency.
PhD thesis, Goldsmiths College, University of London.
Young, Sharon
(2023)
Hysterical Chorus.
Harris, Ashanti, Ishaq, Asuf, Broomes, Mele, Mersinis, Michael, Zhaya, Nadia and Shetti, Shalmali
(2023)
‘You are a memory, I am your shadow’.
Reid Gallery, The Glasgow School of Art, 164 Renfrew Street, Glasgow - G3 6RQ.,
22 September 2023 - 04 October 2023
Thompson, Susannah
(2023)
A Script, A Poem, An Invocation [Book Review].
Art History, 46 (3).
pp. 598-602.
ISSN 0141-6790
Tripp, Sarah, Thompson, Susannah and Guy, Laura
(2023)
Establishing Cohorts, Supporting Communities: Supervising Cohorts of Practice-led Researchers in the Arts.
In: Doctoral Supervision in the Arts, Glasgow School of Art.
McKee, Francis
(2023)
Until Our New Sun Rises.
In:
Minerva Cuevas.
RM Verlag, DAAD, Berlin, pp. 75-115.
ISBN 978-84-19233-51-6
Haynes, Laura
(2023)
How to Take Your Leave: an editorial.
In:
The Yellow Paper: Journal for Art Writing.
The Yellow Paper Press.
ISBN 978-1-9162092-6-8
Haynes, Laura, Hill-Woods, Alice and Timney, Kate, eds.
(2023)
This is not a biography*: An Anthology of Biographical Fictioning.
The Yellow Paper Press, UK: Glasgow.
ISBN 978-1-9162092-5-1
Haynes, Laura
(2023)
Unwilling Companion.
In:
This is not a biography*: An Anthology of Biographical Fiction.
The Yellow Paper Press.
ISBN 978-1-9162092-5-1
Haynes, Laura, ed.
(2023)
The Yellow Paper: Journal for Art Writing.
The Yellow Paper Press.
ISBN 978-1-9162092-6-8
Thompson, Susannah
(2023)
Leonor Antunes [Exhibition Review].
Artforum.
ISSN 0004-3532
Stubbs, Michael
(2023)
Solo Exhibition: Michael Stubbs, 'studioshowflow', Crownlands Studio, Sizewell, Suffolk, UK.
Crownlands Studio, Sizewell, Suffolk,
4-27 August 2023
Young, Sharon
(2023)
Impacts of climate and the environment on physical activity and sleep.
In: Impacts of climate and the environment on physical activity and sleep, 28th Nov - 3 Dec 2023, Vietnam.
McBride, Christina
(2023)
Críocha An Chroí / Heartland.
An Gailearaí, Co. Donegal, Ireland,
09 July - 28 August 2023
Hill, Vikki, Salines, Emily, Greated, Marianne, Stevens, Thea and Mantho, Robert
(2023)
Approaches to compassionate feedback.
In: AHE Conference 2023, Thursday 22 & Friday 23 June 2023.
Kholeif, Omar
(2023)
Seeing with Hassan Sharif.
In:
The Art Library: Hassan Sharif.
Discovering Arab Artists
.
Rizzoli New York, New York, USA, pp. 20-30.
ISBN 9788891837738
Greated, Marianne, Stevens, Thea, Mantho, Robert, Hill, Vikki and Salines, Emily
(2023)
Modelling compassionate feedback.
In: QAA Scotland's 5th International Enhancement Conference: Shaping the Student Experience Together: 20 Years of Enhancement, 14 -15 June 2023, Glasgow Caledonian University, UK.
Coutts, Nicky
(2023)
Insectile blips: Listening in to power lines.
In: Glitch and Photography III: Metamorphosis and New Ecologies, 14 June 2023, Gothenburg University, Sweden.
Hill, Vikki, Salines, Emily, Stevens, Thea, Mantho, Robert and Greated, Marianne
(2023)
Compassionate Feedback: How to foster belonging through compassionate assessment practices.
In: HETL Conference 2023, June 12th - June 14th 2023.
McKee, Francis
(2023)
Trace Evidence.
Betonhalle, Berlin,
08 June - 02 July 2023
Topping, Jane
(2023)
When We Were a Child, We Were Hypnotised By Our Dentist.
In: Fiction Machines IV, 20 July 2023, Bath School of Art, Film & Media.
Coutts, Nicky, Kaasa, Adam and Wiesner, Jessica
(2023)
Research Pavilion 5.
HIAP, Helsinki, Finland,
4 - 25 June 2023
McKee, Francis
(2023)
Trace Evidence.
Rhodes, Lis, McKee, Francis, Tajik, Iman and Copestake, Anne-Marie
(2023)
Unravelling Times.
Hunterian Art Gallery, Glasgow,
12 May 2023 to 15 October 2023
Park, Sin
(2023)
Being-with the Painting Process: An Exploration of “Spacing” in
Painting and Writing.
PhD thesis, The Glasgow School of Art.
Smith, Catherine
(2023)
Translation as a Methodology within an Expanded Painting
Practice.
PhD thesis, The Glasgow School of Art.
Copestake, Anne-Marie
(2023)
Hard and Soft Disciplines (Margaret Benyon 1940 - 2016).
In: Feminist Histories of the Future, May 10 2023, The Henry Moore Institute.
Haynes, Laura and Forrest, Sarah
(2023)
It is this it is this, it is this.
In: Feminist Histories of the Future, May 10 2023, The Henry Moore Institute.
Topping, Jane
(2023)
Memoirs of a Spacewoman Woman Woman Woman Woman: A Five-Pointed Radial Picture Show.
In: Feminist Histories of the Future, 10 May 2023, Henry Moore Institue, Leeds.
Jackson, Deborah
(2023)
Sharp Objects (Daphne Dyce-Sharp, 1924-2010).
In: Feminist Histories of the Future, 10th May 2023, Henry Moore Foundation, Leeds.
McClanahan, Angela
(2023)
Things in Place: Revisiting Biographical Objects.
In: Iowa Museums Association Annual Conference, 2 Oct 2023, Western Illinois University.
Douglas, Caroline
(2023)
'[he] had a very low opinion on the capacity of my sex’: Mary Somerville (1780-1872) – Protophotographer and Pioneer of Colour.
In: Feminist Histories of the Future, May 10 2023, The Henry Moore Institute.
!['[he] had a very low opinion on the capacity of my sex’: Mary Somerville (1780-1872) – Protophotographer and Pioneer of Colour](https://radar.gsa.ac.uk/9001/1.haspreviewThumbnailVersion/Feminist_Histories_of_the_Future_1.png)
!['[he] had a very low opinion on the capacity of my sex’: Mary Somerville (1780-1872) – Protophotographer and Pioneer of Colour](https://radar.gsa.ac.uk/9001/3.haspreviewThumbnailVersion/Screenshot%202023-05-15%20at%2016.38.34.png)
Young, Sharon
(2023)
Watch Your Lip!
Thompson, Susannah
(2023)
‘Maker of Exhibitions’: The curatorial practice of Cordelia Oliver.
Museum History Journal, 16 (1).
pp. 7-27.
ISSN 1936-9816
Thompson, Susannah
(2023)
The Kink in the Arc.
In:
The Kink in the Arc.
The Kink in the Arc.
Haynes, Laura
(2023)
On Art Writing: Exploring an Interdisciplinary Field.
In: On Art Writing: Exploring an Interdisciplinary Field, 26 April 2023, Freelands Foundation, London.
Kholeif, Omar
(2023)
Internet_Art: From the Birth of the Web to the Rise of NFTs.
Phaidon, London and New York.
ISBN 9781838664077
Jackson, Jake
(2023)
Learning as a Spatial Phenomenon.
In:
A Focus on Pedagogy: Teaching, Learning and Research in the Modern Academy.
AMPS Proceedings Series, 28
(1).
AMPS - Architecture, Media, Politics, Society, pp. 113-126.
Thompson, Susannah
(2023)
A Tall Order! (Exhibition Review).
Artforum.
ISSN 1086-7058
Kholeif, Omar
(2023)
I Can't Breathe: Black Life and the Metaverse.
In:
I'll Be Your Mirror: Art and the Digital Screen.
Delmonico Books, D.A.P, The Modern Art Museum of Fort Worth, New York, USA, pp. 168-178.
ISBN 9781636810959
Douglas, Caroline, Krauss, Annette, Stacey, Frances, Scott, Alison and Stria, Alix
(2023)
'Frederick Douglass : Witness to Early Scottish Photography', Common Good and Colonialism: How Does Collective Relate To The Common Good? (Study Resource).
Stanton, Joshua
(2023)
Painting in The Fourth Dimension: Virtual Reality as a New Tool in Painting.
PhD thesis, The Glasgow School of Art.
Kholeif, Omar
(2023)
Sonia Balassanian.
imagine/otherwise, 1
.
Sternberg Press and the MIT Press, Cambridge MA and London, UK.
ISBN 9781915609076
Young, Sharon
(2023)
Once More with Feeling: A Reinvention of Hysteria using photography, performance and auto fiction.
PhD thesis, RCA.
Haynes, Laura
(2023)
In Conversation with Brian Dillon.
In: In Conversation with Brian Dillon.
Haynes, Laura
(2023)
The Maternal Reconciliation of Tillie Olsen (working title).
In:
Anti-Canonical Forms: Experimental Writing in Britain and North America (1945-2000).
Punctum Books.
Young, Sharon
(2023)
Watch Your Lip!
Ramsay, Graham and Beagles, John
(2023)
A NEW HEADS ON THE BLOCK & ROPE A DOPE KIDNEY PUNCH UPDATE MEAL DEAL AKA THE WORLD BELONGS TO THOSE WITH GOOD TEETH AKA SELL A LUNG TO FEED THE KIDS AKATYPE IV FUN AKA DAMN YOUR SPAM WE WANT BEEF AND WELCOME TO THE NEGATIVE AFFECTIVITY DOMAIN 2.0 OR SHOULD THAT BE A MOMENTARY LAPSE OF EQUALITY CONTROL IN A CIRCULAR HOLDING PATTERN OR HEAD LUNG DEAD AND OLD NED MOB.
Tan, Stefanie
(2023)
Becoming an indisciplinarian: Risking erasure to recover time, space and a commons. The politics, affects and methods of mutual improvement initiatives in Edinburgh and Glasgow 2009-2011.
PhD thesis, The Glasgow School of Art.
Smith, Sarah
(2023)
Decolonial Encounters with Hollywood Cinema: The Fragment as Audiovisual Metonym in Artists’ Moving Image.
In: Screen Studies International Conference, 1-2 July 2023, University of Glasgow.
Thompson, Susannah
(2023)
Conversations with the Collection: Pat Douthwaite panel discussion.
In: Conversations with the Collection: Pat Douthwaite panel discussion, 24 February 2023, Scottish National Gallery of Modern Art.
Thompson, Susannah
(2023)
Nashashibi/Skaer: Chimera.
Art Review, 75 (1).
p. 93.
ISSN 1745-9303
Thompson, Susannah, Pollock, Vee, Farley, Rebecca and Patrick, Adele
(2023)
From the Ground Up: Rewriting the Creative City Narrative.
In: From the Ground Up: Rewriting the Creative City Narrative, 14 February 2023, Glasgow Women's Library.
Hunter, Roddy and Cook, Sarah
(2023)
Networked Art Practice After Digital Preservation.
In:
The Black Box Book. Archives and Curatorship in the Age of Transformation of Art Institutions.
Masaryk University Press, Brno, pp. 192-227.
ISBN 978-80-280-0225-1
Hunter, Roddy
(2023)
How can ownership of an archive of international art be distributed and shared against the re-emergence of nationalism?
In: Art360 Foundation Richard Demarco Archive Workshop Series, 6 February 2023, Edinburgh College of Art.
Kholeif, Omar
(2023)
In the Heart of Another Country.
Snoeck and Deichtorhallen, Cologne, Germany.
ISBN 9783864423994
Fortnum, Rebecca
(2023)
Rebecca Fortnum: Les Praticiennes.
Henry Moore Institute Leeds,
3 February – 4 June 2023
Newth, Martin
(2023)
Culture Shocks.
In:
On Care. A journey into the Relational Nature of Artists’ Residencies.
Academy of Fine Arts and Design in Katowice, Ujazdowski Castle Centre for Contemporary Art, Akademie Schloss Solitude, Katowice/ Warsaw/ Stuttgart/ Amsterdam, pp. 270-281.
ISBN 978-83-65825-78-0 (Poland), 978-83-946839-10-1 (Germany)
McKee, Francis
(2023)
Sweet Extinction.
Three Fold (9).
Stevens, Thea, Greated, Marianne, Mantho, Robert and Salines, Emily
(2023)
Compassionate Feedback.
In:
Belonging through assessment: Pipelines of compassion: QAA Collaborative Enhancement Project.
QAA, pp. 76-93.
Thompson, Susannah
(2023)
Maud Sulter: Scots w’Afro.
Scottish Art News.
ISSN 1749-7310
Thompson, Susannah
(2023)
Maud Sulter: Memory and Identity.
In: Maud Sulter: Memory and Identity, 15 Jan 2023, Pollok House, Glasgow.
McKee, Francis
(2023)
Wormwood, lizards and the railroad man Pt.1.
Francis McKee Substack.
Bird, Nicky, Sleeman, Joy, Bell-Jones, Gareth, McCausland, Onya and Jackson, Katherine, eds.
(2023)
Aerial Landscapes.
Flat Time House, London, UK.
ISBN 9780995723139
Kholeif, Omar
(2022)
Hrair Sarkissian: The Other Side of Silence.
The Bonnefanten Museum, Maastricht, Netherlands,
29 November 2022 - 13 May 2023
Greer, Stephen and Hunter, Roddy
(2022)
Live Art in Scotland: Roddy Hunter.
Live Art in Scotland, Glasgow.
Brown, Katrina
(2022)
A Place for the Work and the Human Being.
In: 'Sustainable Futures', 6 December 2022, Douglas Hyde Gallery, Trinity College, Dublin.
Haynes, Laura, Coutts, Nicky, Figgis, Laurence, Salmon, Margaret, Thompson, Susannah, Bennett, Claire-Louise and Pedersen, Michael
(2022)
Biographical Fictioning: The Lyric.
Fraser, Marita
(2022)
Carelessness as a Method for Care.
In: “Viral With” as part of "Confabulations", Confabulations: Art Practice, Art History, Critical Medical Humanities is a new series of urgent conversations on health, medicine, and medicalized bodies, October 2021 - ongoing, University of Durham; Queens University, Canada; University of Lincoln; Online.
Park, Sin
(2022)
Necessary Sequels.
HSBC Space, 8 Canada Square, Canary Wharf, London, E14 5HQ,
13 October 2022 - 13 April 2023
Coutts, Nicky
(2022)
Unwriting Nature 2.
In: Unwriting Nature 2, 3rd October, 2022, Spoleto, Italy.
Kholeif, Omar
(2022)
In the Heart of Another Country.
Deichtorhallen, Hamburg, Germany, and Sharjah Art Foundation, UAE,
28 October 2022 - 12 September 2023
Thompson, Susannah
(2022)
Clara Ursitti: Amik.
Sight and Sound, 32 (9).
p. 101.
ISSN 0037-4806
Coutts, Nicky, Sutterwalla, Shehnaz, Kaasa, Adam, Wiesner, Jessica and Graham, Holly
(2022)
Guest Holes.
FAYDDIGITAL.
Thompson, Susannah
(2022)
Maud Sulter: Poet as Heretic.
In: The Anti-Canon: Experimental Writing in English (1945-2000), 15-16 September 2022, The Palace of the Academies, Brussels.
Haynes, Laura
(2022)
I who want to run in one river and become great:
The Maternal Reconciliation of Tillie Olsen.
In: Experimental Writing in English (1945-2000) - The Anti-Canon, 15-16 September 2022, The Palace of the Academies, Brussels, organised by Ghent University and Vrije Universiteit Brussel (VUB).
Di Franco, Karen
(2022)
It is in all our bodies stretching into materials! Carolee Schneemann, agent in the book repository.
In:
Carolee Schneemann: Body Politics.
Yale University Press, pp. 234-236.
ISBN 9780300260649
Fraser, Marita
(2022)
Carolee Schneemann’s Feminist Frottage: “Speaking With” Parts of a Body House.
In: Carolee Schneemann: Body Politics, 9th September 2022, The Courtauld Institute of Art, Vernon Square, Penton Rise, London, WC1X 9EW.
Brown, Katrina
(2022)
'May amnesia never kiss us on the mouth'.
Florence Street, Glasgow,
9 September - 9 October 2022
Bird, Nicky
(2022)
Raging: Revisiting Raging Dyke Network.
In:
Collection Thinking: Within and Without Libraries, Archives and Museums.
Routledge, London, UK.
ISBN 9781003282303
Brown, Katrina
(2022)
'Mutable Entities'.
In:
Abbas Akhavan, study for a garden.
Mount Stuart Visual Arts, Mount Stuart, Isle of Bute, pp. 41-45.
ISBN 978-0-9567262-3-0
Thompson, Susannah
(2022)
A Conversation on Rainbow Milk: Paul Mendez and Susannah Thompson.
In:
The Yellow Paper.
The Glasgow School of Art, Glasgow, pp. 30-46.
ISBN 9781916209220
Šik, Becky
(2022)
Screening of Mercury at Supernormal Festival 2022.
Braziers Park,
12-14 August 2022
Haynes, Laura
(2022)
The Quick.
JOAN.
McKee, Francis
(2022)
lo ultimo en la avenida.
La Sociedad del Tiempo Libre.
Greated, Marianne
(2022)
Dawn Up.
Joya: Arte + Ecologie
Fortnum, Rebecca
(2022)
From Our Own Correspondent.
In:
Listening to Kathleen Walne.
Obscure Secure, pp. 10-12.
ISBN 978-1-3999-3355-1
Haynes, Laura
(2022)
Trig Point: an editorial.
In:
The Yellow Paper: Journal for Art Writing.
The Yellow Paper Press.
ISBN 978-1-9162092-2-0
Haynes, Laura, ed.
(2022)
The Yellow Paper: Journal for Art Writing.
The Yellow Paper Press.
ISBN 978-1-9162092-2-0
Douglas, Caroline
(2022)
Retouching Postpartum.
In:
‘I Care By…’.
RCA Research Communiqués, London.
ISBN 978-1-8383543-3-6
McClanahan, Angela
(2022)
Project Loops, Edgelands and the Permanent Reimagining of Landscape.
In: American Anthropological Association Annual Meeting, 9-13 Nov 2022, Seattle, WA, USA.
Haynes, Laura
(2022)
In Conversation with Kirsty Bell.
In: In Conversation with Kirsty Bell, 24 June 2022, Outwith Books, Glasgow.
Topping, Jane
(2022)
The Man Who Fell to Millom.
Gothic Nature Journal: New Directions in Ecohorror and the EcoGothic (3).
ISSN 2632-4628
Fortnum, Rebecca
(2022)
Chronicles.
9A Gallery, Todmorden,
18th June - 16th July 2022
Di Franco, Karen
(2022)
Nancy Holt: The Horizon of the Text.
In:
Nancy Holt: Inside/Outside.
Monacelli: A Phaidon Company, New York, pp. 117-138.
ISBN 978-1-58093-597-5
Fortnum, Rebecca
(2022)
The Subtle Knife: Michael Ginsborg's Field Notes.
Benjamin Rhodes Gallery.
Hannah, Michelle
(2022)
House of Embers.
Gallery of Modern Art,
3 - 4 June 2022
Thompson, Susannah
(2022)
Significant Others: Maud Sulter in Relation (symposium).
In: Significant Others: Maud Sulter in Relation, 1 June 2022, Online (Glasgow Women's Library).
Di Franco, Karen
(2022)
“and all we left or lost no longer need
here having all together”
— Reproducing Carolee Schneemann.
In: American Art Archives in Britain, 6-7 May 2022, The Courtauld / online.
Haynes, Laura
(2022)
The Kink in the Arc.
In:
The Kink in the Arc.
The Kink in the Arc.
Forrest, Sarah
(2022)
What is Seen, What is Said to be Seen: Exploring Doubt as a Critical Tool within Artists' Moving Image Practice.
PhD thesis, The Glasgow School of Art.
Punton, Lesley
(2022)
The Hide.
Currall, Alan
(2022)
Musophobia.
Hannah, Michelle
(2022)
A Queer Cosmic Pessimism (Embers).
In: Whats the Matter? Queer Materiality and Communities of Making, 29th June 2022, online.
Haynes, Laura, Thompson, Susannah, Jardine, Fiona Ann, Draycott, Esther, Fortnum, Rebecca, Briggs, Kate, Mendez, Paul, Hill-Woods, Alice, O'Brien, Sara and Sutcliffe, Stephen
(2022)
Biographical Fictioning.
Di Franco, Karen
(2022)
Seeing and Meaning: Fiction writing at the intersection of art practice in the 1970s.
In: Association for Art History Annual Conference 2022, 7-8 April 2022, Online.
Thompson, Susannah
(2022)
Significant Others: The Writing of Maud Sulter.
In: Association of Art History Conference 2022: Panel - The Carrier Bag Theory of Art History: experimental writing in, on and alongside feminist and queer art, 7 April 2022, Online.
Thompson, Susannah and Brownrigg, Jenny
(2022)
Early Eardley: a reconsideration of Joan Eardley (1921-1963).
The British Art Journal, XXII (3).
pp. 64-79.
ISSN 1467-2006
Smith, Stephanie and Stewart, Eddie
(2022)
NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO
NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO.
Thompson, Susannah
(2022)
Re-positionings: Tracing an international regionalist imperative in post-war visual arts production in the UK North.
In: Re-positionings: Tracing an international regionalist imperative in post-war visual arts production in the UK North: Glasgow, 30 March 2022, University of Newcastle.
Jackson, Jake
(2022)
Learning as a Spatial Phenomenon.
In: A Focus on Pedagogy:Teaching, Learning and Research in the Modern Academy, 20 - 22 April 2022, Virtual.
Topping, Jane
(2022)
How Many Electric Sheep? Yet Another Version of Blade Runner.
In: The North Eastern Modern Language Association's (NeMLA) 53rd Annual Convention, March 10-13, 2022, Baltimore, Maryland Hotel: Baltimore Marriott Waterfront. Local Host Institution: Johns Hopkins University.
Frew, James
(2022)
Digital Facture: Painting After New Media Art.
PhD thesis, The Glasgow School of Art.
Topping, Jane
(2022)
The Man Who Fell to Millom - Introduction, Screening and Q&A at GeoWeek 2022 Symposium - Communication Measures to Bridge 4.543 billion years.
In: GeoWeek 2022, May 12 & 13 2022, The University of Cumbria Institute of Arts.
Kholeif, Omar
(2022)
Lawrence Abu Hamdan: The Lives of Sonified Images.
In:
Lawrence Abu Hamdan: The Sonic Image.
Sharjah Art Foundation, Sharjah, UAE, pp. 5-14.
Haynes, Laura
(2022)
Tillie Olsen and Time’s Coal: Some Verses on the Limits of Practice and Discipline.
Nothing Personal, 2.
pp. 9-15.
Fraser, Marita, Blackshaw, Gemma, Baluch, Sohaila, Heidorn, Nora and Hermon, Rosie, eds.
(2022)
I care by...
Research Communiqués: RCA Fine Arts and Humanities
.
Royal College of Art.
ISBN 978-1-8383543-3-6
Thompson, Susannah
(2022)
Letters from Joan.
In:
All Becomes Art.
Speculative Books, pp. 77-124.
ISBN 9781912917402
Haynes, Laura
(2022)
Jenny Hogarth: Bodies That Tic.
In:
Aggregate 2022: Freelands Artist Programme.
Freelands Foundation, London, pp. 109-105.
ISBN 9781838257217
Baraúna, Danilo
(2022)
Projective Moving Image Installation as Disorientation Device: A Phenomenology of Queer Encounters.
PhD thesis, The Glasgow School of Art.
Thompson, Susannah
(2022)
Spark's Spinsters: Bedsits and Boarding Houses in the Novels of Muriel Spark.
In:
The Crooked Dividend: Essays on Muriel Spark.
Occasional Papers
.
Association for Scottish Literary Studies, Glasgow, pp. 44-62.
ISBN 9781908980335
Haynes, Laura
(2022)
Tillie Olsen and Time's Coal.
In: Nothing Personal, 19 May 2022, Good Press.
Rossenova, Lozana and Di Franco, Karen
(2022)
Iterative Pasts and Linked Futures: A Feminist Approach to Modeling Data in Archives and Collections of Artists’ Publishing.
In:
Perspectives on Data.
Perspectives, 2
.
The Art Institute of Chicago.
ISBN 978-0-86559-315-2
Mendrek, Pawel and Newth, Martin, eds.
(2022)
Parallax 2018-2022.
Academy of Fine Arts and Design in Katowice, Chelsea College of Arts, University of Gothenburg, University of Plymouth, Katowice, Poland.
ISBN 978-83-65825-72-8
Greated, Marianne
(2021)
Eye of the Storm: Academic Symposium.
In: Eye of the Storm: Academic Symposium of the work of the Scottish Landscape Painter James Morrison, 20th December 2021, Central Academy of Fine Arts, China.
Thompson, Susannah
(2021)
Passionate and political: centring black women in Maud Sulter's 'Zabat'.
Art UK.
Park, Sin
(2021)
Dance with the One Who Brought You.
Patricia Fleming,
9 December 2021 - 30 January 2022
Ramsay, Graham and Beagles, John
(2021)
Fashion Dust Umami.
Centre for Contemporary Arts, Glasgow,
3rd December 2021
McBride, Christina, Holdengarde, Jess, King, Melanie and Fletcher, Hannah
(2021)
Sustaining a Photographic Practice in an Ecological Crisis.
In: Sustaining a Photographic Practice in an Ecological Crisis, 3rd December 2021, online.
Jack, Marcus
(2021)
Artists’ Moving Image in Scotland: Production, Circulation, Reception, 1970–2021.
PhD thesis, The Glasgow School of Art.
Alexander, Carolyn
(2021)
The Materiality, Authenticity and Aura of the Creative Replica: Can the use of visual art and socially engaged practice facilitate deeper engagement with lost or vulnerable heritage?
PhD thesis, The Glasgow School of Art.
Rogers, Henry and Bento Coelho, Ines
(2021)
Situating Supervision in the Research Environment: Re-situating in a Peer-Learning Context.
In:
Advancing Supervision for Artistic Research Doctorates.
Academy of Fine Arts Vienna, https://advancingsupervision.eu/outputs/situating-supervision/.
Thompson, Susannah
(2021)
The Story of Scottish Art (Book Review).
The Burlington Magazine, 163 (1424).
p. 1090.
ISSN 0007-6287
Graham-George, Sheena
(2021)
The Forgotten Mothers in the Cillin: spectral traces in the landscape and memory, woven in sound.
PhD thesis, The Glasgow School of Art.
Fortnum, Rebecca
(2021)
Hannah and her Sisters: loss of face in the paintings of Emma Roche.
The Complex, Dublin, Dublin.
Di Franco, Karen
(2021)
Publishing the Self:
Fiction and the aesthetics of self-publishing in 1970s New York.
In: Xerography: Women Artists, 1965–1990, 18-19 November 2021, Institut national d’histoire de l’art, Paris.
Stubbs, Michael
(2021)
Solo Exhibition: Michael Stubbs: Three Paintings.
Palfrey Space, London, UK,
11 November – 4 December 2021
Kholeif, Omar
(2021)
Where Do Pictures Live?
In:
Hrair Sarkissian: The Other Side of Silence.
Lenz Press, Milan, Italy, pp. 26-37.
ISBN 9791280579010
Fraser, Marita
(2021)
Calling Occupants.
In: INTERIOR/INTERIOR, 28 October 2021, online.
Mendelson, Zoë and Bunting-Branch, Anna
(2021)
INTERIOR, INTERIOR.
In: INTERIOR, INTERIOR, 28 October 2021, online via Dialogues at CCW, UAL.
Brown, Katrina
(2021)
Gustav Metzger - 'Mobbile'.
Across Glasgow,
27 October - 3 November 2021
Douglas, Caroline
(2021)
Cloths of Gold and Experiments on Light.
In: Colour Fever, 25 Oct. - 5 Nov. 2021, Victoria & Albert Museum.
Thompson, Susannah, Insley, Jessica, Farrington, Lisa, Buick Pai, Kirsten and Nelson, Charmaine A.
(2021)
Unravelling the Mystery: Edmonia Lewis and Bute.
In: Unravelling the Mystery: Edmonia Lewis and Bute, 22 Oct 2021, Online (Mount Stuart, Isle of Bute).
Haynes, Laura
(2021)
The Quick.
PhD thesis, University of Glasgow.
Haynes, Laura
(2021)
A matter of time.
Resurgence & Ecologist (329).
pp. 4-7.
ISSN 0034-5970
Hannah, Michelle
(2021)
HEADREST VI.
No Bounds Radio.
Brown, Katrina
(2021)
Sharon Hayes - 'Ricerche'.
Former Adelphi Terrace Public School,
9 October - 7 November 2021
Bird, Nicky
(2021)
The Decorators of Portobello: In their own words.
Art Walk Press, Edinburgh, Scotland.
ISBN 978-1-7399400-0-3
Douglas, Caroline
(2021)
Frederick Douglas: Witness to Early Scottish Photography.
National Galleries of Scotland: Feature Articles.
Di Franco, Karen
(2021)
Breakthrough Fictioneers: Chance and Collage in Artists’ Publishing (1972–79).
In: Cutting Edge: Collage in Britain, 1945 to Now, 5 - 14 October 2021, Online.
McBride, Christina
(2021)
In Process.
185 Bath Street Glasgow,
29/10/21 - 27/11/2021
Wonders, Bec
(2021)
‘Please Say More’: mediating conflict through letter-writing
in British second wave feminist periodicals, 1970-1990.
PhD thesis, The Glasgow School of Art.
Di Franco, Karen
(2021)
Concrete Erotics: Carolee Schneemann’s Parts of a Body House Book.
In: Eroticism, Poetic Concretism, and Visuality (1960-1970), 17-18 September 2021, Musée national d’art moderne, Centre Pompidou.
Tripp, Sarah, Dawson, Bryony, Spong, Srishana, Godet, Charlie, Constantin, Jeanne, Higgins, Jessica and Davies, Lydia
(2021)
The Naming of Things.
Thompson, Susannah
(2021)
Scots w'Afro: The Photography of Maud Sulter.
In: The Scottish Society for the History of Photography - The Annan Lecture 2021, 21 August 2021, Online.
McBride, Christina
(2021)
Hospitalfield Interdisciplinary Residency.
not relevant.
Haynes, Laura
(2021)
On Uncertainty: an editorial.
In:
The Yellow Paper: Journal for Art Writing.
The Glasgow School of Art, pp. 8-11.
ISBN 978-1-9162092-1-3
Haynes, Laura, ed.
(2021)
The Yellow Paper: Journal for Art Writing.
The Glasgow School of Art, Glasgow.
ISBN 978-1-9162092-1-3
Hannah, Michelle
(2021)
HEADREST V.
No Bounds Radio.
Haynes, Laura and Hogarth, Jenny
(2021)
In Conversation with Jenny Hogarth.
In: Meet me at the threshold, 4 May 2022, Talbot Rice Gallery, University of Edinburgh.
MacIntyre, Lorna
(2021)
'Notch Code' exhibition text.
Produced by Morwenna Kearsley and Curfew Gallery.
Haynes, Laura, Bik Van der Pol and Farrer, Cicely
(2021)
Scoring a Living Newspaper.
In: FIELDWORK International Summer School 2021, 31 July - 1 August 2021, Hospitalfield, Arbroath, Scotland.
Thompson, Susannah and Brownrigg, Jenny
(2021)
Joan Eardley at The Glasgow School of Art.
Scottish Art News (34).
pp. 13-16.
ISSN 1749-7310
Thompson, Susannah
(2021)
Alison Watt: A Portrait Without Likeness.
Scottish Art News (34).
pp. 37-39.
ISSN 1749 7330
Thompson, Susannah
(2021)
The Democratisation of Art? Manchester International Festival 2021.
Art Review.
ISSN 1745-9303
Hannah, Michelle
(2021)
HEADREST IV.
No Bounds Radio.
Thompson, Susannah
(2021)
Laura Aldridge: sumVigour.
Scottish Art News.
Kholeif, Omar
(2021)
Reflecting on Reflections, Speculating on Speculating, All at Once.
Groundings/Occasional Groundwork.
Šik, Becky and Kubba, Sukaina
(2021)
Carbon-Mercury: Thinking Through Holes.
In: Carbon-Mercury:Thinking through holes, 8th July 2021, Online Zoom performance for Collective Gallery, Edinburgh.
Thompson, Susannah
(2021)
Joan Eardley and Catterline Panel Discussion.
In: Joan Eardley and Catterline Panel Discussion, 30 June 2021, Online / National Galleries of Scotland.
Thompson, Susannah
(2021)
Citation Required?: Modes of critical writing beyond the academy.
In: Citation Required?: Modes of critical writing beyond the academy, 24 June 2021, Online (University of West of England).
Thompson, Susannah
(2021)
Nothing Personal.
MAP Magazine, 62.
ISSN 2633-8009
Douglas, Caroline
(2021)
Pictures and progress? Frederick Douglass and early Scottish photography.
V&A Blog: News, articles and stories from the V&A.
Thompson, Susannah and Haynes, Laura
(2021)
Letters from Joan.
In: "All becomes art": Writers Celebrate Joan Eardley's Centenary, 18 May 2021, Online / University of Glasgow.
Brown, Katrina
(2021)
Sam Durant - 'Iconoclasm'.
Sites across Glasgow,
17 May - 11 July 2021
Kholeif, Omar
(2021)
Unsettled Objects.
The Flying Saucer, Sharjah Art Foundation, UAE,
30 March -15 June 2021
Thompson, Susannah and Brownrigg, Jenny
(2021)
Early Eardley: Placing Arran Works in Context.
In: Arran - An Artistic Legacy: The Arran Arts Heritage Trail Symposium, 29 April 2021, Online.
Thompson, Susannah, Brownrigg, Jenny, Morrison, Anne, Patience, Jan, Carlisle, Anna and Mathie, Alexandra
(2021)
In Conversation with Kirsty Wark - Joan Eardley's work & legacy.
In: Arran - An Artistic Legacy: The Arran Arts Heritage Trail Symposium, 29 April 2021, Online.
Keehan, Allyson
(2021)
Painting and Materiality: Three Creative Strategies for Transformation.
PhD thesis, The Glasgow School of Art.
Thompson, Susannah, Allmer, Patricia and Rice, Grainne
(2021)
Scotland and Surrealism - Digital Workshop.
In: Surrealism and Scotland, 28 April 2021, Online.
Bird, Nicky
(2021)
Legacy.
Street Level Photoworks, Glasgow,
27 April - 6 June 2021
Devenney, Lynda
(2021)
An investigation into the embodied cognitive processes elicited by moving image installation.
PhD thesis, The Glasgow School of Art.
Douglas, Caroline
(2021)
Sonsy Fishwives: Gender and Class in Early Scottish Photography.
Studies in Photography, Spring.
pp. 88-97.
ISSN 1462-0510
Thompson, Susannah
(2021)
'Maker of Exhibitions': Cordelia Oliver as Curator.
In: Association for Art History Annual Conference 2021, 14-17 April 2021, Online.
Thompson, Susannah
(2021)
Three Scottish Surrealists: Sulter, Douthwaite, Flannigan.
In: Association for Art History Annual Conference 2021, 13-17 April 2020, Online.
Topping, Jane
(2021)
The Peter & nou Handbook: A Field Guide to an SF Practice (So Far), 2020.
PhD thesis, University of Cumbria Institute of Arts.
Di Franco, Karen
(2021)
Literal Corpus: Tracing a material history of women’s art practice through publishing.
In: Visual Culture Methodologies in Periodical Studies, 19 March 2021, Online.
Thompson, Susannah
(2021)
Edmonia Lewis's 'Bust of Christ': A Rediscovery?
In: Rediscovering our sculpture: Art UK, 11-12 March 2021, Online.
McKee, Francis
(2021)
Agitation.
In:
Ester Krumbachova.
UMPRUM, pp. 17-23.
ISBN 978-80-88308-47-8
Mulholland, Craig
(2021)
VOICE OF THE ORACLE.
Glasgow & International Online Event,
25 February 2021
Sinclair, Ross and MacIntyre, Douglas
(2021)
It's Kinda Funny: music Douglas MacIntyre (Port Sulphur); film Prof. Ross Sinclair.
Young, Sharon
(2021)
Said the Curate to the Curator.
In:
Care(less).
MA BIBLIOTEQUE.
ISBN 9781910055861
Butler, Jacqueline
(2021)
The Photograph as Haptic and Virtual Object:
Realms of Ephemeral Sensation and Material Objecthood.
PhD thesis, The Glasgow School of Art.
Fraser, Marita
(2021)
Careless Reply.
In:
CARE(LESS). A Supplement to On Care.
MA Bibliothèque, London, pp. 44-46.
ISBN 978-1-910055-86-1
Rogers, Henry
(2021)
The Creator Doctus Constellation: Exploring a New Model for a Doctorate in the Arts.
In:
The Creator Doctus Constellation: Exploring a New Model for a Doctorate in the Arts.
Gerrit Rietveld Academie and EQ-ARTS, pp. 37-66.
ISBN 978-90-830969-1-9
Newth, Martin
(2021)
In Transit - Depictions of Hounslow.
Creative People and Places Hounslow Visual Arts Programme, Hounslow, London.
Douglas, Caroline
(2021)
Postpartum: Unlearning Conception and Photography.
In:
CARE(LESS), A Supplement To On Care.
MA Biliothèque, London, pp. 33-36.
ISBN 978-1-910055-86-1
Rankovic, Katarina
(2021)
The Shape of a Thinking Thing.
In:
PhD Programme, Art Department Goldsmiths, University of London.
PhD Programme, Art Department Goldsmiths, University of London, London, pp. 19-20.
ISBN 9781527295087
Hannah, Michelle
(2021)
The richest scene I've ever seen.
In:
The Moon and The Echo: responses to The Moon and The Melodies (1986) by Harold Budd and Cocteau Twins.
Pilot Press London.
Thompson, Susannah
(2020)
Weird Folds.
MAP Magazine, 60.
ISSN 2633-8009
Zhang, Rongwei
(2020)
Painting Nostalgia: A Rhizomatic Exploration of Memory and Affect.
PhD thesis, The Glasgow School of Art.
Di Franco, Karen
(2020)
How Does a Work End?
Bricks From the Kiln (4).
pp. 173-193.
Wall, Gina and Hale, Alex
(2020)
Art & Archaeology: uncomfortable archival landscapes.
International Journal of Art and Design Education, 39 (4).
pp. 770-787.
ISSN 1476-8062
Currall, Alan
(2020)
Haunted Sausage.
Douglas, Caroline
(2020)
Sonsy Fishwives: Gender and Class in Scotland’s Earliest Photographic Portraits.
In: Ways of Seeing: Second Morton Photography Symposium, 29 October 2020, Glasgow Women's Library.
Wang, Xiaoai
(2020)
Sharing a View: Contemporary Art from Glasgow.
Luxun Academy of Fine Arts, Shenyang, China; Tsinghua University, Beijing, China; Guangzhou Academy of Fine Art, Guangzhou, China,
23 October 2020 - 14 March 2021
Thompson, Susannah
(2020)
Maud Sulter.
In:
Oxford Dictionary of National Biography.
Oxford University Press.
Thompson, Susannah
(2020)
Forms of the Practice-Led Thesis at The Glasgow School of Art.
In: KTH/Konstfack PhD Conference, 1 Oct 2020, Konstfack University of Arts, Crafts and Design, Stockholm, Sweden.
Birrell, Ross and Weiss, Rachel
(2020)
Gloves Improvisation for Rachel Weiss, Edge Zones, 9th Miami Performance Festival International 2020.
Online festival, Miami,
9-11 Sep 2020
Bird, Nicky
(2020)
Shadowing Rogovin: Retracing 'Family of Miners,' Scotland 1982.
Studies in Photography, Summer (2020).
pp. 60-69.
ISSN 1462-0510
Thompson, Susannah
(2020)
Oracular Transmissions: Etel Adnan and Lynn Marie Kirby [Book review].
Burlington Contemporary, 3.
ISSN 2044-9925
Macdonald, Kirsteen
(2020)
Becoming Curatorial: Emergent Infrastructures for Curatorial Practice and Work.
PhD thesis, The Glasgow School of Art.
Bird, Nicky
(2020)
Ghosting the Castle: the case of (re)landscaping in a Northern place.
In:
Proximity and Distance in Northern Landscape Photography: Contemporary Criticism, Curation and Practice.
Transcript Verlag, Bielefeld, pp. 141-159.
ISBN 978-3-8376-4950-5
Paul, Nalini
(2020)
Untitled.
Enough! Scotland.
Tripp, Sarah
(2020)
The Self Illuminated Pen.
MAP Magazine.
ISSN 2633-8009
Thompson, Susannah
(2020)
Stephen Sutcliffe: at Fifty.
Burlington Contemporary.
ISSN 2044-9925
Fraser, Marita, Faust, Chantal and Fortnum, Rebecca, eds.
(2020)
PROVA 5.
Royal College of Art.
ISBN 978-1-8383543-0-5
Greenough, Thomas
(2020)
Thoughts on Mobility.
In: Virtual PIE The Future of Internationalisation: Inclusion & Mobility, 26 May 2020.
Thompson, Susannah and Greated, Marianne
(2020)
Women Painting: Scottish Art 1940-1980 (MAP magazine mini-series).
MAP Magazine, 56.
ISSN 2633-8009
Thompson, Susannah
(2020)
GSA Exhibitions Timeline 'Art Booms with the Guns: The War Years at Glasgow School of Art (1939-1945)'.
GSA Exhibitions Blog.
Thompson, Susannah
(2020)
GSA Exhibitions Timeline: 'Speak English': Lubaina Himid and Maud Sulter, 2002.
GSA Exhibitions Timeline Blog.
Thompson, Susannah
(2020)
Paula Rego: Obedience and Defiance.
The Burlington Magazine, 162 (1404).
pp. 351-353.
ISSN 0007-6287
Thompson, Susannah
(2020)
Marine Hugonnier - Travel Posters.
Art Review.
ISSN 1745-9303
Thompson, Susannah and Greated, Marianne
(2020)
Editorial - Women Painting: Scottish Art 1940-1980.
Visual Culture in Britain, 21 (1).
pp. 1-13.
ISSN 1471-4787
Thompson, Susannah and Greated, Marianne
(2020)
Special issue: Women Painting: Scottish Art 1940-1980.
Visual Culture in Britain, 21
(1).
Taylor and Francis.
Bird, Nicky
(2020)
The Decorators.
Portobello, Edinburgh,
Residency October 2019-March 2020: Events: 16 November 2019, 29 February & 1 March 2020, 7 & 8 March 2020
Fraser, Marita, Figes, Lydia, Waterman, Nicola and Broughton, Holly
(2020)
She Speaks.
In: She Speaks, 07 March 2020, The Glass Tank, Oxford Brookes University, Oxford.
Thompson, Susannah
(2020)
‘Cod Liver Oil’: The Art and Criticism of Cordelia Oliver.
Visual Culture in Britain, 21 (1).
pp. 30-56.
ISSN 1471-4787
Bird, Nicky
(2020)
Raging: Revisiting Raging Dyke Network.
In: Practicing Landscape: Land, Histories and Transformation, online symposium 2020, 6 November – 12 December 2020, Glasgow School of Art, via Zoom.
Salmon, Margaret
(2020)
K is for Kato, an Esperanto Alphabet book.
Dundee Contemporary Arts.
McMullan, Shauna
(2020)
SITTING - Scots Dike (Scotland at my toes, England at the tips of my fingers).
Gallery 1, The Lighthouse, Glasgow,
25 Jan 2020 - 17 Mar 2020
Fraser, Marita
(2020)
Feminist Frottage.
In: Writing / Performance, January 30 - 31 2020, Royal College of Art.
Wall, Gina
(2020)
Lossie Forest I; Lossie Forest III; Blackhills, Moray; Lossiemouth Harbour; Bishopmill Quarry; Noirmont point, Jersey.
McKee, Francis and Jeřábková, Edith
(2020)
The Princess Fainted on the Spot: On Ester Krumbachová’s Dark Tales.
philoSOPHIA: A Journal of Continental Feminism, 10 (1).
pp. 95-106.
ISSN 2155-0891
Douglas, Caroline
(2020)
A Conversation Tait / Maxwell.
In:
PROVA 5, The Urgency of the Arts.
RCA Humanities Research Journal, London.
ISBN 978-1-8383543-0-5
Fraser, Marita
(2020)
Dear Yvonne.
PROVA 5.
pp. 196-197.
Hannah, Michelle
(2020)
GPT-3.
Bird, Nicky
(2020)
In the field with the vernacular photograph: archive, community memory and intangible heritage.
The Glasgow School of Art.
Ramsay, Graham, Beagles, John, Wilson, Stephen and Buckley, Simon
(2020)
Management Joy.
Govan Project Space, Glasgow.
ISBN 978-1-8380637-2-6
Fraser, Marita
(2020)
No.
PROVA 5.
pp. 264-266.
Tripp, Sarah
(2020)
The Self-Illuminating Pen.
The Glasgow School of Art.
Di Franco, Karen
(2020)
Visual Territory, Carolee Schneemann’s Parts of a Body House Book.
In:
Beau Geste Press.
CAPC musée d'art Contemporain de Bordeaux, Bom Dia Boa Tarde Boa Noite, Bourdeaux, France, pp. 387-402.
ISBN 2877212505
Brind, Susan, Harold, Jim and Souto, Ana
(2019)
Exploring liminality in Cyprus: spaces, voices and means of expression.
RUUKKU: Peripheries in artistic research, 12.
ISSN 2341-9687
Mulholland, Craig, Brown, Madeleine and O'Brien, Carmel
(2019)
TRANSITIONAL TOYS (SECURITY OBJECTS).
Espace Temoin, Geneva & Iota Arts Space, Glasgow,
14th Dec 2019 - 11th Jan 2020 & 15th May - 3rd June 2020
Mulholland, Craig, Brown, Madeleine and O'Brien, Carmel
(2019)
SUPPLEMENTS 1 BY HOMMAGES.
In:
Transitional Toys (Security Objects).
Molecular Press, Geneva, Switzerland, pp. 52-55.
ISBN 978-2-9700376-7-5
Bird, Nicky
(2019)
An ongoing case - Shadowing Rogovin: Retracing Family of Miners, Scotland 1982.
In: Through the Years: A joint symposium by the Family Ties Network (FTN) and The Visual Culture Research Group (University of West England, Bristol), 6 December 2019, Watershed, Bristol.
Mendelson, Zoë
(2019)
Purity, Danger, Dirty Re-arranger.
Lewisham Arthouse, London,
4 December 2019 - 16 December 2019
Hale, Alex, Brophy, Kenneth, Thomas, Antonia, Lee, Daniel, Brind, Susan, Brownrigg, Jenny, Wall, Gina, Jeffrey, Stuart, Anderson, Iain, Scott, Mark, Harold, Jim, Jorgensen, Birthe, Jones, Cara, Jones, Sian, MacGregor, Gavin, Murtagh, Paul, Maxwell, Mhairi and Sanders, Jeff
(2019)
#3M_DO_2019.
HES Publications, Edinburgh.
Brind, Susan and Harold, Jim
(2019)
Artist Pages: Beside the Yialias River (2018) and Telavåg, Sotra Island, Norway (13th November 2018).
In:
Fluid Territories.
University of Bergen, Bergen, Norway, pp. 97-120.
ISBN 978-82-690937-9-7
Douglas, Caroline
(2019)
Spectre of a Woman.
In: Where Are The Women?, 8 Nov 2019, Scottish National Portrait Gallery.
Bird, Nicky, Jackson, Katherine, McCausland, Anya and Sleeman, Joy
(2019)
Aerial Landscapes.
In: Aerial Landscapes, 19 October 2019, Flat Time House (FTHo), Studio home of John Latham (1921-2006), London.
Ramsay, Graham and Beagles, John
(2019)
Circular Holding Pattern.
Govan Project Space, Glasgow,
12 - 30 October 2019
Brown, Katrina M.
(2019)
Katinka Bock: Balance and Coexistence.
In:
Le Prix Marcel Duchamp 2019.
Silvana Editoriale, Paris, France, pp. 26-35.
ISBN 9788836640744
Di Franco, Karen
(2019)
Speaking Lines: Kathy Acker’s Mantras.
Tinted Window (2).
pp. 8-20.
ISSN 2517-4789
Salmon, Margaret
(2019)
Home, 2019.
Worsley, Dawn
(2019)
Three burnt books: an unconventional conservation narrative.
PhD thesis, The Glasgow School of Art.
Thompson, Susannah
(2019)
'The Bitter Cup' Q & A with Joanne Tatham and Tom O'Sullivan.
In: The Bitter Cup - Q & A with Joanne Tatham and Tom O'Sullivan, 15 September 2019, Hospitalfield House, Abroath.
Nielsen, Susanne Norregard
(2019)
Deep and Wide.
M17 Contemporary Art Centre 102-104, Antonovycha St., Kyiv, 03150, Ukraine,
3 September 2019
Thompson, Susannah
(2019)
Exhibition review - Cut and Paste: 400 Years of Collage.
The Burlington Magazine, 161 (1398).
pp. 776-779.
ISSN 0007-6287
Thompson, Susannah
(2019)
After (After).
The Yellow Paper, 1 (1).
pp. 59-64.
Douglas, Caroline
(2019)
Spectre of a Woman.
In: Women's Studies Group 1558 – 1837 Creative Summer Seminar, 17 Aug 2019, Foundling Museum, London.
Edbrook, Laura
(2019)
As if*: an editorial.
In:
The Yellow Paper: Journal for Art Writing.
The Glasgow School of Art, Glasgow, pp. 5-7.
ISBN 978-1-9162092-0-6
Edbrook, Laura, ed.
(2019)
The Yellow Paper: Journal for Art Writing.
The Glasgow School of Art, Glasgow.
ISBN 978-1-9162092-0-6
Owen, Catherine and Greenough, Thomas
(2019)
The international curriculum: developing a quantitative overview of the literature for practitioners and teachers in art and design disciplines.
Discussion Paper.
The Glasgow School of Art.
Bird, Nicky
(2019)
On the cusp: artist, community and intangible heritage.
In: Mapping Contemporary Art in the Heritage Experience, 29-30 July 2019, Newcastle University.
Fraser, Marita
(2019)
I am using I but not talking about me.
In: AUTO // FICTION, 09 July, 2019, Gorvy Lecture Theatre, Royal College of Art, London.
Thapalyal, Ranjana
(2019)
Finding the Self in the City of Multitudes.
In:
Resilience and the City- Art, Education, Urbanism.
ELIA, Amsterdam, pp. 143-152.
ISBN 978-90-810357-8-1
Bean, Anne, Richards, Cullinan, Edbrook, Laura, Forrest, Sarah, English, Rose, Harrison, Margaret, Greenan, Althea, Gordon-Nesbitt, Rebecca, Yadong Hao, Sophia, Hiller, Susan, Jones, Amelia, Kelly, Mary, Kokoli, Alexandra, Linder, /, Logan, Kirsty, Morris, Lynda, Mulvey, Laura, Nicolson, Annabel, Patrick, Adele, Richardson, Su, O'Shea, Hannah, Starr, Georgina, Spencer, Catherine and Vishmidt, Marina
(2019)
it is this it is this, it is this.
In:
Of Other Spaces: Where Does Gesture Become Event?
Sternberg Press.
ISBN 978-3-95679-378-3
Bird, Nicky, Molloy, Caroline, Shepherdson, Karen and Schultz, Deborah
(2019)
The Representation of Memory: Activating Archives.
In: The Representation of Memory: Activating Archives, 14 June 2019, Regent's University, London.
Fraser, Marita, Young, Sharon and Rocco, Linda
(2019)
AUTO//FICTION.
Dyson Gallery, Royal College of Art, 1 Hester Road, SW11 4AN,
9 - 12 June 2019
Douglas, Caroline
(2019)
Sonsy Fishwives.
In: Speaking With, 12th June 2019, Royal College of Art.
Fraser, Marita
(2019)
Speaking with others.
In: Speaking With, June 12, 2019, Gorvy Lecture Theatre, Royal College of Art, London.
Greenough, Thomas
(2019)
Internationalisation, levier d’attraction et de fidélisation - Présentation d’une plateforme des écoles d’art à l’échelle européenne.
In: 4èmes Rencontres Prospectives internationales de l’AGERA, 7 June 2019, Lyon, France.
Douglas, Caroline
(2019)
Newhaven Madonna: Women and Early Photography in Scotland.
In: 2019 Association for Art History Summer Symposium Photography and Printed Matter, 3-4 June 2019, University of St Andrews.
Hannah, Michelle
(2019)
WILDE_CODE.
Bento Coelho, Ines
(2019)
Performing Sites: choreographic approaches in installation practice.
PhD thesis, The Glasgow School of Art.
Thompson, Susannah
(2019)
Moyna Flannigan and Susannah Thompson in conversation.
Andrew Mummery Gallery.
Owen, Catherine and Greenough, Thomas
(2019)
Finding internationalisation in the disciplines.
In: Internationalisation: What does it mean for us?, 16-17 May 2019, Glasgow, UK.
Hutchinson, James N.
(2019)
Resorption: working (in) the gap between artistic and curatorial production.
PhD thesis, The Glasgow School of Art.
Cooper, Thomas Joshua, Sultan, Terrie, Kastan, David Scott and Pinto, Michael
(2019)
Thomas Joshua Cooper: Refuge.
Prestel, New York.
ISBN 9783791358185
Douglas, Caroline
(2019)
Newhaven Madonna.
In: Afterlife of the Object, 18-22 June 2019, University of Copenhagen.
Thompson, Susannah, Steven, Campbell and Grainne, Rice
(2019)
Outside Right at The Sunset Gate (The Creative Critic).
In: Convocation: On Expanded Language-based Practices / Venice Biennale, 16-18 June 2019, Research Pavilion, Venice Biennale.
McClanahan, Angela
(2019)
Local Populations and Global Heritage.
In:
Encyclopedia of Global Archaeology.
Springer, New York.
ISBN 9783319517261
Wall, Gina
(2019)
Showing off: the fine art degree show in and beyond the art school.
In: Making Public: the Fine Art Degree Show, 12 April 2019, School of Art and Architecture, Leeds Beckett University.
Fraser, Marita
(2019)
(after) parts of a body house.
Cathedral Square, Perth, Australia,
11 April - 11 May 2019
Douglas, Caroline
(2019)
Spectre of a Woman: practice-led research into early photography's ‘unknown women’.
In: Doctoral Researchers Network Summer Symposium, 10 May 2019, Lecture Room, Paul Mellon Centre.
Brind, Susan, Brownrigg, Jenny, Wall, Gina, Hale, Alex and Jorgensen, Birthe
(2019)
'Celebrating Scalan': Workshop at Scalan Mills, Moray in association with Tomintoul and Glenlivet Landscape Partnership.
Thompson, Susannah
(2019)
The Unbroken Thread: Art History as Narrative (Fiction with Footnotes).
In: Association for Art History 2019 Annual Conference, 5-8 April 2019, Brighton, UK.
Kelly, Conor
(2019)
The Hrönir (Jerks, Buffoons & Pests).
Platform Arts, Belfast,
04 - 27 April 2019
Molloy, Caroline, Bird, Nicky, Shepherdson, Karen and Schultz, Deborah
(2019)
The Photographic Archive.
In: Memories of the Future, 29-30 March 2019, Centre for the Study of Cultural Memory, Institute of Modern Languages Research, School of Advanced Study, University of London.
Wall, Gina
(2019)
Photographic Futures: teaching the image as diffracted, polytemporal array.
In: European Fine Art Forum Bienniale Conference: Art Future/Future Signs, 12-14 September 2019, Art Academy Latvia, Riga.
Fraser, Marita
(2019)
The Score: Speaking With.
In: Living Research: NAFAE Conference 2019, 15th March 2019, Royal College of Art, London.
Paul, Shona and Greenough, Thomas
(2019)
Alternative Routes into Glasgow School of Art.
In: ELIA Seminar | Becoming an Artist Routes for aspiring artists and designers wanting to join an arts school, 14-15 March 2019, St. Nazaire and Nantes, France.
Brown, Katrina, Wermers, Nicole, Macdonald, Stephanie, Kalmar, Stefan, Fobert, Jamie, von Hantelmann, Dorothee, Barber, Jude, Abbas, Basel, Abou-Rahme, Ruanne, Dyangani Ose, Elvira, Shaw, Jeremy and Jeffreys, Tom
(2019)
'A Place for The Work and The Human Being'.
The Common Guild.
Douglas, Caroline
(2019)
Newhaven Madonna.
In: Say Something Back, 28 Feb 2019, TS Eliot Theatre, Merton College.
Fraser, Marita
(2019)
To walk unhindered.
In: Say Something Back, 28 February, 2019, TS Eliot Theatre, Merton College, Oxford.
Rogers, Henry
(2019)
Data Loam: Sometimes Hard, Usually Soft (The future of knowledge systems).
Angewandte Innovation Laboratory (Vienna),
25 - 28 Feb 2019
Thapalyal, Ranjana
(2019)
M.Litt Art Society and Culture: an inter-cultural and inter-sectional 12-month masters programme combining creative practice and academic study.
Šik, Becky
(2019)
Next Top Model.
Govan Project Space,
15-24 Feb 2019
Douglas, Caroline
(2019)
‘The Woman Who Was Alive There’: Hill and Adamson’s portrait of a Newhaven Fishwife.
In: Women Work And Commerce In The Creative Industries 1750 - 1950, 8-9 Feb 2019, Victoria and Albert Museum and University of Westminster.
Hannah, Michelle
(2019)
Alienation.
Suttie Arts Space, ARI, Aberdeen,
9th February – 7th April 2019
Ahl, Louise, Hannah, Michelle and Goh, Angela
(2019)
HEVI METLE.
Tramway, Glasgow / Baltic, Newcastle,
12th Oct 2019 / 12th Feb 2020
Hannah, Michelle and Hetherington, Alex
(2019)
Michelle Hannah’s Arm/Anonymous Writes A Spell for the Camera.
Balkind, Emma
(2018)
Estovers: Practice based research on the concept of the commons within contemporary art.
PhD thesis, The Glasgow School of Art.
Salmon, Margaret
(2018)
Hole [solo exhibition].
Dundee Contemporary Arts,
08 December - 24 February 2019
Hetherington, Alex and Topping, Jane
(2018)
Newspaper or (Memoirs of a spacewoman).
Alex Hetherington, Stirling.
Topping, Jane and Hetherington, Alex
(2018)
She Was a Visitor.
No 35 Project Space, Stirling, Scotland,
8-9 December 2018
Rogers, Henry
(2018)
Fabulosity.
Čajkovac, Varoon, Kramer, Kristina, Lehmann, Bettina, Macpherson, Sophie, Nadim, Tahani, Wagner, Neli and Topping, Jane
(2018)
The Influencing Machine - Group Exhibition
Contribution: Installation of www.rabbitcottontoothcottonrabbit.com (2018-ongoing).
Thompson, Susannah
(2018)
Emma Hart (Review).
Burlington Contemporary.
McKenzie, Ray, King, Dianne and Smith, Tracy
(2018)
Public Sculpture of Edinburgh, Volume 1: The Old Town and South Edinburgh.
Public Sculpture of Britain, 20
.
Liverpool University Press, Liverpool.
ISBN 9781786941107
McKenzie, Ray, King, Dianne and Smith, Tracy
(2018)
Public Sculpture of Edinburgh, Volume 2: The New Town, Leith and Outer Suburbs.
Public Sculpture of Britain, 21
.
Liverpool University Press, Liverpool.
ISBN 9781786941558
Thapalyal, Ranjana
(2018)
Knowing the Self in the City of Multitudes.
In: 15th ELIA Biennial Conference Resilience and the City: Art, Education, Urbanism, 21-24 November 2018, Codarts University of the Arts and Willem de Kooning Academy and Rotterdam University of Applied Sciences Rotterdam, The Netherlands.
Thompson, Susannah, Edbrook, Laura, Figgis, Laurence and Thomson, Amanda
(2018)
Launch event for Journal of Writing in Creative Practice: Art Writing, Paraliterature and Intrepid Forms of Practice.
In: Art Writing, Paraliterature & Intrepid Forms of Practice - Launch Event, 22 Nov 2018, Centre for Contemporary Art, Glasgow.
Wall, Gina, Rogers, Henry and Payne, Alistair
(2018)
The resilient city: reciprocity within creative ecologies.
In: 15th ELIA Biennial Conference: Resilience and the City, 21-24 November 2018, Willem De Kooning Academy and Codarts University of the Arts, Rotterdam.
Greenough, Thomas and Dutta, Aparajita
(2018)
Platform International ELIA - PIE.
In: 15th ELIA Biennial Conference Resilience and the City: Art, Education, Urbanism, 21-24 November 2018, Codarts University of the Arts and Willem de Kooning Academy and Rotterdam University of Applied Sciences Rotterdam, The Netherlands.
Weir, Catherine M.
(2018)
The digital index: creating immediacy through the integration of digital photography and captured data.
PhD thesis, The Glasgow School of Art.
McMullan, Shauna
(2018)
SITTING - Telavag.
The North Sea Maritime Museum, Telavag, Norway,
14 November 2018
Topping, Jane, Bowker, Geoffrey C, Leigh Star, Susan, Brown, Simone, Tripp, Sarah, Hui Kyong Chun, Wendy, Hill, Kashmir, Irani, Lily, Mackinnon, Lee, Nadim, Tahani, Suchman, Lucy, Tan, Cher, Wagner, Neli and Nadim, Tahani
(2018)
The Influencing Machine (Artist Pages).
In:
The Influencing Machine.
neue Gesellschaft für bildende Kunst, Berlin.
ISBN 9783938515747
Thapalyal, Ranjana
(2018)
Respondent to papers by Dr George S. Jaramillo and Dave Loder.
In: Through a Northern Lens: An Auto-ethnographic Turn, 26 October 2018, Glasgow, UK.
Bird, Nicky, Robertson, Frances and Brownrigg, Jenny
(2018)
Through a Northern Lens: An Auto-ethnographic Turn.
In: Through a Northern Lens: An Auto-ethnographic Turn, 26 October 2018, Glasgow, UK.
Brown, Katrina, Bock, Katinka, Bonnin, Anne and Stahl, Kajsa
(2018)
Katinka Bock 'Radio Piombino'.
The Common Guild and Dent de Leone, Glasgow.
ISBN 9780955758324
Thomson, Amanda
(2018)
A Scots Dictionary of Nature: Launch, Reading and Discussion.
In: Launch of A Scots Dictionary of Nature, 11 October 2018, Grantown Museum, Grantown-on-Spey.
Thompson, Susannah
(2018)
Cordelia Oliver.
In:
The New Biographical Dictionary of Scottish Women.
Edinburgh University Press, Edinburgh.
ISBN 9781474436281
McGraw, Mick
(2018)
Explorations in Print.
In: Explorations in Print, 28 September 2018, Guangzhou Academy of Fine Art, China.
McGraw, Mick
(2018)
The International Academic Printmaking Alliance Second Invitational Exhibition 2018.
In: The International Academic Printmaking Alliance Second Invitational Exhibition 2018, 22- 25 September 2018, Taoxichuan Museum of Art, Jingdezhen City, China.
Thapalyal, Ranjana
(2018)
Education as Mutual Translation: A Yoruba and Vedantic interface for pedagogy in the Creative Arts.
Brill / Sense, Leiden / Boston.
ISBN 978-90-04-36725-8
McGraw, Mick
(2018)
The International Academic Printmaking Alliance Second Invitational Exhibition 2018.
Taoxichuan Museum of Art, Jingdezhen City, China,
1 Sep - 6 Oct 2018
Paul, Nalini
(2018)
Niseaboist, Isle of Harris.
Edinburgh International Book Festival, Edinburgh and International (on-line).
Salmon, Margaret
(2018)
Life in Film: Margaret Salmon, Frieze, 2018.
Frieze Magazine, 197.
Ramsay, Graham, Beagles, John, Kennedy, Rob, Hutchison, Virginia and Green, Jamie
(2018)
King Putts.
European Championships,
August 2018
Brown, Katrina
(2018)
Janice Kerbel 'Sink'.
Western Baths Club, Glasgow,
3 August 2018
Skaer, Lucy, Connor, Fiona, Nasashibi, Rosalind, Holder, Will and Visnes, Hanneline
(2018)
Works exhibited in the exhibition "The Green Man".
Weir, Catherine M.
(2018)
Programming Light: The Processing and performance of digital photographs.
In:
PaintingDigitalPhotography: Synthesis and Difference in the Age of Media Equivalence.
Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 42-63.
ISBN 978-1-5275-1110-1
Hannah, Michelle
(2018)
Render Me.
Bird, Nicky
(2018)
Ghosting the Castle: the case of (re)landscaping in a Northern place.
In: NORTHERN LIGHT: CRITICAL APPROACHES TO PROXIMITY AND DISTANCE IN NORTHERN LANDSCAPE PHOTOGRAPHY, 2-3 July 2018, Sheffield Hallam University.
Thompson, Susannah
(2018)
Glasgow International [Review].
The Burlington Magazine, 160 (1384).
pp. 599-601.
ISSN 0007-6287
Fraser, Marita
(2018)
The Pavilion.
Šik, Becky
(2018)
Fiducial Marker.
Glasgow Project Room,
23 -30 June 2018
Brind, Susan, Brownrigg, Jenny, Wall, Gina, Hale, Alex and Jorgensen, Birthe
(2018)
Inter-disciplinary Fieldwork at Scalan Mills, Moray.
Salmon, Margaret
(2018)
Director's Lab, Margaret Salmon presents Shore at Under Her Eye.
In: Under Her Eye: Women and Climate Change, 1-2 June 2018, The British Library, London.
Mendelson, Zoe
(2018)
Appropriated Mishap.
Artsadmin: 20 Feb 2014; Griffin Gallery, London: 9 Jan 2018; Science Museum, London: 30 May 2018.
Brind, Susan, Bird, Nicky, Carter, Justin, Laiseca, Monica Nunez, Sindico, Francesco, Crook, Nicola and Wall, Gina
(2018)
Law, Arts & Island Resilience.
Brown, Katrina, Borland, Christine, Durant, Sam and Leckey, Mark
(2018)
Nasher Prize Dialogues – Artists and Authorship: reference, relationships and appropriation in contemporary sculptural practice.
The Common Guild.
Reeder, Elizabeth, Edbrook, Laura and Bain, Alice, eds.
(2018)
Do Not Make The.
MAP Editions, Glasgow.
ISBN 9780993142420
McGraw, Mick
(2018)
(dis)place(d).
The Barony Centre, West Kilbride, Scotland,
8 May 2018-1 June 2018
Topping, Jane
(2018)
nou (2018).
Laiseca, Mónica and Welch, Fritz
(2018)
ESTHER FERRER: A project in three parts curated for Glasgow International 2018.
Ramsay, Graham
(2018)
Good £uck.
Glasgow International 2018,
20 April - 7 May 2018
Thompson, Susannah
(2018)
I Am For An Art (Writing).
In:
The Creative Critic: Writing As/About Practice.
Routledge, London.
ISBN 9781138674820
Brown, Katrina
(2018)
Katinka Bock 'Radio Piombino'.
The Common Guild, Glasgow,
20 April - 8 July 2018
Topping, Jane
(2018)
Peter & nou (Publication).
Good Press, Glasgow.
ISBN 9878-1-9995858-0-8
Tripp, Sarah
(2018)
What the Voice Said.
The Suttie Arts Space, Aberdeen,
15 February – 15 April 2018
McGraw, Mick
(2018)
(dis)place(d).
In: (dis)place(d), 14 April 2018, The Barony Centre, West Kilbride, Scotland.
Greenough, Thomas
(2018)
Creating an Inclusive Internationalisation Strategy.
In: Cumulus Paris 2018, 10 -14 April 2018, Paris - Various Locations.
Bento-Coelho, Inês
(2018)
Listen to the others: the rehearsal process as a constant act of care.
Scottish Journal of Performance, 5 (1).
pp. 63-81.
ISSN 20541953
Hannah, Michelle
(2018)
KEENER.
The Savings Bank, Glasgow,
April 2018
Currall, Alan
(2018)
BARK REX.
Currall, Alan
(2018)
Music for couples.
Rogers, Henry
(2018)
Artefact 6153.
Rogers, Henry
(2018)
Artefact 6155.
Šik, Becky and Sinclair, Ross
(2018)
Artists who make Music/Musicians who make Art.
Queens Park Railway Club,
24 February – 25 March 2018
Sinclair, Ross
(2018)
Artists who make Music/Musicians who make Art.
Queens Park Railway Club,
24 February – 25 March 2018
Hunter, Roddy
(2018)
Beyond "East" and "West" through The Eternal Network: Networked artists’ communities as counter-publics of Cold War Europe.
In:
Performance Art in the Second Public Sphere: Event-based Art in Late Socialist Europe.
Routledge Advances in Theatre & Performance Studies
.
Routledge, Abingdon and New York, pp. 19-31.
ISBN 9781315193106
Bird, Nicky
(2018)
Wanted – New Custodians for Family Photographs: Vernacular Photographs on eBay and the Album as Artwork.
In:
Picturing the Family: Media, Narrative, Memory.
Bloomsbury Academic, London, pp. 171-187.
ISBN 978-1-4742-8360-1
Thompson, Susannah
(2018)
The Highland Reels.
Even, 9.
Thompson, Susannah
(2018)
Spark's Spinsters.
In: Muriel Spark Centenary Symposium, 31 January - 02 February 2018, University of Glasgow, UK.
Rogers, Henry
(2018)
Artefact 6156.
Rogers, Henry
(2018)
Artefact 6157.
Sinclair, Ross, Donachie, Jacqueline, Jeffrey, Moira and McKee, Francis
(2018)
The Gift of Time, (10 x 8, b/w)
Or
Secret histories documenting the ancient and modern tropes of contemporary Scottish culture including but not exclusively limited to the prehistoric, Neolithic, contemporary and futuristic tribes.
In:
Alan Dimmick Photographs 1977-2017.
Stills Gallery: Centre for Photography.
Sinclair, Ross
(2018)
Here Was Elsewhere: >>FFWD.
University of Dundee Cooper Gallery,
19 January - 17 February 2018
McBride, Christina
(2018)
Land of Rulfo.
Rogers, Henry
(2018)
Artefact 6154.
Salmon, Margaret
(2018)
Cladach, 2018.
Krumbachova, Esther and McKee, Francis
(2018)
Dark Tales by Esther Krumbachova, translated by Francis McKee.
Self published, Glasgow.
Krumbachova, Esther and McKee, Francis
(2018)
Fairy tales and letters by Ester Krumbachová, 2018.
Map Magazine, Glasgow.
McKee, Francis
(2018)
The Rainbow Wrasse.
In:
The Constituent Museum: Constellations of Knowledge, Politics and Mediation.
Valiz with L'internationale | supported by the Culture Programme of the European Union | partners: Liverpool John Moores University, Middlesbrough Institute of Modern Art, Amsterdam, pp. 14-26.
ISBN 978-94-92095-42-8
Thapalyal, Ranjana
(2017)
Voice and Culture: building reflective practices. A Masterclass at Xnational Xarts Xchange 2017.
In: Voice and Culture: building reflective practices. A Masterclass at Xnational Xarts Xchange 2017, 5 December, 2017, University of Western Scotland, Ayr Campus.
Bird, Nicky
(2017)
'Heritage Site' (2016), in Media Archaeology - Excavations,
NEoN Digital Arts Festival 2017.
West Ward Works, Dundee,
09 - 12 Nov 2017
Bird, Nicky, Chambers, Paula, Hirschhorn-Smith, Michelle and Proctor, Nancy
(2017)
(Our) Generations and (Expanded) Geographies: Living Feminist Lives.
In: A Feminist Space at Leeds: Looking Back to Think Forward, 15-17 December 2017, University of Leeds, UK.
Kelly, Conor
(2017)
Pithecia Pithecia Pithecia Pithecia.
HilberRaum, Berlin,
27 Oct - 05 Nov 2017
Bird, Nicky, Brownrigg, Jenny and Robertson, Frances
(2017)
Through a Northern Lens: Place Image, Archaeology and Heritage.
In: Through a Northern Lens: Place Image, Archaeology and Heritage, 23 October 2017, GSA Principal Seminar Room 1, Glasgow School of Art.
Wall, Gina
(2017)
Tracing the Spectre.
In: Through a Northern Lens: Place Image, Archaeology and Heritage, 23 October 2017, The Glasgow School of Art.
Ramsay, Graham and Beagles, John
(2017)
PINGPINGJERKSPASM.
The Pipe Factory, Glasgow,
20 October – 5 November 2017
Brown, Katrina and Anderson, Kitty
(2017)
Slow Objects.
The Common Guild, Glasgow,
14 October - 17 December 2017
Brown, Katrina
(2017)
The Archipelago of Contented Peoples.
In:
The Archipelago of Contented Peoples.
The Common Guild and Mount Stuart Trust, Glasgow, pp. 13-16.
ISBN 9780955758317
Sinclair, Ross
(2017)
After, After, After, After The Monarch of The Glen: Real Life is Dead.
Inverness Museum and Art Gallery,
6 October – 18 November 2017
Ramsay, Graham
(2017)
Insert (Ping).
Thompson, Susannah
(2017)
The Dress of Thought: Form and style in contemporary art writing.
Journal of Writing in Creative Practice, 10 (1).
pp. 101-121.
ISSN 1753-5190
Topping, Jane
(2017)
John.
Sinclair, Ross
(2017)
Solo Exhibition, Real Life is Dead, Long Live Real Life.
Shanghai Himalayas Museum, China,
22 September - 10 November 2017
Ramsay, Graham
(2017)
Autumn/Winter 2017.
The Briggait, Glasgow, G1 5HZ,
16 September – 27 October 2017
Edbrook, Laura
(2017)
‘You’re the least important person in the room and don’t forget it’: The intimate relations of subjectivity and the illegitimate everyday.
Journal of Writing in Creative Practice, 10 (1).
pp. 123-136.
ISSN 1753-5190
Bird, Nicky
(2017)
Ghosting the Castle, 2017.
Timespan, Helmsdale
Richardson, Craig
(2017)
The neo-avant-garde in modern Scottish art, and why it matters.
PhD thesis, The Glasgow School of Art.
Thompson, Susannah
(2017)
After (After).
After (After) - Exhibition leaflet/catalogue for Leeds College of Art.
Edbrook, Laura
(2017)
‘Never recant, never apologise, never explain’: Chris Kraus in conversation with Laura Edbrook.
MAP Magazine.
Rankovic, Katarina
(2017)
Becoming a Line: Examining Distributed Subjectivity through Lines found in Drawing, Theatrics and Novel Writing.
Curating the Contemporary.
Fraser, Marita
(2017)
Billy.
Fraser, Marita and Wohl, Isobel
(2017)
The Blue Hour.
Safehouse 1 & 2, 137 – 139 Copeland Road, London SE15 3SN,
1st July 2017
McClanahan, Angela
(2017)
Factish Field: Generative Discords in Art and Anthropology.
In:
Towards a City Observatory.
Collective Gallery, Edinburgh, pp. 143-153.
ISBN 9781873653197
Thompson, Susannah
(2017)
Ewig Weibliche.
Art Review, Summer.
ISSN 1745-9303
Rogers, Henry
(2017)
Morphologies of Surface as Gesture.
House for an Art Lover.
Thompson, Susannah
(2017)
The Dress of Thought: Form and style in contemporary art writing.
In: College Art Association (CAA) 105th Annual Conference, 15-18 Feb 2017, New York, NY, USA.
Sinclair, Ross
(2017)
A Dream of the Hamnavoe Free State.
The Pier Arts Centre, Stromness, Orkney,
17 June- 16 September 2017
Weir, Catherine M.
(2017)
Custom Software (302 Lines of Code).
In: The Stuff of Research Postgraduate Research Symposium, 12 June 2017, Kelvinhall, Glasgow, UK.
Greenough, Thomas and Owen, Catherine
(2017)
Internationalisation in Higher Education - x-files workshop.
In: Cumulus Kolding - 2017 - REDO, 30 May - 02 June 2017, Kolding Design School, Kolding, Denmark.
Wall, Gina
(2017)
What we say and what we do.
In: The Porous University - A Critical Exploration Of Openness, Space And Place In Higher Education Symposium, 8 - 9 May 2017, An Lochran Inverness Campus.
Thompson, Susannah
(2017)
Franki Raffles.
Art Review, 69 (4).
ISSN 1745-9303
Thompson, Susannah
(2017)
The mind's miniatures: entangled maps, tactical drawing, dialectograms.
In:
Towards a City Observatory.
Collective Gallery, Edinburgh, Edinburgh, pp. 51-57.
ISBN 978-1-873653-18-0
Payne, Alistair
(2017)
A Particular View of the World: The Practice[s] of Contemporary Painting or Painting Backwards.
In:
Future Now.
Aesthetica, UK.
Sinclair, Ross
(2017)
Real Life Top 10.
Forward, 1 (1).
pp. 62-73.
Edbrook, Laura
(2017)
Feminist Art/Writing: Genealogies, Subjectivities, and Critique.
In: From Where I Stand: Feminist Art/Writing: Genealogies, Subjectivities, and Critique, 20 April 2017, University of Lüneburg, Germany.
Birrell, Ross
(2017)
The Athens-Kassel Ride: The Transit of Hermes (d14).
Greece, Macedonia, Serbia, Croatia, Slovenia, Austria, Germany,
9 Apr - 10 Jul 2017
Ramsay, Graham
(2017)
Video screening at The Living Art Museum.
The Living Art Museum, Reykjavik, Iceland.,
6th April 2017
Clements, Neil
(2017)
Fully Awake.
Blip Blip Blip, Leeds,
5th-21st April 2017
Payne, Alistair
(2017)
On Painting - The Discipline, Interdisciplinarity, Indisciplinarity - Teaching Painting Now.
In:
Teaching Painting: How can Painting be taught in Art Schools?
Black Dog Publishing, UK, pp. 23-29.
ISBN 9781911164104
Cooper, Thomas Joshua
(2017)
Gauging the Distance - The Reach for Extremity and Emptiness. PhD by Publication.
PhD thesis, The Glasgow School of Art.
Sinclair, Ross
(2017)
'Real Life Moby Dick 2017' in 'Two Night Stands'.
Cooper Gallery, University of Dundee DJCAD,
March 2017
Tripp, Sarah
(2017)
You Are of Vital Importance to the Art Community.
In:
F.R.DAVID: “Inverted Commas” Spring 2017.
F.R.DAVID
(13).
Uh books with KW Institute for Contemporary Art, Glasgow and Berlin, pp. 69-73.
ISBN 9780995713307
Edbrook, Laura
(2017)
You’re the least important person in the room and don’t forget it: The Intimate Relations of Subjectivity, Analysis, Deviant Thought and the Illegitimate Everyday.
In: College Art Association (CAA) 105th Annual Conference, 15-18 Feb 2017, New York, NY, USA.
Rankovic, Katarina
(2017)
Stunt Man.
Confluence, 3.
ISSN 2515-1215
Sinclair, Ross, Blandy, David, Burrows, David, Parsons, Jonathan, Crowe, Nick, Rawlinson, Ian, Tierney, Sadie, Faithful, Simon, Gubb, S.Mark and et, al
(2017)
"35 & Counting" (Green Real Life, Aspex Cluster).
Aspex Gallery, Portsmouth, UK,
3 Feb - 19 March 2017
Sinclair, Ross, Barclay, Claire, Campbell, Steven, Gray, Alasdair, Lambie, Jim, McLean, Bruce, Shrigley, David, Wright, Richard, Byrne, John, Borland, Christine and Ainsley, Sam
(2017)
INK: Public Archive - Five Decades of Printmaking at the Glasgow Print Studio (If North Was South and East Was West).
Glasgow Print Studio,
11 February - 22nd March 2017
Edbrook, Laura, Thomson, Amanda, Reeder, Elizabeth and Thompson, Susannah
(2017)
A little hungry, a little thirsty: Contemporary Art, Writing, Form and Practice (Session Co-convenor).
In: College Art Association (CAA) 105th Annual Conference, 15-18 Feb 2017, New York, NY, USA.
Ursitti, Clara
(2017)
Bring Back the Hill.
Collective Gallery, Calton Hill, Edinburgh,
August. 17, 2017
Kelly, Conor
(2017)
Daddy in the Algorithm.
Queens Park Railway Culb, Glasgow,
26 Jan- 26 Feb 2017
Ramsay, Graham
(2017)
People Never Notice Anything.
Guest Projects, London,
12 January 2017
Sinclair, Ross
(2017)
The King And I/The Eighth Wonder.
& Model, East Parade LS1 2BH Leeds,
26 Jan - 19 Feb 2017
McGraw, Mick
(2017)
Print Print Print.
Reid Building Corridor space, Glasgow School of Art,
January 2017
Coutts, Nicky
(2017)
Canal Opera.
McKee, Francis
(2017)
Even The Dead Rise Up.
Common Objectives
.
Book Works, London.
ISBN 9781906012595
Birrell, Ross
(2017)
Migration & the Anthropocene.
The Glasgow School of Art.
Birrell, Ross
(2017)
Music as Model: orchestration, counterpoint and transposition.
The Glasgow School of Art.
Sinclair, Ross
(2016)
Current, Phase Two, "The Ballad of 20 Years of Real Life (Chinese Version)" Mingshen Museum Shanghai.
Mingshen Art Museum, Shanghai,
December 2016
Bento Coelho, Inês
(2016)
Birds & On the choreographic beyond bodies - Screening & Talk.
Centre for Contemporary Arts, Glasgow.
Sinclair, Ross and Deveron, Arts
(2016)
21 years of The Town is The Venue, Devon Arts, Huntly: The Real Life Gordons of Huntly.
Edbrook, Laura and Forrest, Sarah
(2016)
It is this it is this, it is this.
In: Of Other Spaces: Where does gesture become event?, 3 Dec 2016, Cooper Gallery, Dundee, DJCAD University of Dundee.
Rogers, Henry
(2016)
The 'Florence Principles' on the Doctorate in the Arts.
Other.
ELIA - European League of the Institutes of the Arts, Netherlands.
Bird, Nicky
(2016)
'Travelling the Archive: Uncovering memory in Kyleakin with the Joan Wilcock Collection'.
In: 4th International Conference of Photography & Theory (ICPT2016) PHOTOGRAPHY AND THE EVERYDAY, 2-4 December 2016, Nicosa, Cyprus.
Sinclair, Ross, Colvin, Anne, Cunningham, Karen, Dove, Katy, Forrest, Sarah, Hannah, Michelle, Lafferty, Mairi, Mezger, Oliver, Varley, Tom and Watson, Dominic
(2016)
The Hallucinating Edge: Artist's Moving Image from Scotland.
Red Brick Art Museum, Beijing, China,
December 2016
Sinclair, Ross, Nashashibi, Rosalind, Spence, Pernille, Dove, Katy, Forrest, Sarah, Marquiss, Duncan, Sworn, Corin, Gibbs, Alison, Niven, Bobby and Watson, Dominic
(2016)
Pure Movement: Artist Moving Image from Scotland, Screening and In-Conversation.
K-11, Wuhan Art Village, Wuhan, Central China,
18 Dec 2016
Sinclair, Ross and Gubb, S Mark
(2016)
Tonight We're Gonna Party Like its 1999? A conversation between S Mark Gubb and Ross Sinclair.
In:
Revelations.
Landfill Editions and Syson Gallery, pp. 19-32.
ISBN 9780992803131
Ramsay, Graham
(2016)
Uncle Chop Chop.
Tripp, Sarah
(2016)
Making People Up.
PhD thesis, Edinburgh University.
Wall, Gina
(2016)
Inscriptions of Empire in the North.
In: Relate North 2016 Practising Place: Heritage, Art and Design for Creative Communities, 8-10 November 2016, Shetland Museum and Archives.
Tripp, Sarah
(2016)
Making People Up.
Tramway 1, Tramway (Glasgow),
5 Nov 2016
Sinclair, Ross, Lynch, Tessa, Finlay, Alec, Maclean, Rachel, Mirza, Haroon, Owens, Kate and Choudhry, Rabiya
(2016)
We Love Real Life Glasgow (B/W) Proof.
In:
Self-ish, Issue 1.
Craig Coulthard, pp. 16-71.
Ramsay, Graham
(2016)
Triumph Of Zero.
Voidoid Archive, Glasgow,
29 October – 13 November 2016
Robertson, Frances, Bird, Nicky and Brownrigg, Jenny
(2016)
Through a Northern Lens: Women, Picture, Place.
In: Through a Northern Lens: Women, Picture, Place, 28 October 2016, GSA Principle Seminar Room 1, Glasgow School of Art.
Wall, Gina
(2016)
Spectral Encounters.
In: CHAT (Contemporary & Historical Archaeology in Theory) 2016: Rurality, 21-23 October 2016, Archaeology Institute, University of the Highlands and Islands, Orkney.
Biró, Eszter, Butler, Jacqueline, Calvo, Mirian, Bento Coelho, Inês, Keehan, Allyson, MacLellan, Fiona Jane, Weir, Catherine M., Worsley, Dawn, Makki Zakari, Hanan, Zioga, Polina and Checchia, Viviana
(2016)
Whereabouts you are.
Reid Gallery, Glasgow School of Art, UK,
15 Oct – 10 Nov 2016
Tripp, Sarah
(2016)
Reflections on the Evolving Triad Tutorial in a Postgraduate Art Studio.
International Journal of Art and Design Education, 35 (3).
pp. 384-394.
ISSN 1476-8070
Starling, Simon, Eatough, Graham, Brown, Katrina and Kamiya, Yukie
(2016)
Simon Starling 'At Twilight'.
In:
Simon Starling 'At Twilight'.
The Common Guild (Glasgow), The Japan Society (New York) and Dent-de-Leone (London), Glasgow and New York, pp. 35-42.
ISBN 9780955858390
Sinclair, Ross, Gordon, Douglas, Barney, Matthew, Branca, Glenn, Creed, Martin, Deller, Jeremy, Flynt, Henry, IDEA, GENERAL, Graham, Dan, Graham, Rodney, Hamilton, Richard, Haring, Keith, Kelley, Mike, Wool, Christopher, Warhol, Andy, Thek, Paul, Pettibon, Raymond, Oursler, Tony, Marclay, Christian and et al, et al
(2016)
Rebel Rebel, Art + Rock, (Revoltes Punk Section).
In:
Rebel Rebel - Art And Rock.
Fonds Mercator, Musee des Arts Contemporains au Grand-Hornu, 222-223, 301.
ISBN 9789462301498
Thompson, Susannah
(2016)
Review of Richard Demarco and Joseph Beuys: A Unique Partnership.
Art Review.
ISSN 1745-9303
Smith, Stephanie and Stewart, Eddie
(2016)
Sprache / Language.
Deutsches Hygiene Museum Dresden, Germany.
ISBN 9783835319646
Sinclair, Ross, Byrne, John, Cranston, Andrew, Fullerton, Michael, Gray, Alasdair, Lochhead, Liz, Lynch, Tessa, MacLean, Rachel, Maclean, Bruce, Morgan, Edwin, Robertson, Murray and Wiszniewski, Adrian
(2016)
'Trigger Words at Glasgow Print Studio' featuring "I Tried to Give Up Drinking with Guitars Instead of God", (Portable version).
Glasgow Print Studio Gallery, Trongate 103, Glasgow G1 5HD,
23 Sep - 13 Nov 2016
Sinclair, Ross, Baxter, Lee, Coopey, Dan, Gallant, Ashley, Gubb, SMark, Johnson, Paul, Kipps, Jonathan, Latham, Jack, Lawns, International, Lee, Joanne, Lockwood, Joshua, Mager, Katherine, Martin, Tom, Rapley, Daniel, Rawlinson, Mark, Recksik, Carsten, Retallick, Matthew, Rowan, David, Schulz, Christopher, Shovlin, Jamie and Tirre, Oliver
(2016)
Real Life Manifesto: Original vs. New.
Unlimited Imprint, 1 (1).
p. 58.
Smith, Stephanie and Stewart, Eddie
(2016)
Language: The world of words, signs and gestures.
Deutsches Hygiene-Museum,
20 Sep 2016 - 20 Aug 2017
McClanahan, Angela
(2016)
Detroit MLS 2020.
In:
The Happy Hypocrite: Accumulator Plus.
Bookworks, London.
ISBN 9781906012779
McKee, Francis
(2016)
How to Know What is Really Happening.
Sternberg Press, Berlin.
ISBN 978-3-95679-272-4
Starling, Simon, Eatough, Graham and Brown, Katrina
(2016)
At Twilight: A Play for two actors, three musicians, one dancer, eight masks (and a donkey costume).
Holmwood House, Glasgow,
26-28 August 2016
Sinclair, Ross, Maclean, Rachel, Carey, Sorcha and Watson, Mary
(2016)
Edinburgh Art Festival, Platform: 2016, invited co-curator.
9-11 Blair St. Edinburgh, EH1 1QR,
28 Jul - 28 Aug 2016
Bird, Nicky, Jeffrey, Stuart, Graham, Clare, Marriott, Michael and Ursitti, Clara
(2016)
Heritage Site, 2016.
City Art Centre, Edinburgh,
27 July - 27 August 2016
McClanahan, Angela
(2016)
Unsettled: Jennie Temple's Ethnographic Objects.
In:
Exhibition catalogue for Jennie Temple: Ruined.
Freemocco's House, Deruta, IT.
Bird, Nicky
(2016)
Whither the Roots? Photographing the erased home.
In:
Home/Land: Women, Citizenship, Photographies.
Liverpool University Press, Liverpool, pp. 325-341.
ISBN 9781781382806
Brown, Katrina, Eatough, Graham, Finburgh, Clare, Fusco, Maria, Kelleher, Joe, Lavery, Carl and Paterson, Dominic
(2016)
Art and its Theatrical Turn.
In: Art and Its Theatrical Turn, 26 November 2016, University of Glasgow.
Sinclair, Ross
(2016)
'Ross Sinclair: 20 Years of Real Life' PhD by Published work.
PhD thesis, The Glasgow School of Art.
Weir, Catherine M.
(2016)
A Photograph Blowing in the Data Winds.
In: Everywhere and Nowhere: An Interdisciplinary Postgraduate Symposium on Imagined Spaces, 20 June 2016, University of Nottingham, UK.
Greenough, Thomas
(2016)
A coordinated approach to managing multiple TNE arrangements.
In: Keeping up with due diligence for TNE 2016, 16 June 2016, Berrick Saul Building, University of York.
Bento Coelho, Inês
(2016)
Choreographic Methods in Installation Work: Intersections Between Visual Arts and Dance.
In: Research Practice Practice Research: Fine Art Research Network Symposium, National Association for Fine Art Education, 15 July 2016, The University of Cumbria Institute of the Arts.
Smith, Stephanie and Stewart, Eddie
(2016)
Grey Gardens: Art & Architecture Inspired by Modernity and Nature.
DCA, Scotland.
ISBN 9780992709525
Sinclair, Ross
(2016)
Making Your Mark - A Scottish Printmaking Heritage Outreach Project.
Partick Library, Glasgow,
22 March to 30 June 2016
Sinclair, Ross
(2016)
Real Life Artist in Residence, Visiting Fellow, St Johns College, University of Oxford.
St John's College, University of Oxford, UK,
April/May/June 2016
Ramsay, Graham and Beagles, John
(2016)
The Scottish Endarkenment. Art and Unreason 1945 to the Present.
Dovecot, Edinburgh,
13 May 2016 - 29 Aug 2016
Rankovic, Katarina
(2016)
Unborn Lovers: Scripting for Agency.
Curating the Contemporary.
Thompson, Susannah
(2016)
Beautiful Ideas, or How to Do Things with Words.
In: Society for Artistic Research: International Conference on Artistic Research, 28 - 29 April 2016, Royal Conservatoire & Royal Academy of Art, The Hague.
Payne, Alistair
(2016)
Mixing It Up.
In: International Conference on Artistic Research: WRITING, 28-29 April 2016, University of the Arts The Hague & Leiden University.
McGraw, Mick
(2016)
Peoples Money.
Royal Bank of Scotland, Edinburgh, Scotland.
Bird, Nicky
(2016)
Tall Tales, women artists’ playful exploration of the human experience.
Freud Museum, London 15 April – 29 May 2016; Touchstones Gallery & Museum, Rochdale, 2 July – 3 September 2016; Glasgow Women’s Library, Glasgow 22 October – 21 December 2016,
15 April - 21 Dec 2016
Edbrook, Laura
(2016)
A Conversation is Always a Political Thing: Gossip, Companionship and Radical Intimacy.
In: Having Words: Artist-writer relationships 42nd Association of Art Historians (AAH) Annual Conference, 07 - 09 Apr 2016, University of Edinburgh, UK.
McBride, Christina
(2016)
LIGHT BECOMES SILENCE.
Reid Building, The Glasgow School of Art,
07 - 25 April 2016
Sinclair, Ross
(2016)
A body of work – in character …on the road with Ross and The Realifers ….
Philosophy of Photography, 6 (1-2).
pp. 141-158.
ISSN 2040-3690
Brown, Katrina
(2016)
Beyond the White Cube.
In:
The New Curator.
Laurence King Publishing Ltd., London, pp. 46-53.
ISBN 9781780677477
Bird, Nicky
(2016)
Travelling the Archive, 2016.
Kyleakin, Isle of Skye, Scotland,
17 March - 10 September 2016
Bird, Nicky
(2016)
Travelling the Archive: uncovering memory in Kyleakin with the Joan Wilcock Collection.
Brown, Katrina, Le Feuvre, Lisa, Hardy, Anne and Abäke
(2016)
Anne Hardy 'TWIN FIELDS / FIELD'.
In:
Anne Hardy FIELD / TWIN FIELDS / Fieldworks.
The Common Guild and Dent de Leone, Glasgow and London, pp. 97-107.
ISBN 9780955858383
Bird, Nicky
(2016)
'From Car Showroom to Casino: A Midlothian Site of History'.
In:
True North: From Documentation to Re-writing History.
Timespan - Helmsdale Heritage and Arts Society, Helmsdale, pp. 34-43.
ISBN 9780956561077
Topping, Jane
(2016)
TRANSIT #3: and everything crooked will become straight, 2016 (Artist Pages).
In:
TRANSIT #3: and everything crooked will become straight.
Transit/Marcus Jack, Glasgow.
Mersinis, Michael and Bird, Nicky
(2016)
Reading Landscape - Two Artists on Recent Work.
In: GSA Research Day, 19 February 2016, Reid Building, The Glasgow School of Art.
Brown, Katrina
(2016)
A.C.T.III Symposium - Contemporary art practice, art and the city.
In: A.C.T. III - Architecture, Culture, Technology Symposium, 11 Feb 2016, Department of Architecture, University of Strathclyde, UK.
McGraw, Mick
(2016)
Serpentina.
Jackson (Mckinney), Jake
(2016)
Self-Organised: Decentralised Behaviour Without The Rewards.
In: The Hidden Curriculum: Annual Symposium for Fine Art Educators, 22 January 2016, London Metropolitan University.
Calcutt, John
(2016)
You Can't Always Get What You Want.
In: Edinburgh College of Art Friday Lecture Series, 22 Jan 2016, Edinburgh College of Art.
Sinclair, Ross
(2016)
20 Years of Real Life: Free Instruments for Teenagers.
Collective Gallery, Calton Hill, Edinburgh,
2014 - 2015
Hunter, Roddy
(2016)
Curating the Network-as-Artwork after Globalisation.
In:
OPEN FIELDS. Art and Science Research Practices in the Network Society.
Acoustic Space, 15
(15).
RIXC Center for New Media Culture & Liepaja University's Art Research Lab, Riga and Liepaja, pp. 20-29.
ISBN 9789934843457
Thapalyal Hyland, Ranjana
(2016)
Education as mutual translation : a Yoruba and Vedantic interface for art school pedagogy.
PhD thesis, Goldsmiths University of London.
McKee, Francis
(2016)
How to Know What's Really Happening.
How to..., 2
.
Kayfa ta, Beirut.
ISBN ISBN 978-1-955702-00-3 (English) ISBN 978-1-955702-01-0 (Arabic)
Thompson, Susannah
(2016)
Katrina Palmer: The Necropolitan Line.
Art Review.
ISSN 1745-9303
Gertz, Lotte and Thompson, Susannah
(2016)
Lotte Gertz.
In:
Lotte Gertz.
Good Press Editions, Glasgow, pp. 3-7.
Sinclair, Ross
(2016)
'We Love Real Life Scotland'.
Gallery of Modern Art, Glasgow, UK,
Sep 2015 - Mar 2016
Rankovic, Katarina
(2015)
An Empathetic Affair: The Embodied Practice of Hedwig Houben.
Curating the Contemporary.
McGraw, Mick
(2015)
I Want to Hide it.
In: Traffic: movement/place/flow/mobility, 15-16 Apr 2016, University of Plymouth, England.
Sinclair, Ross and Payne, Alistair
(2015)
Turner Prize Thursdays: How Do You Make a Glaswegian Artist?
Tramway, Glasgow.
Sinclair, Ross and Gray, Kate
(2015)
Evaluating Participatory Practice.
In: 2015 Engage International Conference, 18-21 November 2015, Royal Concert Hall, Glasgow.
Bird, Nicky, Brodie, Ann, Gonzalez, Laura, Butler, Jaqueline and Mersinis, Michael
(2015)
Family Ties: Subject Missing.
In: Family Ties: Subject Missing, 20 November 2015, The Glasgow School of Art, UK.
Fraser, Marita
(2015)
Marita Fraser.
Kerstin Engholm Gallery, Schleifmühlgasse 3, Vienna,
12 November – 13 December 2015
Brind, Susan, Bird, Nicky, Carter, Justin, Greated, Marianne, McBride, Christina, McMullan, Shauna, Mersinis, Michael, Thomson, Amanda, Punton, Lesley, Watt, Hugh and Brownrigg, Jenny
(2015)
Practising Landscape 1- Peripatetic Seminar Series.
Tripp, Sarah
(2015)
Listening to Strangers.
Centre for Contemporary Arts, Glasgow,
1 Oct 2015
Ramsay, Graham
(2015)
Devils In The Making: Glasgow School of Art and the Collection.
GoMA, Glasgow, UK,
18 Sep 2015 - 28 Feb 2016
Brown, Katrina
(2015)
Plazamania: Who is Public Space For and Why?
In: PLAZAMANIA, 17 Sep 2015, The Lighthouse, Glasgow, UK.
Ramsay, Graham
(2015)
Curious Artefacts.
Artwall Project Space, Athens, Greece,
16 Sep - 14 Oct 2015
Payne, Alistair
(2015)
Who Is Hiding Now?
In: The Hidden Curriculum, 9 - 11 September 2015, Academy of Fine Arts, Poznan, Poland.
Weir, Catherine M.
(2015)
The Ghosts of Google Street View: Revealing the fractured temporality of the image.
In: Material Culture in Action: Practices of Making, Collecting and Re-enacting Art and Design, 7-8 Sep 2015, The Glasgow School of Art, UK.
Bird, Nicky and Jeffrey, Stuart
(2015)
'Heritage Site: visualising an unreachable heritage'.
In: 21st European Association of Archaeologists Glasgow 2015, 2-5 September 2015, University of Glasgow.
Thompson, Susannah
(2015)
Nervous skies.
MAP: Journeys in Contemporary Art.
ISSN 1745-4484
Edbrook, Laura
(2015)
Thank you for writing to me so often, you are revealing yourself to me in the only way you can: ‘Sick, Sick, Sick’: The Books of Ornery Women.
MAP Magazine.
Graham, Ramsay
(2015)
Super Woofer.
Matts Gallery, London,
1 Aug 2015
Sinclair, Ross
(2015)
Over Over Over.
Simone de Souza Gallery, Detroit,
July/August 2015
Reekie!, Neu, Sinclair, Ross, Hand, Withered, Bisset, Alan, Clark, Polly, McNish, Holly, Found, The, Williamson, Kevin and Pederson, Michael
(2015)
Neu Reekie!: Anywhere but the Cities, Helensburgh.
The Tower Digital Art Centre, Helensburgh,
23 July 2015
Thompson, Susannah
(2015)
Seaside modernity.
a-n The Artists Information Company.
Long, Declan, Claydon, Steven, Kuri, Gabriel, Tompkins, Hayley, Anderson, Kitty and Brown, Katrina
(2015)
The Persistence of Objects.
In: 'The Persistence of Objects' Seminar, 20 Jun 2015, Lismore Heritage Centre, Lismore, Ireland.
Cooper, Thomas Joshua
(2015)
Remembering the Celtic Peregrinati.
Journal of Landscape Architecture, 10 (2).
pp. 58-69.
ISSN 1862-6033
McClanahan, Angela
(2015)
The Ethics of Landscape: Discourses of Cultural and Environmental Sustainability in the Heart of Neolithic Orkney World Heritage Site.
In:
World Heritage, Tourism and Identity.
Routledge, London.
ISBN 9781315546315
Wall, Gina
(2015)
Future Thinking: Imaginative Expectations for the Leaky University.
Journal of Perspectives in Applied Academic Practice, 3 (1).
pp. 6-10.
ISSN 2051-9788
Thompson, Susannah
(2015)
Maud Sulter: Passion.
Art Review, 67 (5).
p. 143.
ISSN 1745-9303
Brown, Katrina and Anderson, Kitty
(2015)
The Persistence of Objects.
Lismore, Ireland,
20 Jun - 31 Aug 2015
Bento Coelho, Inês
(2015)
Borrowing methods: what might creative practitioners in visual arts and dance learn from each other?
In: Creativity: Method or Madness? The 4th International PG conference, 26-27 May 2015, University of Glasgow.
Sinclair, Ross
(2015)
Public Engagement/Education Conference of Generation, 25 Years of Contemporary Art in Scotland, Generation Engagement Project: presenting "20 Years of Real Life, Free Instruments for Teenagers" at Collective, Edinburgh.
In: Public Engagement/Education Conference of Generation, 25 Years of Contemporary Art in Scotland, 15 May 2015, Glasgow School of Art, Assembly Hall.
Bird, Nicky
(2015)
‘Uncanny encounters: Cameron, ‘Mary’ and an unknown woman at the gate’.
In: Symposium 200 Years: Julia Margaret Cameron, Pioneering Photography, 13 May 2015, Museum voor Schone Kunsten, Ghent, Belgium.
Edbrook, Laura
(2015)
The Subject's Object.
Material Press.
Ursitti, Clara
(2015)
Monument.
Castle De Lovie, Poperinge, Belgium,
May 1 - August 30, 2015
Brown, Katrina, Curtis, Penelope, Welsh, Louise and Byatt, Lucy
(2015)
Graham Fagen.
In:
Graham Fagen.
Hospitalfield, Arbroath, pp. 118-123.
ISBN 9780993227509
Tripp, Sarah, Bailey, Giles, Barker, Ruth, Beasley, Becky, Benera, Anca, Betteridge, Tom, de Briey, Nathalie, Bright, Kimberley, Brownrigg, Jenny, Bojanowska, Maria, Burns, Barry, Davidson, Neil, Disbury, Rachael, Easton, Rowena, Edbrook, Laura, Elkin, Kathryn, Fallon, Stuart, Grenyer, Kate, Hall, Lauren, Hartshorn, Jane, Hogarth, Jamie, Hutchinson, Simone, Knight, Ben, Lafferty, Mhari, Li, Chin, Matsumoto, Lila, McCallum, Eona, McStravick, Conal, Mistretta, Giuseppe, Morgan, Charlotte, Morrell, Kate, Omann, Aniara, Paige, Steven, Potter, Jessica, Rhymes, Darren, Schrag, Anthony, Simpson, Laura, Skinner, Carrie, Shelley, Louise, Sowerby, Katherine, Speed, Emily, Staff, Patrick, Street, Catherine, Taylor, Richard, Tendink, Iris, Tolmie, Cara, Varley, Tom, Walker, Chris, Walker, Thom, Watson, Daniella, Wells, Lauren, Wilcox, Rebecca and Ziffo, George
(2015)
Collected Gnommero.
Gnommero
.
Independently published, Glasgow.
Payne, Alistair
(2015)
The virtual, alternate spaces and their affects upon artwork.
In:
Handbook of Research on Digital Media and Creative Technologies.
IGI Global, America, pp. 60-82.
ISBN 978146668204
Sinclair, Ross
(2015)
Closing Keynote Presentation: True North Conference, Timespan, Helmsdale.
In: True North Conference, 5-7 March 2015, Timespan, Helmsdale.
Hunter, Roddy
(2015)
The Last Art-of-Peace Biennale.
Richard Saltoun, 111 Great Titchfield Street, London W1W 6RY,
13 February– 20 March, 2015
Edbrook, Laura
(2015)
"And when you’re ready, slowly open your eyes...".
Multiplicity, 5.
Thompson, Susannah
(2015)
Jonathan Gardner.
Art Review, 67 (1).
p. 131.
ISSN 1745-9303
Sinclair, Ross
(2015)
The Beginnings of that Freedome.
Westminster Hall, UK Parliament, Palace of Westminster,
2015
Sinclair, Ross
(2015)
Beyond the Goldmine Standard.
RPM Music 4 Old George Yard, Newcastle upon Tyne,
Apr-May 2015
Vissar, Bianca, Calcutt, John and McKee, Francis
(2015)
Chapter XVII.
In:
meanwhile ...
Risotto Studio, Glasgow.
Thompson, Susannah
(2015)
Hugo Canoilas: Someone a long time ago, now.
Art Review, 67 (4).
ISSN 1745-9303
Birrell, Ross
(2015)
Musical Composition and Improvisation in response to the 2014 Mackintosh Fire.
The Glasgow School of Art.
Sinclair, Ross
(2015)
Queens Park Music Club - Volume 2.
Queens Park Railway Club, Glasgow.
Gracie, David
(2015)
Subversive Art as place, identity and bohemia: The San Francisco Bay area 1945-1965.
MPhil thesis, The Glasgow School of Art.
Thompson, Susannah
(2015)
To the Editor of Amateur Photographer - Mark Fell and Luke Fowler.
Art Review.
ISSN 1745-9303
Tripp, Sarah
(2014)
You Are of Vital Importance.
Book Works, London.
ISBN 9781906012540
Thompson, Susannah
(2014)
Josh Faught: I know I Came into this Room for a Reason.
Art Review.
ISSN 1745-9303
Thompson, Susannah and Mojsiewicz, Kristin
(2014)
ROTOR: Transdisciplinary dialogue and debate.
University of Huddersfield Press.
Calcutt, John, Scott, Andy, Naughtie, Jim, Miller, Phil, Burton, Tim, Nicol, Jacqui and Fullerton, Tracey
(2014)
Sight-Seeing and Sign-Seeing. A View on The Kelpies.
In:
The Kelpies: Making the World's Largest Equine Sculptures.
Freight Books, United Kingdom, pp. 9-17.
ISBN 9781908754851
Tripp, Sarah
(2014)
Youth Administrator.
Flat Time House, London,
9 Oct – 23 Nov 2014
Sinclair, Ross
(2014)
Ross Sinclair: The Sixth annual Steven Campbell Trust Lecture.
In: Ross Sinclair: The Sixth annual Steven Campbell Trust Lecture, 16 October 2014, CCA, Glasgow.
Mulholland, Craig
(2014)
FORTHCOMING MATERIALS OF PRACTICE.
In: FORTHCOMING MATERIALS OF PRACTICE: A Symposium In Two Halves, 3rd Oct2014, Edinburgh College of Art& Talbot Rice Gallery.
McGraw, Mick
(2014)
Vibrant Matters, Panel Moderator.
In: Vibrant Matters: A Land2/PLaCE International Conference & The Third Annual Art & Humanities Postgraduate Conference, 29-30 Jan 2015, University of Dundee, UK.
Topping, Jane
(2014)
Peter.
Edbrook, Laura
(2014)
Brass drums, brass suns, beccaficos and a cuckoo.
Queer Information Anthology, 1.
Thompson, Susannah
(2014)
Review of Mood is Made/Temperature is Taken by Quinn Latimer.
Art Review.
p. 139.
ISSN 1745-9303
Tripp, Sarah
(2014)
7 Customs.
Wirksworth Parish Room,
9– 25 Sep 2014
Kelly, Conor
(2014)
Do U Feel Like We Do?
Intermedia Gallery, CCA Glasgow,
20 Sep - 04 Oct 2014
Bird, Nicky
(2014)
Voyaging Voices: Ethical Encounters between Donor, User, Archivist, and Artist.
In: Feminist Ethics in the Archive, 17 September 2014, CCA: Centre for Contemporary Arts, Glasgow.
Cooper, Thomas Joshua and Bathurst, Bella
(2014)
Scattered Waters.
Ingleby Gallery, Edinburgh.
ISBN 978-0956669292
Calcutt, John
(2014)
Look At Us.
Castelfield Gallery.
Sinclair, Ross
(2014)
Over the Counter Culture.
An Talla Solais, Ullapool,
Sep 6 – 19 Oct 2014
Bird, Nicky
(2014)
On a Scottish Rural Edge.
In: Of the Earth: Art, Photography, Writing and the Environment, 24-25 October 2014, University of Plymouth, Plymouth, UK.
Sinclair, Ross, Maclean, Rachel, Riach, Alan, Dunlop, Joy and Baker, Timothy C.
(2014)
Fatty Foods & Woollen Goods: Selling Scottish Heritage.
In: Fatty Foods & Woollen Goods: Selling Scottish Heritage, 23 August 2014, Aros Hall, Tobermory, Mull.
![Being and Time; A Dice Throw; Conrad's Hand [Works exhibited in Counterpoint, Talbot Rice Gallery, Edinburgh]](https://radar.gsa.ac.uk/4430/1.haspreviewThumbnailVersion/TalbotRice_Counterpoint_31Aug14_07LR.jpg)
![Being and Time; A Dice Throw; Conrad's Hand [Works exhibited in Counterpoint, Talbot Rice Gallery, Edinburgh]](https://radar.gsa.ac.uk/4430/2.haspreviewThumbnailVersion/BeingandTime_GrandCanyon.jpg)
McClanahan, Angela
(2014)
Archaeologies of Collapse: New Conceptions of Ruination in Northern Britain.
Visual Culture in Britain, 15 (2).
pp. 198-213.
ISSN 1471-4787
Bird, Nicky
(2014)
Family Ties: Reframing Memory, 2014.
The Peltz Gallery, London,
3 - 25 July 2014
Thompson, Susannah
(2014)
Review of Echt by Bedwyr Williams.
Art Review, 66 (5).
p. 151.
ISSN 1745-9303
Ramsay, Graham
(2014)
Generation: 25 Years of Contemporary Art in Scotland.
The People's Palace, Glasgow,
27 Jun - 29 Sep 2014
Sinclair, Ross, Boyce, Martin, Lambie, Jim, Buchanan, Roddy, Campbell, Duncan and Gordon, Douglas
(2014)
DISCORDIA.
Glasgow, UK,
14 Jun 2014 to 04 Jul 2014
Bird, Nicky
(2014)
Archaeology of the Ordinary.
In: How Do We Study Objects?, 8-9 May 2014, Helsinki, Finland.
Thompson, Susannah
(2014)
Review of Monads and Party Paintings, by Spencer Sweeney.
Art Review, 66 (4).
p. 102.
ISSN 1745-9303
Ramsay, Graham and Beagles, John
(2014)
Reclaimed. The Second Life of Sculpture.
The Briggait, Glasgow, G1 5HZ,
April - May 2014
Mulholland, Craig
(2014)
GYMNASIA.
Glasgow International 2014, Fleming House, Glasgow,
04 - 21 April 2014
Ramsay, Graham
(2014)
Sell A Lung.
The Briggait, Glasgow International Festival of Contemparary Art 2014,
04 - 21 Apr 2014
Bird, Nicky
(2014)
'‘Blood Oranges Dipped in Salt’ and the Latent Photographic Archive'.
In:
PAGES: archives and office, stationery and document.
Wild Pansy Press, Leeds, pp. 13-15.
ISBN 9781900687492
Arrhenius, Sara, Brown, Katrina, Christov-Bakargiev, Carolyn, Franzen, Brigitte, Lingwood, James and Sinclair, Ross
(2014)
Susan Philipsz 'Lowlands'.
In:
Susan Philipsz 'You Are Not Alone'.
Verlag der Buchhandlung Walther Konig, London.
ISBN 978-3863354053
Payne, Alistair
(2014)
Indisciplinary Behaviour.
Rom8 Gallery, Bergen, Norway,
9th -19th January 2014
Thompson, Susannah
(2014)
Review of Woman Coming Home from the Cinema Expecting Triplets by Aaron Angell and Jack Bilbo.
Art Review, 66 (1).
p. 118.
ISSN 1745-9303
Sinclair, Ross
(2014)
"Abandon Hope, All ye who enter here".
Prison Sainte Anne, 55 rue de la Banasterie, Avignon,
18 May - 25 Nov 2014
Andujar, Daniel G., Barker, John, Beckett, Samuel, Boseul Shin, Natalie, Christ, Hans D., Doujak, Ines, Dressler, Iris, Etchells, Tim, Grosfoguel, Ramon, Hoffmann, Annette, Hoskote, Ranjit, Kunst, Bojana, Pelmus, Manuel, Peters, Christine, Riff, David, Stidworthy, Imogen, Smith, Stephanie and Stewart, Eddie
(2014)
Acts of Voicing: On the Poetics and Politics of the Voice.
Spector Books, Stuttgart.
ISBN 9783944669892
Lowndes, Sarah
(2014)
All art is political: writings on performative art.
Luath Press, Edinburgh.
ISBN 9781910021422
Fitzpatrick, Edwina
(2014)
Artists' geographies of the landscape-archive: trace, loss and the impulse to preserve in the anthropocene age.
PhD thesis, The Glasgow School of Art.
Sinclair, Ross
(2014)
Bad Smells But No Sign of the Corpse.
In:
Generation: 25 years of Contemporary Art in Scotland Reader.
National Galleries of Scotland and Glasgow Life, Scotland, pp. 23-31.
ISBN 978190627728
Thompson, Susannah
(2014)
Brass Art: The Imagining of Things.
In:
ROTOЯ Review.
University of Huddersfield Press, Huddersfield, pp. 41-44.
ISBN 9781862181199
Wall, Gina
(2014)
Encounters with Iceland's Eventful Landscape: a series of photographic occasions.
In:
Relate North 2014.
Lapland University Press, Rovaniemi, Finland, pp. 128-145.
ISBN 9789523109896
Jeffrey, Moira, Brown, Katrina, Askew, Lucy, Cameron, Shona, Cairns, Steven, Delaney, Julie-Ann, Harman, Ben, Hartley, Keith, Jackson, Clare, McGlashan, Sean, Munro, Sarah, Paterson, Dominic, Patrizio, Andrew and Young, Linsey
(2014)
GENERATION: 25 years of Contemporary Art in Scotland.
National Galleries of Scotland and Glasgow Life.
ISBN 9781906270711
Sinclair, Ross and Gordon, Rebecca
(2014)
Identifying and pursuing authenticity in Contemporary Art / Artist in Conversation: 'Real Life' questions of Authenticity.
In:
Authenticity and Replication: The 'Real Thing' in Art and Conservation.
Archetype Publications Ltd., London, pp. 95-116.
ISBN 9781904982999
Sinclair, Ross
(2014)
Information 2, Elements from 'Exchange Value' from Information, 1989.
Paisley Museum, High St Paisley, UK,
11 Jul - 05 Oct 2014
Sinclair, Ross
(2014)
An Open Letter to Whomsoever it may Concern Regarding : Scotland – A Brief and Fractured Introduction to the History of the Period 1983/2083.
In:
Generation: 25 years of Contemporary Art in Scotland Reader.
National Galleries of Scotland and Glasgow Life, pp. 37-45.
ISBN 978190627728
Sinclair, Ross
(2014)
Real Life Rocky Mountain.
Scottish National Gallery of Modern Art, National Galleries, Edinburgh,
2014-2015
Sinclair, Ross, Franzen, Brigitte, Arrhenius, Sara, Christov-Bakargiev, Carolyn, Connolly, Maeve, Brown, Katrina, Connor, Steven, Shultz, Anna Sophie, Roelstraate, Dieter and London, Barbara
(2014)
Susan Philipsz - Socialism in her Heart: A Melodic Reverie in the Key of G. The Seven Harmonies of the Timeline.
In:
Susan Philipsz - You Are Not Alone.
Walther Konig, Artangel, et al., pp. 177-191.
ISBN 978-3-86335-405-3
Thompson, Susannah
(2013)
Sound Affects.
Redgate Publications.
McClanahan, Angela
(2013)
Curating Otherness in Neolithic Orkney: A Contemporary Monumental Biography.
Visual Studies, 28 (3).
pp. 262-270.
ISSN 1472-586X
McClanahan, Angela and Holt, Ysanne
(2013)
Northern Peripheries.
Visual Studies, 28 (3).
pp. 203-206.
ISSN 1472-586X
Thompson, Susannah
(2013)
‘But ye de de art, divvint ye?’ Authenticity, identity and the historicisation of the Pitmen Painters.
Visual Studies, 28 (3).
pp. 207-217.
ISSN 1472-586X
Wall, Gina
(2013)
Ghost writing: photographing (the) spectral north.
Visual Studies, 28 (3).
pp. 238-248.
ISSN 1472-586X
Thompson, Susannah
(2013)
Art Criticism and the Glasgow Miracle.
The Glasgow Miracle:Materials for Alternative Histories.
Thompson, Susannah
(2013)
Costume: Written Clothing.
Art Review.
ISSN 1745-9303
Bird, Nicky
(2013)
‘Looking a Gift Horse in the mouth: Generosity and the Digital Exchange of Family photographs’.
In:
The Photograph and the Album.
MuseumsEtc., Edinburgh, UK & Cambridge, USA, pp. 372-401.
ISBN 978-1-907697-91-3
Mulholland, Craig
(2013)
AS RED DOTS HUNT DYING WORD.
Talbot Rice Gallery, UK.,
9th Aug. - 19th Oct 2013
Sinclair, Ross
(2013)
"Real Life and How to Live it in Auld Reekie / Real Life Parledonia".
All around the city of Edinburgh,
1 August - 1 September 2013
Altintozoglu, Euripides and Payne, Alistair J
(2013)
The Ends of Art.
Beton7 Gallery, Athens, Greece,
July 2013
Thompson, Susannah
(2013)
Tears of the Moon, Sweat of the Sun.
Susie Green and The International Three.
Ramsay, Graham
(2013)
BEEF BEAT BIG TIME SELL A LUNG TO FEED THE KIDS LOWER YOUR STANDARDS BOING BOING BOING SAUSAGE GOOD TEETH SMILE OF BEEF AND BACON BLASÉ FACE T SHIRT USE THE OBJECT HMS SPONGE MUNCHER MUSH WANT BEEF OASIS WHO OWNS THE CHEESE? DAMN YOUR SPAM GOAT BRAIN PERFUME (PUT YOUR BACK INTO IT BOY!) INTO THE VORTEX FAK SAUSAGE PIG OOZE HIVE AND THE TRIPE POD OF BIG THOUGHTS OH ROTTEN MOLAR OLD NED MOB HEAD LUNG DEAD A MOMENTARY LAPSE OF EQUALITY CONTROL PARALLEL INCREMENTAL SOPHISTICATION.
Summerhall, Edinburgh, UK,
31 May - 19 Jul 2013
Thompson, Susannah
(2013)
Mick Peter: Trademark Horizon.
Art Review, Summer (69).
pp. 148-149.
ISSN 1745-9303
Rodger, Johnny, Miller, Mitch, Mersinis, Michael, McCaughey, Peter, Munro, Gordon and Sinclair, Ross
(2013)
Stations of the Green.
New Glasgow Society Gallery,
26 April -17 May 2013
Thompson, Susannah
(2013)
Alex Impey: Orangutan.
Art Review, 66.
p. 141.
ISSN 1745-9303
Ramsay, Graham
(2013)
SPAM MUSH DUST.
Thapalyal, Ranjana
(2013)
Philosophy of Education research and action research portfolio, stemming from a paper given at the Canada International Conference on Education, Toronto, Canada, May 2010.
In: Canada International Conference in Education 2010, 24-26 May 2010 (Postponed from 24-26 April 2010), Toronto, Canada.
Payne, Alistair J
(2013)
The Virtual and Interdisciplinarity.
In:
Digital Media and Technologies for Virtual Artistic Practices.
IGI Global, pp. 105-116.
ISBN 9781466629615
Smith, Sarah
(2013)
Feminist Authorship and Found Footage Film: The Case of Susan Hiller’s Psi Girls.
In: Media, Communication and Cultural Studies Association (MeCCSA) Conference 2013, 9-11 January 2013, University of Ulster, Derry.
Sinclair, Ross
(2013)
Art across the City, Locws international, Public Art Project across the City of Swansea.
Swansea,
2013
Di Franco, Karen
(2013)
Book Works' Archive: a partial response.
Art Libraries Journal, 38 (3).
pp. 37-42.
ISSN 0307-4722
Harron, Rory Joseph
(2013)
Exodus: towards a non-identity art.
PhD thesis, The Glasgow School of Art.
Barak, Ami, Brown, Katrina, Gray, Zoë and Gateau, Laurence
(2013)
Paths and Pathways.
In:
'Première construction pour une collection nomade: L'architecture du Fonds régional d'art contemporain des Pays de la Loire 2000-2012'.
FRAC des Pays de la Loire, Carquefou, pp. 65-72.
ISBN 9782917855409
Sinclair, Ross
(2013)
Ross Sinclair
I Tried to Give up Drinking with Guitars instead of God - A show about an Album.
The Duchy Gallery, Glasgow, UK,
March/April 2013
Sinclair, Ross
(2013)
Site specific artwork as part of, "Landscape as Conceptual Art ; the practical context of John Latham’s Monuments in the 21st Century".
West Lothian Placement,
2013 0nwards
Bacos, Nina
(2013)
A white woman's photographic travel journal.
PhD thesis, The Glasgow School of Art.
Edbrook, Laura
(2012)
The gatekeepers’ movements invent another language.
MAP Magazine.
Thompson, Susannah
(2012)
Richard Hughes: Where It All Happened Once.
Art Review (64).
p. 128.
ISSN 1745-9303
Greenough, Thomas, Brotheridge, Anthony John and Fradgley, Daniel
(2012)
Lombok Collaborative Fashion Project.
UNSPECIFIED.
Bird, Nicky
(2012)
‘Jasmin, Ryde, Isle of Wight, July 2000 – January 2001’ from Tracing Echoes (2001), in Seduced by Art: Photography Past and Present.
The National Gallery London; CaixaForum Barcelona and CaixaForum Madrid,
London: 31 October 2012 - 20 January 2013; Barcelona: 21 February-19 May 2013 and Madrid: 18 June -15 September 2013
Currall, Alan
(2012)
Ourselves.
Australian Centre for Contemporary Art, Melbourne.,
11 October - 25 November 2012
Wall, Gina
(2012)
Interdisciplinary Research: Practising the In-Between.
International Journal of Art & Design Education, 31 (3).
pp. 276-285.
ISSN 1476-8070
Thompson, Susannah
(2012)
Tim Rollins and K.O.S: The Black Spot.
Art Review (62).
p. 124.
ISSN 1745-9303
Thompson, Susannah
(2012)
Lotte Gertz: New Work.
Art Review (61).
p. 130.
ISSN 1745-9303
Edbrook, Laura and Lochhead, Ailsa
(2012)
Degree less Noon.
Edinburgh Sculpture Workshop, Edinburgh.
ISBN 9780957402003
Pollard, Alex
(2012)
The Irregular Correct - New Art From Glasgow -FAC (Fremantle Art Centre, Australia.
McMullan, Shauna
(2012)
STUDIO 58, Women Artists in Glasgow since World War II.
Mackintosh Museum, Glasgow School of Art,
7th July - 30th September 2012
Thapalyal, Ranjana
(2012)
Engendering Dialogue III
Pedagogical Encounters: Feminist Philosophy and Education
University of Dundee, 22-23 June 2012.
In: Engendering Dialogue III Pedagogical Encounters: Feminist Philosophy and Education, 22- 23 June 2012, University of Dundee, Scotland, UK.
Rankovic, Katarina
(2012)
The Railway Rocket Dog.
HESA Inprint, 17.
Thompson, Susannah
(2012)
Elizabeth Price: Here.
Art Review, Summer (60).
pp. 136-137.
ISSN 1745-9303
Gibson, Stephen and Greenough, Thomas
(2012)
Live Video Workshop.
Jilin College of the Arts, Changchun, China.
McCaughey, Peter
(2012)
Not Untitled.
In:
Cultural Hijack: Rethinking Intervention.
Liverpool University Press; 1st edition, Liverpool, pp. 48-79.
ISBN ISBN-13: 978-1846317514
Hunter, Roddy and Bodor, Judit
(2012)
Art, Meeting, and Encounter: The Art of Action in Great Britain.
In:
Histories and Practices of Live Art.
Palgrave Macmillan, Basingstoke, pp. 65-89.
ISBN 9780230229730
McKinney, Jake, Hattenker, Torsten, Kisling, Annette and Hartung, Oliver
(2012)
Grenzen Ziehen – Defining Borders.
Felicity Bryan.
Leitner, Michael, Cockton, Gilbert, Yee, Joyce S. R. and Greenough, Thomas
(2012)
The Hankie Probe: A Materialistic Approach to Mobile UX Research.
In: CHI Conference on Human Factors in Computing Systems, CHI '12, Extended Abstracts Volume, 05-10 May 2012, Austin, TX, USA.
Mulholland, Craig, Pickstone, Edwin and Thompson, Susannah
(2012)
ILLEGITIMI NON CARBORUNDUM.
Koppe Astner Gallery, Glasgow, Glasgow.
ISBN 9780957555402
McGraw, Michael
(2012)
Post-Digital Printmaking, CNC, Traditional and Hybrid Techniques
by Paul Catanese and Angela Geary.
In:
Post-Digital Printmaking, CNC, Traditional and Hybrid Techniques.
A&C Black, London, Uk, pp. 7-12.
ISBN 9781408124949
Brown, Katrina
(2012)
Richard Wright 'Works on Paper'.
Kelvingrove Art Gallery & Museum, Glasgow,
20th April – 24th June 2012
Sinclair, Ross, Forbes, Anne, Gordon, Kim William, Zeiske, Claudia, Scott, Pat, Mullholland, Neil, Buchanan, Roddy, MCCrone, David, Richardson, Craig, McCaughey, Peter, Relyea, Lane B., McKee, Francis and Scott, Patrick
(2012)
Ross Sinclair : We love Real Life Scotland
Art, History and Place, A Reader exploring the heritage of Huntly’s Gordons and other Scottish Incidences in the work of Ross Sinclair.
Deveron Arts, Huntly, Scotland.
ISBN 9781907115097
Thompson, Susannah
(2012)
Scottish Art Since 1960 [Book Review].
Journal of the Scottish Society for Art History, 16.
ISSN 1362-248X
Calcutt, John
(2012)
Sex, Lies and Turpentine.
In:
Michael Fullerton. Pleasure in Nonsense.
MER. Paper Kunsthalle, Ghent / London, pp. 73-91.
ISBN 978 94 9069 3633
Smith, Stephanie and Stewart, Eddie
(2012)
Solo commission. KYTN.
Dundee Contemporary Arts, Dundee, UK,
26 February 2012
Currall, Alan
(2011)
Tales from the City.
Gallery of Modern Art, Glasgow,
December 2011 - December 2012
Hunter, Roddy
(2011)
Opium Debt.
Currall, Alan
(2011)
Unwrapped.
Ferens Art Gallery, Hull,
30 October - 9 January 2011
Thompson, Susannah
(2011)
Strange Loops.
Art Review (51).
p. 161.
ISSN 1745-9303
Edbrook, Laura
(2011)
The Fruit of Their Actions.
MAP Magazine (25).
pp. 30-32.
McKee, Francis
(2011)
And there was evening And there was morning, One Day.
Tel Aviv Museum of Art, Tel Aviv, Israel
Bird, Nicky, Maggia, Filippo, MacKenna, Deirdre, Grinly, David, Mariani, Mara Luisa, Monti, Paolo, Wilson, Cerys, Gatti, Massimiliano, Douglas, Caroline and Merlino, Gianni Ferrero
(2011)
Artist In Residence 2010: Small Communities, Small Worlds.
Stills and Fondazione Fotografia, Fondazione Fotografia, Modena, Italy.
Edbrook, Laura
(2011)
All is for the best in the best of all possible worlds.
New Work Scotland Programme.
Thompson, Susannah
(2011)
Keith Farquhar: Nudes in Colour.
Art Review (50).
p. 120.
ISSN 1745-9303
Nielsen, Susanne Norregard
(2011)
kite performance.
Highland Institute for Contemporary Art (HICA),
18 September 2010 - 19 September 2010
MacKenzie, Stuart and Cosgrove, Paul
(2011)
RSA New Contemporaries.
In:
RSA New Contemporaries.
The Royal Scottish Academy Of Art & Architecture, UK, p. 43.
ISBN 978-0-905783-22-2
Bird, Nicky
(2011)
'Assemblage: a toolkit with pictures'.
Studies in Photography: The Scottish Society for the History of Photography, 2011.
pp. 64-75.
ISSN 1462-0510
Brind, Susan
(2011)
Making Space Symposium.
In: Making Space Symposium - Convenor - Introduction(s), 3 February 2011, Glasgow Women's Library.
Hansen, Anne Bjerge
(2011)
Paysages déplacés.
Ecole Supérieure des Beaux-Arts, Le Mans, France,
February 2011
Rodger, J., Leslie, Chris, Miller, Mitchell and Bird, Nicky
(2011)
The Future in The Past: 3 Artists on High Rise. Mini Conference organised at the Centre For Contemporary Art, with The Drouth and The Urban Lab.
In: UNSPECIFIED.
Ursitti, C.
(2011)
Art News, Scent and Sensibility.
Art News, Scent and Sensibility.
Ursitti, C.
(2011)
Art and Science Now, Thames and Hudson.
Thames and Hudson.
Currall, Alan and Birrell, Ross
(2011)
ArtandResearch.org.uk.
Dr. Ross Birrell and Alan Currall, Glasgow, UK.
McGraw, M.
(2011)
CABIN:CODEX.
Centrespace, Dundee Contemporary Arts, Dundee
McGraw, M.
(2011)
CONTEMPORARY SCOTTISH LANDSCAPE.
Glasgow Print Studio,
February 2011
Thompson, Susannah
(2011)
Childish Things.
Art Review (48).
ISSN 1745-9303
Pollard, Alex
(2011)
Collaborations.
Sorcha Dallas Gallery, Glasgow,
November 2011 to December 2011
Cosgrove, Paul L, Carter, Justin and Dean, F
(2011)
Creativity and risk-taking: a view from the studio.
Assessing creativity in design: emerging themes for engineering.
pp. 26-28.
Thapalyal, Ranjana
(2011)
“Freedom and Compassion in the Arts Curriculum”.
In: The Centrality of Art, Design and the Performing Arts to Education, iJade and NSEAD conference, 6-7 October 2011, University of Chester.
Ramsay, Graham
(2011)
Hertie Querty.
Gallery of Modern Art, Glasgow, UK,
4 November 2010 – 1 May 2011
Hunter, Roddy
(2011)
I think I now know.
In:
Artistic Research in Action: Proceedings of CARPA 2 - Colloquium on Artistic Research in Performing Arts.
The Publication Series of The Theatre Academy Helsinki, 42
.
Theatre Academy Helsinki, Helsinki, pp. 23-48.
ISBN 9789529765621
McGraw, Michael
(2011)
Life, the universe and everything: artists’ books which question our relationship with nature and the way we live/ A Sense of Place in Artist Books.
Monash University, Melbourne, Australia,
27th-30th September 2011
McKee, Francis
(2011)
Minerva Cuevas: Anarchy in the Hive.
Afterall: A Journal of Art, Context and Enquiry, 2011 (27).
pp. 49-56.
ISSN 2156-4914
Gorst, Thom
(2011)
Modern maritime ruins: an investigation into the aesthetic, cultural and historical value of modern ship-ruins around the British coast.
PhD thesis, The Glasgow School of Art.
Griffin, David
(2011)
Suitably underspecified: systematic notations and the relations between paper and music.
PhD thesis, The Glasgow School of Art.
Rodda, Matt
(2011)
The man without labour: on the phantasm of artistic labour.
PhD thesis, The Glasgow School of Art.
Carter, J.
(2010)
Searching For The Molendinar - Unearthing Glasgow's Hidden Past.
In:
Perceptions of Water in Britain from Early Modern Times to the Present.
Uni Global, Bergen, pp. 82-115.
ISBN 978‐82‐7453‐081‐2
Brind, Susan and Harold, Jim
(2010)
Curious Arts - No. 3 - semi-permanent site-specific installation.
Library of Hospitalfield House,
Semi-Permanent, Installed December 2010
Bird, Nicky, McKenzie, Ray, Lloyd, Kirsten and Warwick, Rhona
(2010)
Beneath the Surface / Hidden Place.
Stills, Edinburgh.
ISBN 978-096458-07-5
Calcutt, John
(2010)
Dee Time.
Threshold Artspace, Perth/Online.
Brind, Susan
(2010)
Art & the Economy.
In: Conference Convenor - Introduction(s), 6 November 2010.
Currall, Alan
(2010)
Hertie Querty.
Gallery of Modern Art, Glasgow,
Novemeber 2010 - May 2011
Thompson, Susannah
(2010)
Marc Camille Chaimowicz.
MAP: Journeys in Contemporary Art (24).
ISSN 1745-4484
Bird, Nicky
(2010)
'Artist as Listening Post'.
In: Transmission: Hospitality Conference, 1-3 July 2010, Sheffield Hallam University, UK.
Payne, Alistair J
(2010)
Radically Un-Hinged.
Eagleworks Gallery, Wolverhampton,
October 2010
Payne, Alistair
(2010)
Conversations in painting: neither/nor.
Arena Studios & Gallery, Liverpool, UK
Edbrook, Laura
(2010)
The Ineluctable Weight of Living.
New Work Scotland Programme (7).
p. 6.
Edbrook, Laura
(2010)
A Space on Stage: The Dinner Party.
New Work Scotland Programme (7).
p. 7.
Edbrook, Laura
(2010)
A Solution for the State of Disappointment.
2HB, 7.
pp. 20-21.
Thapalyal, Ranjana
(2010)
"Towards a Curriculum of Consciousness:
"An African and Asian Interface for New Philosophy of Art and Contemporary Cultural Practice, Tested Through Action Research".
In: Canada International Conference on Education (CICE 2010), April 26-28 2010, Toronto, Canada.
McGraw, M.
(2010)
13th International Contemporary Artist’s Book Fair.
Parkinson Court, University of Leeds
McGraw, M.
(2010)
ALL OVER THE PLACE.
Stanley and Aubrey Burton Gallery, University of Leeds, England review of show http://theculturevulture.co.uk/blog/reviews/all-over-the-place/,
June-October 2010
McBride, Christina
(2010)
Aporia.
Duke Street,
18 04 2010
Pollard, Alex
(2010)
Avalon.
The Embassy Gallery, 10b Broughton Street Lane, Edinburgh, EH1 3LY,
18th June 2010 to 11th July 2010
Ursitti, C.
(2010)
Commission for Tatton Park Biennial.
Commission for Tatton Park Biennial.
Calcutt, John
(2010)
Courbet's Crime.
Etc, 2010 (89).
pp. 13-15.
ISSN 08357641
Carter, Justin, Cosgrove, Paul and Dean, Fiona
(2010)
Creativity and Risk-Taking.
In:
Assessing Creativity in Design: Emerging Themes for Engineering.
The Higher Education Academy, p. 26.
ISBN 9781904804833
Smith, Stephanie and Stewart, Eddie
(2010)
Emporte-moi / Sweep me off my feet.
Contemporain du Val-de-Marne, Quebec, Canada; MAC/VAL, Vitry-sur-Seine, Paris, France,
Quebec - 24 September - 13 December 2009; Paris - 7 May - 5 September 2010
Pollard, Alex and stephenson, clare
(2010)
Four Fatrasies.
Pump House Gallery, Battersea Park, London
SW11 4NJ,
January 2010 to February 2010
McGraw, M.
(2010)
GLASGOW INTERNATIONAL ARTIST BOOK FAIR.
Glasgow Royal Concert Hall, Glasgow
Ursitti, C.
(2010)
Glasgow Project Room.
Pollard, Alex
(2010)
Little Magazine.
SWG3 Gallery, 100 Eastvale Place
Glasgow
G3 8QG,
February 2010 to March 2010
Ursitti, C.
(2010)
Lunchtime and Not a Breast in Sight.
Lunchtime and Not a Breast in Sight
Carter, Justin
(2010)
The Nature of Stuff – Approaching a Complex Understanding of Place.
In: PECSRL Permanent European Conference for the Study of Rural Landscape (24th session) ‘Living in Landscapes: Knowledge, Practice, Imagination’., 23 to 27 August 2010, Riga and Liepaja, Latvia..
Ursitti, C.
(2010)
Nomi’s Kitchen: Birch Bitch, invites, new sculptural work as part of Glasgow International Festival of Visual Art.
Greenough, Thomas, Bohemia, Erik, Smith, Neil, Oakley, Nick and Toes, Hannah
(2010)
On the Move 2 - Mobile Computing Now.
Northumbria University.
ISBN 978-0-9549587-4-9
McGraw, M.
(2010)
POLLPHAIL.
The Flatpack Festival, Birmingham
McGraw, M.
(2010)
POLLPHAIL.
SXSW Festival, Austin Texas,
2010
McGraw, M.
(2010)
POLLPHAIL.
Alchemy Film an Moving Image Festival, Hawick, Scotland.
Ursitti, C.
(2010)
Removed from the Eyes of Strangers.
Removed from the Eyes of Strangers
Sinclair, Ross
(2010)
Ross Sinclair - Real Civic Life.
Angelika Knapper Gallery, Stockholm, Sweden,
11Feb – 7 March 2010
Hamlyn, Jim
(2010)
“Schwerinblicke – Künstlersichten”.
Staatliches Museum Schwerin, Schwerin, Germany,
April 2010 to June 2010
Cooper, T. and O'Sullivan, T. H.
(2010)
Shoshone Falls.
Radius Books, Santa Fe, New Mexico, U.S.A.
ISBN 978-1-934435-25-0
McKenzie, Ray and Bird, Nicky
(2010)
Si Monumentum Requiris, Circumspice: commemoration and loss at Lethanhill.
In:
Beneath the Surface / Hidden Place.
Stills Gallery, Edinburgh, Edinburgh, pp. 11-14.
ISBN 978-0-906458-07-5
George, Jennifer, Cockton, Gilbert and Greenough, Thomas
(2010)
A Social Approach to Accessible Social Networking Using the CAT Model.
In: Computers Helping People with Special Needs, 12th International Conference, ICCHP 2010, 14-16 Jul 2010, Vienna, Austria.
Carter, Justin
(2010)
Thinking Hand Scratching Head.
Unit 19 Minerva Works, Fazeley Street, Birmingham, B5 5RS,
31 July 2010 to 29 August 2010
Nielsen, Susanne Norregard
(2010)
Three images (Black Square, Black Circle and Black Cross, pp184-185) published in “Auto Focus: The Self Portrait in Contemporary Photography” by Susan Bright.
In:
“Auto Focus: The Self Portrait in Contemporary Photography”.
Thames and Hudson, Contrasto, The Monacelli Press, pp. 184-185.
ISBN UK Edition is ISBN 9780500543894 (Thames and Hudson) French Edition is ISBN 978-2-87811-355-6 (Thames and Hudson) Italian Edition is ISBN 978-88-6965-259-2 (Contrasto) USA Edition is ISBN 978-58093-300-1 (The Monacelli Press)
Ursitti, C.
(2010)
Unheimlich.
Unheimlich
Ursitti, C.
(2010)
Vestiges Park, The Museum of Gloves, commission for Glasgow International Festival of Visual Art.
Thompson, Susannah
(2009)
Rocket to Variant: Artists' Writing in Scotland 1963-1984.
Journal of Writing in Creative Practice, 2 (3).
pp. 327-341.
ISSN 1753-5190
Payne, Alistair J and Ayliffe, Maggie
(2009)
Conversations in Painting: Painting as a Material Practice.
In: Conversations in Painting: Painting as a Material Practice, 23rd October 2009, The University of Wolverhampton.
Ramsay, Graham
(2009)
Running time: Artist films in Scotland from 1960 to now.
Dean Gallery, Scottish National Gallery of Modern Art, Edinburgh, UK,
16 October - 22 November 2009
Sutton, D.
(2009)
<i>Photography, Cinema, Memory: The Crystal Image of Time</i>.
University of Minnesota Press.
ISBN tbc
Sutton, D. and Wenell, Karen
(2009)
'Not just for Christmas': Consumption, Popular Culture and Religious Observance.
UNSPECIFIED.
Thompson, Susannah
(2009)
George Barber: Beyond Language – Selected Video Works 1983 -2008.
Dotcrawl.
Cosgrove, Paul and Beasley, George
(2009)
Cultural Intersections: A collaborative public artwork proposal.
Rattemeyer, Christian
(2009)
The Judith Rothschild Foundation Contemporary Drawing Collection.
In:
Catalogue Raisonne.
The Museum of Modern Art, New York, p. 274.
Mulholland, Craig and Jablonowski, Nora
(2009)
VIDEONALE 12 - Publication.
In:
Videonale 12.
DuMont Buchverlag GmbH & Co. KG, Koln, Germany, pp. 82-83.
ISBN 9783832192266
Thompson, Susannah
(2009)
Nick Evans: Use History Autonome.
Washington Garcia Gallery.
McGraw, M.
(2009)
ALL OVER THE PLACE.
University of Lincoln, England
McGraw, M.
(2009)
ALL OVER THE PLACE.
In:
Exhibition catalogue, Drawing Place, Drawing Space. Catalogue to follow hopefully.
UNSPECIFIED.
Ramsay, Graham
(2009)
Cock and Bull.
Margaret Lawrence Gallery, Victoria College of the Arts, University of Melbourne, Melbourne, Australia,
March 19th to April 18th 2009
Figgis, Laurence, Hynd, Lynn, Topping, Jane and Macpherson, Sophie
(2009)
Corridor of Uncertainty.
Tangent Gallery, Curtin University Campus, Perth, Australia,
26/08/2009-23/09/2009
McGraw, M.
(2009)
EXHIBITION OF ARTIST BOOKS.
The Nw Art Gallery, Wallsall, England
Smith, Stephanie and Stewart, Eddie
(2009)
Enter Love and Enter Death.
Inverleith House, Royal Botanic Gardens, Edinburgh, UK,
2009
Nielsen, Susanne Norregard
(2009)
Exhibition: Red Yellow Blue.
Red Yellow Blue
Ursitti, C.
(2009)
Grey Matter.
Grey Matter
McKee, Francis
(2009)
Headless Man/Topless Bar.
The First/Last Newspaper.
Calcutt, John
(2009)
His Loss.
In:
DESTE Prize Two Thousand & Nine.
DESTE Foundation Centre for Contemporary Art, Athens, Greece, pp. 34-37.
ISBN 978-960-86973-8-6
Sinclair, Ross
(2009)
"I-Lands" exhibition, featuring the work
"Journey to the Edge of the world –The New Republic of St Kilda".
Kunsthallen Brandts, Odense, Denmark; Fuglsang Kunstmuseum, Lolland, Denmark,
17/9/09 – 11/4/10, 7/5/10 - 22/8 /2010
McGraw, M.
(2009)
INKUBATOR ll.
Edinburgh Printmakers, Edinburgh, Scotland
McGraw, M.
(2009)
IRIS Artist Book Exhibition.
Place, Identity, Memory, Gracefield Arts Centre, Dumfries, Scotland
Ursitti, C.
(2009)
Insert/artwork for Uncle Chop Chop publication.
UNSPECIFIED.
McKee, Francis
(2009)
Live Evil - Liminal Spaces; Shot by both sides - Liminal Spaces.
Liminal Spaces.
Ursitti, C.
(2009)
Miscellaneous symptoms: sweet basements and gasoline, a film by Kathy Sperberg, a women laughing production for the NFB, Canada. Documentary about smell, philosophy and memory where I am interviewed.
McGraw, M.
(2009)
New Wave, Artists Publishing in the 21st Century.
Impact Printmaking Conference, University of West of England
McGraw, M.
(2009)
POLLPHAIL.
McGraw, M.
(2009)
POLLPHAIL.
The Times BFI 53rd London Film Festival
McGraw, M.
(2009)
POLLPHAIL.
7th World Film Festival, Bangkok, Thailand
McGraw, M.
(2009)
POLLPHAIL.
Jihlava International Film Festival, Czech Republic
McGraw, M.
(2009)
POLLPHAIL.
CPH:DOX, Denmark (Copenhagen International Documentary Film Festival)
Nielsen, Susanne Norregard
(2009)
Red Yellow Blue.
DCA Dundee Contemporary Arts, Dundee, UK,
4th July 2009 to 30th August 2009
Ursitti, C.
(2009)
Removed from the Eyes of Strangers.
Removed from the Eyes of Strangers
McGraw, M.
(2009)
Small Publishers Fair.
Conway Hall, Red Lion Square, London.
McGraw, M.
(2009)
The Third Manchester Artist Book Fair.
Holden Gallery, Manchester Metropolitan University, England
Thapalyal, Ranjana
(2009)
"Towards a Curriculum of Consciousness: an African and Asian interface for new philosophy of art and contemporary cultural practice".
In: "Pathways", November 2009, Goldsmiths College University of London.
Cooper, T.
(2009)
True: 80 photographs.
McBride, Christina
(2009)
The month of May.
Leith Hall Gardens, Kennethmont, UK,
30 May - 30 August 2009
Thompson, Susannah
(2008)
Lapland.
Atrium Gallery, Glasgow School of Art,
25 Nov - 12 Dec 2008
Ramsay, Graham
(2008)
Good Teeth.
Glasgow Sculpture Studios, Glasgow,
October 30th 2008 - February 28th 2009
Thompson, Susannah and Lochhead, Liz
(2008)
Alasdair Gray (Now and Then).
In:
UNSPECIFIED
Sorcha Dallas Gallery, Glasgow.
ISBN 97809551188
McGraw, M.
(2008)
MARKING THE TERRAIN.
Mackintosh Gallery, Glasgow School of Art,
October 2008
Thompson, Susannah
(2008)
Emerging: Carla Fullerton.
MAP: Journeys in Contemporary Art (15).
Figgis, Laurence and Hynd, Lynn
(2008)
Men and Bits of Paper Whirled by the Cold Wind.
The Shed, 2 North View, Glasgow,
27/09/2008-28/09/2008
Hunter, Kenny, Mulholland, Neil and Thompson, Susannah
(2008)
A Shout In The Street: Interview with Kenny Hunter.
In:
A Shout In The Street.
Tramway.
ISBN 9781899551453
Thapalyal, R.
(2008)
"The Feminist Call of the Spiritual / Erotic Impulse in Indian Art” in Imagination and Sexual Difference, edited by Griselda Pollock and Victoria Sauron.
In:
The Sacred and the Feminine: Imagination and Sexual Difference.
I.B. Tauris, pp. 135-149.
ISBN 9781845115203
Brind, Susan and Harold, Jim
(2008)
Curious Arts - No. 2, sound installation and artists' talk.
Royal Scottish Academy, Edinburgh,
11 July 2008 to 21 September 2008
Shottenkirk, D.
(2008)
Platonism, Transcendence and the Dia Art Foundation.
In: SCHOOL OF VISUAL ARTS TWENTY-FIRST ANNUAL NATIONAL CONFERENCE ON LIBERAL ARTS AND THE EDUCATION OF ARTISTS ART EDUCATION, RELIGION AND THE SPIRITUAL. THE ALGONQUIN HOTEL 59 WEST 44TH STREET NEW YORK, NY 10036 212.840.6800.
Brind, Susan
(2008)
Medical Knowledge and the Space of Imagining.
In: Creative Space, Arts, Humanities and Healthcare - Book of Abstracts, 8 - 9 July 2008, University of Glasgow.
Rhymes, Darren
(2008)
Esse Quam Videri.
In:
Esse Quam Videri.
Esse Quam Videri, pp. 5-47.
Payne, Alistair
(2008)
Painting as an Interdisciplinary Form.
VDM Verlag, Dr. Mueller e.K. Germany, Germany.
ISBN 978-383645605
Cosgrove, P.
(2008)
oddobjects.
Thompson, Susannah
(2008)
Uncle Chop Chop.
MAP: Journeys in Contemporary Art, 14.
ISSN 1745-4484
Thompson, Susannah
(2008)
E.J Major.
International Contemporary Art Magazine: Modern Painters.
p. 99.
Calcutt, John
(2008)
Salem.
MacKenzie, Stuart
(2008)
Carlas.
UNSPECIFIED.
Carter, Justin and Cocker, Emma
(2008)
The Berwick Gymnasium Fellowships – an archival record.
In:
The Berwick Gymnasium Fellowships – an archival record.
English Heritage & Arts Editions North.
ISBN 0955747813
Figgis, Laurence and Thomas, Sharon
(2008)
The Mundane Shell.
The Glasgow Print Studios, Glasgow,
11/04/2008-27/04/2008
Thompson, Susannah
(2008)
Craig Mulholland: Viral Transmissions.
MAP: Journeys in Contemporary Art, 13.
McGraw, M.
(2008)
11th CONTEMPORARY ARTIST BOOK FAIR.
University of Leeds, England
McGraw, M.
(2008)
ALL OVER THE PLACE.
University of West Of England, Bristol, England
Ursitti, C.
(2008)
CHEAD – keynote speaker, presented paper.
UNSPECIFIED.
Currall, Alan
(2008)
Communication Suite.
Wolfson Medical Building, University of Glasgow,
8 July - 1 August 2008
Ursitti, C.
(2008)
Communications Suite.
Communications Suite
McBride, Christina
(2008)
DarkDayLight.
Instituto Veracruzana de la Cultura, Mexico,
17 June 2008 - 20 July 2008
Sutton, D. and Martin-Jones, David
(2008)
Deleuze Reframed: A guide for the arts student.
I B Tauris.
ISBN tbc
Sinclair, Ross
(2008)
The Freedom Centre :
“Anglo American Love Song”.
Hales Gallery, London,
10th Oct - 15th Nov 2008
Cosgrove, P.
(2008)
Fusion: building, dwelling, thinking.
UNSPECIFIED.
McGraw, M.
(2008)
GLASGOW INTERNATIONAL ARTIST BOOK FAIR.
Glasgow Royal Concert Hall
Sutton, D.
(2008)
Immanent Images: Photography after Digitality.
In:
The Afterimage of Gilles Deleuze’s Film Philosophy.
University of Minnesota Press.
ISBN tbc
Thapalyal, Ranjana
(2008)
"Love, Truth and the Goddess: the significance in postmodern times of the dualist nature of human perception in Yoruba and Hindu thought".
In: 7th Association of Cultural Historians “Crossroads” conference, University of the West Indies, Kingston, Jamaica, July 2008, 3-7 July 2008, University of the West Indies, Kingston, Jamaica..
Ursitti, C.
(2008)
Machinic Alliances.
Machinic Alliances
Ursitti, C.
(2008)
Odour Limits.
Odour Limits
Carter, Justin
(2008)
'Renewable Devices for Art and Ecology’, a Bright Sparks Research & Development project funded by Arts Council England, co-ordinated by Gunpowder Park.
Landscape+Arts Network Services.
Carter, Justin and Mantho, R.
(2008)
Site of autonomous connection.
In:
‘PLATFORM – A Public Object’.
British Council and KOD, pp. 10-23.
ISBN 9788096996643
Calcutt, John
(2008)
"Where shall we put the azalea, darling? Over there in the corner, under the triangle of light poster and next to the window?".
In:
Wood Death Architecture: New Work by Alex Gross.
Tramway, Glasgow, pp. 2-6.
ISBN 978 1 899 551 44 6
Peter, Michael
(2008)
The certainty of chance: using novelistic reflexivity to design aspects of practice.
PhD thesis, The Glasgow School of Art.
Rhodes, C., Lubbock, Tom and James, Merlin
(2007)
Carol Rhodes.
Scottish National Gallery of Modern Art
Cosgrove, Paul
(2007)
Making the virtual real: the VLE as a context for production in fine art learning and teaching studio practice.
University of the Arts London, London, UK.
ISBN 978-0-9541439-7-8
McBride, C.
(2007)
Dark Day Light.
Galleria Del Tiempo, Universidad Autonomia Metropolitana, Mexico City
Nielsen, Susanne Norregard
(2007)
Mondrian’s Flowerbed.
Gallery Hornbæk, Denmark
Cosgrove, P.
(2007)
Making the virtual real: the VLE as a context for production in fine art learning and teaching studio practice.
In: Designs on e-learning conference at the University of the Arts, London.
Sutton, D.
(2007)
Cinema and Design - Cinema as Design.
In: Counting Creativity, Leeds Metropolitan University AHRC-funded workshop.
Borland, C.
(2007)
With Practice.
Newlyn Gallery, New Road, Newlyn, Penzance TR18 5PZ
Sutton, D.
(2007)
What can Actor-Network Theory offer film studies?
In: Screen Studies 2007, University of Glasgow, 6-8 July 2007.
Shottenkirk, D.
(2007)
Nominalism/Platonism.
Sutton, D.
(2007)
‘September 11th and the Memory of Media’, Philosophy, Method and Cultural Criticism.
In:
UNSPECIFIED
Hampton Press.
ISBN tbc
Mulholland, Craig
(2007)
KEEP ON ONIN'
Contemporary Art at Tate Britain.
In:
Keep On Onin' : Contemporary Art at Tate Britain.
Tate Britain, Tate Britain, p. 124.
ISBN 978 1 85437 770 8
Eccleston, T. and Warr, Tracey
(2007)
What do Artists Do? Researching Artist Methodologies in Context.
In: CD (Name of conference?) Tramway, Glasgow.
Ursitti, C.
(2007)
Transit_2 ( Four new pieces of work exhibited in a group exhibition at the British School at Rome Galleries, followed by a catalogue. ) produced and commissioned through the Arts Council of England Helen Chadwick Fellowship.
Rome, Italy; Oxford, UK
Hunter, Roddy and Bodor, Judit
(2007)
Civil Twilight & Other Social Works.
Trace: Samizdat Press, Cardiff.
ISBN 0955392713
Sutton, Damien, Brind, Susan and McKenzie, Ray, eds.
(2007)
The State of the Real: Aesthetics in the Digital Age.
I B Tauris & Co. Ltd, London.
ISBN 978-1845110772
Sutton, D.
(2007)
Immanent Images - photography after digitality.
In: PHOTOGRAPHY: Practice, theory, debate - institute of Germanic and Romance Studies, University of London.
McBride, C.
(2007)
Arcade (Title of chapter?).
In:
Arcade.
Black Dog Publishers.
Carter, Justin
(2007)
Art & The Political Seminar: Part 1.
Art & Research – A journal of Ideas, Contexts and Methods, 1 (2).
ISSN 1752-6388
Carter, Justin
(2007)
Artists Manifesto.
Judge, V.
(2007)
Brown Paper.
McCaughey, P.
(2007)
Creative Spaces.
Publisher?.
ISBN ISBN?
Judge, V.
(2007)
Dia de los Muertos.
In:
UNSPECIFIED
Gallery SOO, Minneapolis, USA.
Sutton, D.
(2007)
Form Follows Fiction: Designing Fred and Ginger.
In: Society for Cinema and Media Studies Annual Conference, 2007.
McCaughey, P.
(2007)
Permanent work.
UNSPECIFIED.
Sutton, D.
(2007)
Real Photography.
In:
The State of the Real: Aesthetics in the digital age.
I B Tauris, pp. 162-170.
ISBN 1845110773
Sinclair, Ross
(2007)
Ross Sinclair vs. Sir Edwin Landseer.
Oxford Brookes, curator: Craig Richardson
Cooper, Thomas Joshua
(2007)
Running to the sea.
Fundacíon César Manrique, Ilas Lanzarote, The Canary Islands, Spain; Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain.
Borland, C.
(2007)
Solo Exhibition as part of International Festival in several venues.
Sutton, D.
(2007)
The Suppleness of Everyday Life.
In:
Multimedia Histories: From the Magic Lantern to the Internet.
University of Exeter Press, pp. 18-31.
ISBN 9780859897730
McCaughey, P.
(2007)
Village Square.
Lowndes, Sarah
(2007)
The contradiction is real: concrete performance in Southern California 1967-1975.
PhD thesis, The Glasgow School of Art.
Borland, C.
(2006)
Preserves.
Fruitmarket Gallery, 45 Market St, Edinburgh EH1 1DF
Cooper, Thomas Joshua
(2006)
Eye of the Water / Ojo de Agua.
Pace/ Wildenstein, 534 West 25th Street, Chelsea, New York, New York 10012, USA,
1 December 2006 to 20 January 2007
Jung, K.
(2006)
Enabling Knowledge/Image Emancipation’.
In: Sensuous Knowledge 3, Kunsthøgskolen i Bergen, Norway.
Eccleston, T.
(2006)
The New Co-efficiency in ArtArt School: A Co-efficient Community?
In: The New Co-efficiency in Art, Centre for Contemporary Arts in Glasgow.
McCaughey, P., McCaughey, Gerry and McCaughey, Maura
(2006)
Particle Fragment.
Trajectory Publications.
ISBN 9781905343171
Sinclair, Ross
(2006)
Real Life Painting Show.
Centre for Contemporary Arts, Glasgow,
19 April 2006 to 3 June 2006
Calcutt, John, Hoffmann, Jens and Bowman, Rob
(2006)
National contemporary art exhibition/prize. Venues: ICA, London; CCA, Glasgow; Arnolfini, Bristol.
NA.
Smith, Stephanie and Stewart, Eddie
(2006)
If it didn't exist, you'd have to invent it…a partial Showroom history.
19 March 2006
Judge, V.
(2006)
Ritual Space.
511 Gallery, New York
Shottenkirk, D.
(2006)
Russian Redux.
artmargins.com.
Ramsay, G. and Beagles, John
(2006)
What makes you and I different: Glitter Island.
Tramway, Glasgow,
24 Feb 2006- 26 Mar 2006
McMullan, S.
(2006)
Between Here and There.
In:
Responding to Rome: British Artists in Rome, 1995-2005', Esoterick Collection.
The British School at Rome.
ISBN 0-904-152-49-9
Smith, Stephanie and Stewart, Eddie
(2006)
Lovers, Rome.
Esoterick Collection of Modern Italian Art, London,
18 January 2006 - 26 March 2006
Rhodes, C.
(2006)
Carol Rhodes.
Wyatt, R.
(2006)
Art As Afterlife: Posthumous Self presentation by Eminent Painters.
In:
In Remember Me: Constructing Immortality.
Taylor and Francis NY (Routledge).
McBride, C.
(2006)
Artist in Residence.
UNSPECIFIED.
Jung, K.
(2006)
The BA/MA exercise and more important challenges.
In:
Art Studies: Between a Method and a Fancy.
Vilnius Academy of Fine Arts Press, Lithuania, pp. 39-60.
ISBN 9955624728
McCaughey, P.
(2006)
Barhounds.
McBride, C.
(2006)
Best Wishes.
Ursitti, C.
(2006)
The Dolphin Girl Porecelain Colletion: Make Love.
Westerner, group exhibition with a small collection of my works ( see above ) at Tramway, Glasgow, Scotland. November 18 - December 22.
Calcutt, J., Roger, Johnny and Miller, Mitchell
(2006)
Essayist and guest editor for The Drouth. Special edition, Image. Essay entitled Subject: Image.
In: UNSPECIFIED.
Sutton, D.
(2006)
Immanent Images: Photography After Digitality.
In: College Art Association 94th Annual Conference.
Sutton, D.
(2006)
Inside the “Black-box”: From Jacques-Louis David to Ridley Scott.
In:
Screen Methods.
Wallflower.
ISBN 1904764347
Eccleston, T.
(2006)
Interview: Tanya Eccleston.
In:
Placed on the Horizon: A Permanent Public Artwork.
South Lanarkshire Council.
ISBN 10 0-9553127-0-1
Sutton, D.
(2006)
Lifelines on the Screen.
In: Screen Studies International Conference.
Ursitti, C.
(2006)
Map Commission.
Map Magazine, Edinburgh, pp. 16-17.
ISBN ISSN 1745-4484
MacKenzie, Stuart
(2006)
On Edge.
American Abstract Artists:.
ISSN 1549-3059
McCaughey, P., Barker, Ruth and McDonnald, Niall
(2006)
Placed Upon the Horizon.
In:
Title of book?
Publisher?.
ISBN ISBN?
Ainsley, S. and Dickson, Malcom
(2006)
Sam Ainsley, David Harding and Sandy Moffat - A conversation.
Free Association.
pp. 36-41.
Calcutt, J.
(2006)
Screening 0ff: Kenny Hunter’s Untitled Girl with Rucksack for an edited anthology of essays examining contemporary public art.
In:
Arcade: Artists and Place-making.
Black Dog Publishing., pp. 35-45.
ISBN 9781904772545
Ursitti, C., Aubaile-Sallenave, Francoise, Classen, Constance and Corbin, Alain
(2006)
Self Portrait in Scent.
In:
The Smell Culture Reader.
Berg Publishers.
ISBN 184520213-9
Carter, Justin
(2006)
Speculative Architecture.
House For An Artlover and The Lighthouse.
Brind, S., Sutton, D. and McKenzie, R.
(2006)
The State of the Real: Aesthetics in the digital age.
UNSPECIFIED.
Nielsen, Susanne Norregard
(2006)
Up, Up and Away! Malevich takes to the skies.
“Source, The Photography Review” (46).
pp. 4-11.
Bjerge-Hansen, A.
(2006)
Urban Flesh & Blood.
Bjerge-Hansen, A.
(2006)
Via Lumsden.
Bjerge-Hansen, A.
(2006)
Via Lumsden.
UNSPECIFIED.
Bjerge-Hansen, A.
(2006)
Via Lumsden.
UNSPECIFIED.
Jung, K.
(2006)
Was fordert Kunsthochschulen heraus?
In:
Reality Check: Who is afraid of master of arts?
IGBK (International Society for Fine Art) Berlin.
ISBN 978-3-00-020439-5
McCaughey, P.
(2006)
Wave.
UNSPECIFIED.
Eccleston, T.
(2006)
Wer ist der Kunst?
In: Wer ist der Kunst? Funktion (location?).
Parry, J.
(2006)
Women in Contemporary Printmaking.
Calcutt, J.
(2006)
An interview with Barbara Kruger in the publication to accompany, Twelve.
UNSPECIFIED.
Cosgrove, P.
(2006)
speculative…architecture.
In:
UNSPECIFIED
House for an art lover in collaboration with Glasgow City Council, pp. 42-43.
ISBN 0-9548736-1-0
Smith, Stephanie and Stewart, Eddie
(2005)
Night Sites.
Kunstverein, Hannover, Germany,
26 November 2005
Visnes, H.
(2005)
Hotspots.
Sammlung ESSL Kunst Der Gegenwart
Ursitti, C.
(2005)
The Nose Knows.
In: Sensuous Knowledge 2: Aesthetic Practice and Aesthetic Insight.An International Working Conference on Fundamental Problems of Artistic Research and Development, Soltrand, Norway. Nov 9 -11 2005..
Thapalyal, R.
(2005)
The Potter's Mirror- exhibition based on Iznik Cermaics collection as a result of six months artist's residency at The Burrell Collection, Glasgow.
The Burrell Collection Glasgow
Jung, K.
(2005)
Reasons to Research.
In: re:search - in and through the arts project conference - European League of Institutes of the Arts/Universität der Künste Berlin.
Thompson, Susannah
(2005)
The Female Sea: Notes on Distressed Genres.
In:
Laurence Figgis, 'The Great Macguffin'.
Transmission Gallery, Glasgow, pp. 2-3.
ISBN 0-9529002-4-6
Ainsley, S.
(2005)
The Flag Project.
4 Bethnal Green Road, London,
24-25 September 2005
Ramsay, G. and Beagles, John
(2005)
When Humour Becomes Painful - New Meat (2004) DVD, 4:40 minTwo ventriloquist dummy self-portraits voice a series of cryptic monologues. They act in the burlesque, grotesque, melodramatic and slapstick manner typical of the British music hall tradition. The dummies were handbuilt by myself and John Beagles over a period of one year.
Migros Museum fur Gegenwartskunst, Zurich Switzerland
Thompson, Susannah
(2005)
Show Some Initiative.
A-N Collections: Shifting Practice.
pp. 10-13.
McKee, F.
(2005)
Matthew Barney: Drawing Restraint Vol.1 1987-2002.
Sutton, D.
(2005)
Death of the Photograph: Laying Roland Barthes’ <i>Camera Lucida</i> to rest.
In: Thinking Photography (Again).
McGraw, M.
(2005)
LAND2: Art “After Landscape”, Memory, Place and Identity.
Dean Clough Gallery, Halifax, Royal West of England Academy, Bristol
McGraw, M.
(2005)
LAND2, Beyond Landscape.
Exhibition, Royal West of England Academy, Bristol, Beyond Landscape?
Sutton, D.
(2005)
Form Follows Fiction, or when design theory met Fred and Ginger.
In: Designs for Living: space and place in the cinema.
Smith, Stephanie and Stewart, Eddie
(2005)
Smith/Stewart.
Glasgow International, Glasgow,
02 May 2005
Bjerge-Hansen, A.
(2005)
Middle Lands.
Mead Gallery, Warwick Art Centre, Warwick, UK
Thompson, Susannah
(2005)
The Map is Not the Recipe.
In:
Campbell's Soup.
Glasgow School of Art, Glasgow, pp. 18-19.
ISBN 9780901904591
McMullan, Shauna
(2005)
Via.
The Toyota Museum of Modern Art, Toyota, Japan,
2005
McGraw, M.
(2005)
Ancient Remnant Forest.
In: Arcadia Id Est, Artists’ Books, Nature and Landscape, University of West of England, Bristol.
McGraw, M.
(2005)
Arcadia id est.
Trace Gallery, Dorset, England
Smith, Stephanie and Stewart, Eddie
(2005)
Barbarism begins at home.
Klemens Gasser and Tanja Grunert Inc., New York,
1-26 March 2005
Sutton, D.
(2005)
How do you theorize a digital cinema?
In: Cinema and Technology.
Sutton, D.
(2005)
Rediagnosing <i>A Matter of Life and Death</i>.
Screen Journal, 46 (1).
pp. 51-61.
ISSN 0036-9543
Bird, Nicky, Bruce, V, Cannizzo, J, Hartley, L, Matthews-David, A, Nunn, P.G, Perry, L, Pollen, A, Stoke, B and Veness, A
(2005)
Knowing the Unknown Sitter, 2005-2011.
Not applicable.
Cosgrove, P.
(2005)
Public art and interpretation: professional development in fine art education.
In: Engage Scotland.
Visnes, H.
(2005)
Afterwards, in the blank wood.
Centre for Contemporary Art, Glasgow.
ISBN 1 - 873331 - 28 -2
Greated, M. and Fisher, Pat
(2005)
COAST a visual exploration.
Redgate Publishing.
ISBN 0-9550801-0-X
Thompson, Susannah
(2005)
The Case for Critical Regionalism in Recent Scottish Art Criticism.
Journal of the Scottish Society for Art History, 10.
pp. 64-75.
ISSN 1362-248X
McKinney, J.
(2005)
Catalogue entitled; WANDERLUST, 2005 HGB Leipzig/GSA Glasgow.
Publisher?.
McKinney, J. and Mckinney, Jake
(2005)
Catalogue entitled; WANDERLUST, 2005 HGB Leipzig/GSA Glasgow.
Venue
Calcutt, J.
(2005)
Essay of 2,500 words entitled Returning Theseus for hardback, bi-lingual (English/German) publication to accompany Louise Schmids exhibition SwimmingAid, 24 March - 7 May 2005.
Sutton, D.
(2005)
Eugène Atget, Michel de Certeau, Walker Evans, Raymond Loewy, Chris Marker, Photography, John Singer Sargent.
In:
Transatlantic Relations: France and the Americas.
ABC-CLIO.
ISBN 1851094113
McKee, F.
(2005)
A Free State.
In:
Content in Context: New Technologies for Distribution.
Netherlands Media Art Institute Montevideo/Time based arts, Amsterdam, 2005, pp. 31-35.
Bjerge-Hansen, A.
(2005)
Invisible Fields.
Cosgrove, P.
(2005)
Listen- Unity is strength. Public Artwork, commission proposal.
UNSPECIFIED.
Bjerge-Hansen, A.
(2005)
Middle Lands.
In:
UNSPECIFIED
Mead Gallery, Warwick Art Centre, Warwick, UK.
Bjerge-Hansen, A.
(2005)
Middle Lands.
UNSPECIFIED.
Calcutt, J.
(2005)
Mourning McModernism.
In: Mourning McModernism, October 2, 2005, Albright Knox Museum, Buffalo, NY.
Sutton, D.
(2005)
Nokia Moments.
Source.
ISSN 1369-2224
Ursitti, C.
(2005)
The Nose Knows.
In: Sensuous Knowledge 2: Aesthetic Practice and Aesthetic Insight. An International Working Conference on Fundamental Problems of Artistic Research and Development.
Cooper, T.
(2005)
The Oxford Companion to the Photograph. Edited by Robin Lenman.
Thames and Hudson, London England.
Sinclair, Ross
(2005)
Real Life Family Tree.
Aichi, Japan,
25 March 2005 to 25 September 2005
Judge, V.
(2005)
Scotland Today: The Age of the Digital Image.
UNSPECIFIED.
McKee, F.
(2005)
So Everything Joyful is Mobile…Matt Locke, Matthew Chalmers and Francis Mckee in conversation with Simon Yuill.
In:
Cross-wired : communication, interface, locality.
Manchester University Press, pp. 39-50.
ISBN 9780719070365
Carter, Justin
(2005)
Solar Powered Ice Cream Stall II.
Toyota Municipal Museum of Art, Toyota City, Japan.,
5 to 17 July 2005
McKinney, J.
(2005)
Staff and student Exchange Project between The Academy of Visual Arts in Leipzig (HGB) and The Glasgow School of Art (GSA).
UNSPECIFIED.
MacKenzie, Stuart
(2005)
Suitcase Show.
Harbour Front Gallery, Toronto, Canada
Ursitti, C.
(2005)
Tail.
Mitchell, K.
(2005)
Taking Risks: Leaving the safety of our disciplines.
In: Foundations in Art, Theory and Education (FATE) Conference, Boston..
Parry, J.
(2005)
Tower of Babel.
Borland, C.
(2005)
A Treasury of Human Inheritance, Huntingdon Disease, Entres Case.
Lisson Gallery,67 Lisson St, LondonNW1 5AD
Brind, S.
(2005)
Wind Blown Clouds.
Rizzoli International, New York.
ISBN 0-8478-2711-9
McKee, F.
(2005)
clean hands pure heart.
UNSPECIFIED.
McKee, F.
(2005)
ireland at venice 2005.
UNSPECIFIED.
McKee, F.
(2005)
susan philipsz,.
UNSPECIFIED.
McKee, F.
(2005)
thinking of the outside: new art and the city of bristol,.
UNSPECIFIED.
McKee, F.
(2005)
the vanity of allegory.
Thompson, Susannah
(2004)
Coco.
In:
UNSPECIFIED
Switchspace.
Sutton, D.
(2004)
Theorizing the “mobile photograph”.
In: Photography and Commodity.
Cooper, Thomas Joshua
(2004)
point of no return.
Haunch of Venison, 6 Haunch of Venison Yard, off Brook Street, Mayfair, London, W1K 5ES,
21 September 2004 to 26 October 2004
McCaughey, P.
(2004)
The Futurist.
Nielsen, Susanne Norregard
(2004)
Suprematist Dress after Malevich”, “Self – portrait in Suprematist Dress.
Bury St. Edmunds Art Gallery 14 Sept – 30 Oct 2004, Edinburgh City Art Centre 12 Nov – 1 Jan 2005, Aberdeen Art Gallery and Museums 5 Feb – 19 March 2005, Rugby Museum and Art Gallery 29 March – 22 May 2005, Artsway 2 July – 4 Sept 2005, Harley Gallery 17
Carter, Justin
(2004)
Feedback Loop.
Judith King, project manager for English Heritage.,
14 July 2004 to 30 August 2004
Dunlop, G
(2004)
“What in the world is more beautiful?
Crawford Arts Centre, St. Andrews, St Andrews Botanic Garden, St. Andrews Preservation Trust Museum & Garden.
Dunlop, G
(2004)
“What in the world is more beautiful?
Crawford Arts Centre, St. Andrews, St Andrews Botanic Garden, St. Andrews Preservation Trust Museum & Garden.
Sutton, D.
(2004)
The DreamWorks Effect: the case for studying the ideology of art direction.
In: Screen Studies International Conference.
Sutton, D.
(2004)
The Uses of Deleuze.
In: Screen Studies International Conference.
Currall, A.
(2004)
Some things I want to show you. Solo exhibition by commission. Curator: Sean McGlashan. Funding: Glasgow City Council.
Gallery of Modern Art, Glasgow
Sutton, D.
(2004)
The DreamWorks Effect: The case for studying the ideology of production design.
Screen Journal, 45 (4).
pp. 383-390.
ISSN 0036-9543
Sinclair, Ross
(2004)
The Real Life Rock Opera Volume 1.
The Travelling Gallery, City Arts Centre Edinburgh,
16 February 2004 to 4 June 2004
Calcutt, J.
(2004)
A curated group exhibition: Ouroborous: The Music of the Spheres. Artists: Roger Ackling, David Alker and Peter Liddell, Dave Allen and Jonathan Monk, Jim Lambie, Peter Lynch, Christian Marclay, Julio Le Parc, Steven Renshaw, Robert Smithson, Calum Stirling.
Centre for Contemporary Arts, Glasgow
Thapalyal, R.
(2004)
Multidisciplinary Approaches to Anti-Racist Education- An Introduction to the Talacchanda Project.
International Journal of Art and Design Education (published by the NSEAD), 23 (1).
pp. 42-68.
ISSN 14768062
Smith, Stephanie and Stewart, Eddie
(2004)
SMITH/STEWART.
Milton Keynes Gallery,
31 Jan - 21 March 2004
Nielsen, Susanne Norregard
(2004)
Works on Paper.
The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York,, “Works on Paper by Glasgow School of Art/ Hunter College Painting Faculty,
Thapalyal, R.
(2004)
Appointed Honorary Visiting Research Fellow- CentreCATH Centre for Cultural Analysis Theory History, University of Leeds 2004-2006.
UNSPECIFIED.
McBride, C.
(2004)
Appropriate Place.
Miller Geisler Gallery, New York - two x installations and a series
McBride, C.
(2004)
Black Isle.
A three person exhibition following a residency on the Black Isle. Show lasted from 05 May until 08 June 2004.
Ursitti, C.
(2004)
Co-Habitation in a Flooded House.
UNSPECIFIED.
Thapalyal, R.
(2004)
Contributed matter to national audit.
In:
UNSPECIFIED
Scottish Executive Higher Education Race Audit.
Brind, Susan
(2004)
A Curriculum for Artists, Appendix I, Appendix II.
In:
A Curriculum for Artists.
The Laboratory at the Ruskin School of Drawing and Fine Art, University of Oxford and the New York Academy of Art with the support of Arts Council England, the Calouste Gulbenkian Foundation and the International Council of the New York Academy of Art, Oxford, pp. 10-19.
ISBN 0953852539
Wyatt, R.
(2004)
DRAWING UPON REPRESENTATIONS: AN EMPIRICAL STUDY OF THE DEPICTION OF THE HUMAN FACE.
na.
Rhodes, C.
(2004)
Direkt Malerei / Direct Painting.
Kunsthalle Mannheim, Germany
Thompson, Susannah
(2004)
Flash Art.
Flash Art.
Ainsley, S.
(2004)
Hitch - A celebration of the work of Alfred Hitchcock.
Glasgow Print Studio,
2004
Jung, K.
(2004)
Homogeneity, specialisation and modularisation in higher Arts Education.
In:
A Curriculum for Artists.
Ruskin School of Drawing and Fine Art at University of Oxford, pp. 47-49.
ISBN 0-9538525-3-9
Ursitti, C.
(2004)
IASPIS ( International Artist Studio Programme in Sweden).
IASPIS studio, Stockholm and Gothenburg, Sweden, October - December 2004.
Thompson, Susannah
(2004)
Kathleen Mann: Embroiderer, Artist, Teacher, Author.
Selvedge Magazine, 3.
Currall, A.
(2004)
Participation: Third Nordic biennial for computer based and high technological art.
Judge, V.
(2004)
Review of the provision of Photographic Education in Scotland.
In:
Studies in Photography 2004.
The Scottish Society for the History of Photography.
ISBN 14620510
Borland, C.
(2004)
Simulated Patient Solo Exhibition.
Smith, Stephanie, Stewart, Eddie and McCarthy, Tom
(2004)
Smith/Stewart A Black Thread.
Milton Keynes Gallery.
ISBN 1904270085
Cooper, Thomas Joshua
(2004)
Some Rivers, Some Trees, Some Rocks, Some Seas.
Victor de Circasia. Italian/English edition, Il Prisma Edizioni, Cuneo, Italy, pp. 88-88796.
ISBN 8888796029
MacKenzie, Stuart
(2004)
Towards Another Painting.
Pentagon Business Centre, Glasgow
Parry, J.
(2004)
Tower of Babel.
Eccleston, T. and Thomson, Andy
(2004)
The Truth Effect.
In:
On Reason and Emotion.
Biennale of Sydney Ltd.
ISBN 0-9578023-0-7
Carter, Justin
(2004)
Weekending.
Liverpool,
14 February 2005 to 4 March 2005
McMullan, S.
(2004)
Windborne, Erg Chebbi to Exeter, 1,953 miles.
Ground Floor, The Met Office, Fitzroy Road, Exeter, England, EX1 3PB
McKee, F.
(2003)
Agile Process: a New Economy for Digital Arts in Scotland.
Jung, K.
(2003)
knowledge trigger.
Sutton, D.
(2003)
Real Photography.
In: The State of the Real.
Carter, Justin
(2003)
The Molendinar Project – (exhibition and conference title-Watershed/ Environmental Art and Engendering a Community of Change).
Whitechapel Art Gallery,
11 and 12 October 2003
Smith, Stephanie and Stewart, Eddie
(2003)
Incommunicado.
The Sainsbury Centre for the Visual Arts, Norwich,
2003
Rhodes, C.
(2003)
Carol Rhodes.
Andrew Mummery Gallery, London
Thompson, Susannah
(2003)
Intensity in the Dining Room (essay in Green Margarine).
In:
UNSPECIFIED
Glasgow School of Art, pp. 18-19.
ISBN 0901904341
Sutton, D.
(2003)
Rustling Leaves and Blimp-shots: CGI, Lumières, and perception after photography.
In: Visual Knowledges.
Sutton, D.
(2003)
Rustling Leaves and Blimp-shots: CGI, Lumières, and perception after photography.
In: Multimedia Histories Conference.
Calcutt, J.
(2003)
Story: a text (c. 2,500 words) to accompany Zenomap, the first official Scottish representation at the Venice Biennale.
UNSPECIFIED.
Ramsay, G. and Beagles, John
(2003)
Zenomap - Unrealised Dreams. A limited edition full colour poster featuring a series of drawings for possible future artworks and exhibitions. The drawings were executed in a faux Renaissance manner and were originally inspired by the collection of Leonardo da Vinci drawings held in the Galleria dell' Accadamia, Venice. The poster was distributed free of charge at the Scottish Pavilion and at other sites across the Biennale.
The Venice Biennale 2003
Sutton, D.
(2003)
Form Follows Fiction: Streamlining Fred and Ginger.
In: British Association of American Studies Annual Conference 2007.
Nielsen, Susanne Norregard
(2003)
“Homage to Malevich, Skagen”,.
Charlottenborg, Copenhagen, Denmark , “Forårsudstilling”
Bjerge-Hansen, A.
(2003)
Interludes.
Angel Row Gallery, Nottingham
Sutton, D.
(2003)
Form Follows Fiction: Designing Fred and Ginger.
In: Association of Art Historians Annual Conference 2007.
Mitchell, K.
(2003)
Looking, Drawing, Making.
GSA - 3 Venues in New York, Connecticut, Pennsylvania.
Judge, V.
(2003)
Signs.
Miller/Geisler gallery, New York
Calcutt, J., Baillie, E, Allen, Kate and Daghlian, Sally
(2003)
A Disturbance in the Sanctuary.
In:
Sanctuary: Contemporary Art and Human Rights.
Gallery of Modern Art, Glasgow, Glasgow.
ISBN 0 902752 715
Ursitti, C.
(2003)
Frozen Tears.
McBride, C.
(2003)
Group Exhibition.
Seven artists ( all GSA ) staff in touring group show in the USA. Venues include Hunter School of Art, Temple University Gallery, Philadelphia and Fairfield University Gallery Conneticut..
Thapalyal, R.
(2003)
Interdisciplinary Crtitical Studies course Shades -Ancient Indian and Yoruba ideas on Space, Creativity and Self.
Glasgow School of Art Department of Historical and Critical Studies.
Parry, J.
(2003)
Jacki Parry.
Ursitti, C.
(2003)
James.
MacKenzie, Stuart
(2003)
Leaving Jericho.
In:
Book title?
John David Mooney Foundation.
ISBN 0-9741285-0-3
Thompson, Susannah
(2003)
Matters.
Scottish Sculpture Trust.
pp. 46-47.
Carter, Justin
(2003)
The Molendinar Project – (exhibition and conference title-Watershed/ Environmental Art and Engendering a Community of Change).
Art Pavilion, Mile End, London. Whitechapel Gallery, London.,
15 October to 2003 9 November, 2003
Ursitti, Clara, Cussans, John and Buck, Paul
(2003)
The Pink Room.
In:
Frozen Tears.
ARTicle Press, pp. 643-657.
ISBN I-873352-68-9
Cooper, Thomas Joshua
(2003)
Sojourns - Photographs by Thomas Joshua Cooper.
Marion Center for Photographic Arts, Santa Fe, New Mexico,
Opening Date: 8 October 2003
McKee, F.
(2003)
grace weir - a fine line.
UNSPECIFIED.
Brind, Susan and Harold, Jim
(2002)
Visualising Issues in Medical Ethics.
In:
Medical Ethics: A case-based approach.
W. B. Saunders, Edinburgh and New York.
ISBN 0702025437
Smith, Stephanie and Stewart, Eddie
(2002)
A Black Thread.
Chisenhale Gallery, London,
06 Nov - 15 Dec 2002
Mitchell, K.
(2002)
Contemplations on the Spiritual.
UNSPECIFIED.
Borland, C.
(2002)
To Be Set and Sown in the Garden Commissioned, Permanent Sculptural Work.
Thapalyal, R.
(2002)
Talacchanda Research and Exhibition Project.
UNSPECIFIED.
Sinclair, Ross
(2002)
Real Life and How to Live it - Geography vs. Work.
Wewerke pavillion, Munster, Germany,
8 October 2002 to 1 December 2002
Currall, A.
(2002)
Alan Currall'. Solo Exhibition by nomination and selection. Selectors: Sacha Craddock, Andrew Nairne, James Rawlin, Sheena Etches, Roanne Dods.Curator: Sheena Etches. Funding: Jerwood Foundation.
Jerwood Space, London.
Thapalyal, Ranjana and Rajan, Anjana
(2002)
Talacchanda.
Glasgow School of Art, Talacchanda.
ISBN 0 90 1904 88 0
Sutton, D.
(2002)
Magic Realism from <i>Quai des brumes</i> to <i>Mulholland Dr</i>.
In: Magic: The Conference.
Nielsen, Susanne Norregard
(2002)
Stile.
The Meadow Gallery at Burford House, Shropshire, “Picture This: Revisiting the Picturesque”,
Judge, V.
(2002)
Scotland Calls.
NAVIGATOR FOUNDATION - BOSTON MA USA, FITCHBURG ART MUSEUM - FITCHBURG MA USA
Brind, S.
(2002)
Hair/Heir.
Smith, Stephanie, Stewart, Eddie, Theriault, Michele, McKee, Francis and Bode, Steven
(2002)
Smith/Stewart minigraph 4.
Ellipsis, London.
ISBN 1841660744
McMullan, S.
(2002)
Borderworks.
Nielsen, Susanne Norregard
(2002)
Mondrian’s Greenhouse.
Charlottenborg, Copenhagen, Denmark, “Forårsudstilling”
McMullan, S.
(2002)
dot.dot.dot, work made for exhibition called 'Speculative Architecture'.
House for an Art Lover, Glasgow and The Lighthouse, Glasgow
Smith, Stephanie and Stewart, Eddie
(2002)
Sensitive Screens: Videoart of the 1990s.
Fundacio "La Caixa", Lerida, Spain
Mitchell, K.
(2002)
Visual Thinking: Correspondence and integration through drawing.
In: UNSPECIFIED.
Smith, Stephanie and Stewart, Eddie
(2002)
afterthelostones.
Galerie de l'UQAM, Montreal,
16 January - 23 February 2002
Rhodes, C.
(2002)
Carol Rhodes.
Brent Sikkema Gallery, New York
McGraw, M.
(2002)
20:20 Artists Survey.
Ursitti, C.
(2002)
Are You Experienced?
Bjerge-Hansen, A.
(2002)
The Big M (touring Programme).
McBride, C.
(2002)
Boarhills.
Ursitti, C.
(2002)
The Good the Bad and the Ugly.
In: UNSPECIFIED.
Ursitti, C.
(2002)
The Good the bad and the Ugly.
In: UNSPECIFIED.
Parry, J.
(2002)
In Praise of Trees.
Bjerge-Hansen, A.
(2002)
Interludes (Cumbria).
Parry, J.
(2002)
Jacki Parry/Nobuko Watanabe.
Bjerge-Hansen, A.
(2002)
Moving Bakery.
Sinclair, Ross, Brenner, Birgit, Christoph, Büchel, Cardiff, Janet, Dahlem, Björn, Miller, George Bures, Exler, Stefan, Graham, Rodney, Hubbard, Teresa, Birchler, Alexander, Jakobsen, Henrik Plenge and Wissel, Stefan
(2002)
On Stage.
Villa Merkel, Esslingen,
15 February 2003 to 30 March 2003
Parry, J.
(2002)
RSA Summer Exhibition.
Ursitti, C., Cherry, Deborah, Fisher, Jennifer and Paris, Helen
(2002)
Scent of a Woman: Clara Ursitti.
Tessera, Vol 32: The Senses. Summer 2002. Coach House Printing co., Canada.
pp. 85-97.
Borland, C.
(2002)
Solo ExhibitionSignificant Notes.
Currall, A.
(2002)
Substantial representation within Arts Council England (ACE) exhibition programme.
Borland, C.
(2002)
A Survey Exhibition with Chrisitine Borland - Eight pieces of work remade/represented for the Kunstverein Munichin a project lasting from 26th April 2002 - end July 2003.
Calcutt, J.
(2002)
A public talk in the Sunday Sightlines series at the Whitechapel Art Gallery, London in relation to Early One Morning exhibition, July 28 2002.
UNSPECIFIED.
Sinclair, Ross
(2001)
Selected Real Life.
Badisher Kunstverein, Waldstrasse 3 Karlsruhe, Germany,
24 November 2001 to 6 January 2002
Bjerge-Hansen, A.
(2001)
Les RecontresVideo Art Plastiques.
Parry, J.
(2001)
Lost at sea.
In Print: Evolution in contemporary printmaking, Ferens Art Gallery, Hull.
ISBN 904490254
Bird, N., Roberts, Russell, Wright, Philippa and Nunn Gerrish, Pamela
(2001)
Tracing Echoes, 2001.
Wild Pansy Press, Leeds.
ISBN 1900687135
Ursitti, C.
(2001)
Experience Dissolution.
Göteborg internationella Konstbiennal
Cooper, Thomas Joshua
(2001)
At the Very Edges of The World.
Sue Daniel McElroy, Tate St. Ives Curator,
3 September 2001 to 2 December 2001
Sinclair, Ross, Airo, Mario, Breuning, Olaf, Friedman, Dara, Hakansson, Henrik, Jankowski, Christian, Mik, Aernout, Ostojic, Tanja, Pfeiffer, Paul, Torelli, Sabrina, Wilson, Jane and Wilson, Louise
(2001)
Gravita Zero.
Fondazione Adriano Olivetti, Palazzo Delle Esposizioni, Roma,
27 June to 27 September 2001
Smith, Stephanie and Stewart, Eddie
(2001)
Black Box: The Dark Room in Art.
Kunstmuseum, Bern, Switzerland,
15 June - 9 September 2001
Ursitti, C.
(2001)
Gothenburg International Bienale: Experience/Dissolution.
Gothenburg Konsthall
Brind, Susan
(2001)
Bad Air (mal'aria).
Sinclair, Ross
(2001)
Fortress Real Life(Peckham) - Solo Exhibition.
1 June to 8 July 2001
Judge, V.
(2001)
Small Change, Big Difference.
Kelly Gallery, Royal Glasgow Institute of Fine Arts
Ursitti, C.
(2001)
Pheromone Link TM.
YYZ Gallery, Toronto Canada
Borland, C.
(2001)
Bullet Proof Breath.
Ursitti, C.
(2001)
Resident Abroad.
UNSPECIFIED.
McMullan, S.
(2001)
Remnant.
Mitchell, K.
(2001)
Taking Risks: Leaving the safety of our disciplines.
UNSPECIFIED.
Ainsley, S. and Araki, Natsumi
(2001)
Here and There, Then and Now - the work of Satoshi Watanabe.
Mitaka City Arts Foundation,
03-25 March 2001
McMullan, S.
(2001)
VASL 2001.
Amin Gulgee Gallery, Karachi, Pakistan.
McGraw, M.
(2001)
60 Second Interlude.
Market Gallery, Glasgow
Cooper, Thomas Joshua
(2001)
The World’s Edge - visual exploration and interpretation of the physical, land-based extremities of the major land masses surrounding the entire Atlantic Basin.
Drexel Art Gallery, Drexel University, Philadelphia, Pennsylvania, USA; The Sean Kelly Gallery, Chelsea and Soho, New York, New York, USA; Thomas Schulte Galerie, Berlin, Germany ; Blain's Fine Art, London, England; Bowdoin College Museum of Art, Bowdoin,
26 January 2001 to 3 March 2001
Smith, Stephanie and Stewart, Eddie
(2001)
Open Country: Contemporary Scottish Artists.
Lausanne, Switzerland,
19 January - 1 April 2001
Rhodes, C.
(2001)
Carol Rhodes. Paintings, oil on board.
Angles Gallery, Santa Monica, California,
Cooper, Thomas Joshua
(2001)
The Great River: Rio Grande River Crossings – From the Source to the Sea – 1994-2000.
Modern Art Museum of Fort Worth,
20 December 2000 to 28 February 2001
Wyatt, R.
(2001)
Art:Death Of Art: Death History In Encyclopedia of Death and Dying.
UNSPECIFIED.
Ursitti, C.
(2001)
Artwork in Gothenburg Biennale.
Göteborg Konsthall. One artwork titled Bill, June 9 - 16 September, 2001.
Brind, S.
(2001)
Bad Air (mal aria).
UNSPECIFIED.
McGraw, M.
(2001)
CADE Conference, GSA.
Mitchell, K., Jasper, D. and Payne, William
(2001)
Contemplations on the Spiritual.
7 sites in Glasgow, Arbroath
Mitchell, K.
(2001)
Contemplations on the Spiritual.
In: School of the Visual Arts, New York, USA 15th Annual Conference, 2002..
Parry, J.
(2001)
Crossing Border: British Art on Norway.
Parry, J.
(2001)
Gifted.Inches Carr Craft Bursary Winners.
Sutton, D.
(2001)
Gregg Lambert: <i>The Non-philosophy of Gilles Deleuze</i>.
Visual Culture in Britain.
pp. 204-8.
ISSN 1471-4787
Ursitti, C.
(2001)
Here and Now: Scottish Art 1990 - 2001.
UNSPECIFIED.
Ainsley, S.
(2001)
Here and There, Then and Now - the work of Satoshi Watanabe.
Mitaka City Arts Foundation, Tokyo.
Rhodes, C.
(2001)
‘Hybrid Cities’ 500 words.
Tate magazine.
ISBN ISSN 1351 - 3737
Parry, J.
(2001)
New possibilities for paper.
In: UNSPECIFIED.
Parry, J.
(2001)
Paper as Object.
Ursitti, C.
(2001)
Pheromone Link TM.
Ainsley, S.
(2001)
The Red Space.
The Lighthouse, Glasgow
Borland, C.
(2001)
Solo Exhibition.
Borland, C.
(2001)
Solo Exhibition and concurrent participation in Group Exhibition.
Calcutt, J.
(2001)
There + Then.
In:
Here + Now. Scottish Art, 1990-2001.
Dundee Contemporary Arts, pp. 2025-11.
ISBN 0 9535178 7 X
Parry, J.
(2001)
Touring exhibition of contemporary crafts.
Parry, J.
(2001)
Ways of Editing - works in cast handmade paper.
Ainsley, S.
(2001)
no small feat.
Street Level Gallery, Glasgow
Ross, Julie Jane
(2001)
The role of the artist in environmental change: an investigation into collaborative, interactive and participative art practice in organisational contexts.
PhD thesis, The Glasgow School of Art.
Visnes, H., Buchler, Pavel and Gilonis, Harry
(2000)
All Spare Parts.
Kunsthaus, Nurnberg.
ISBN 3-00-005068-x
McBride, C.
(2000)
Commissioned public artwork.
A commission by the Artworks Programme to create a new public artwork to be sited in the Gorbals, Glasgow.
McMullan, S.
(1999)
Green Marks the Dot, site specific installation.
International Artists Workshop, Isle of North Uist, Outer Hebrides, Scotland.
Cooper, Thomas Joshua and Hill, Paul
(1998)
Dialogue with Photography.
Dewi Lewis Publishing, 9 Broomfield Road, Heaton Moor, Stockport SK4 4ND, England.
ISBN 1899235612
Sutton, D.
(1998)
Hollywood portraits: cinema as/and 'photographic memory'.
In: Screen Studies International Conference.
Sutton, D.
(1998)
What is Becoming-cinema?
In: Becoming-cinema: a one day symposium on Michael Snow's Wavelength.
Sutton, D.
(1997)
Perception After Photography.
In: Laterna Film Academy IV/2, 8th Symposium: Problems of Pictorial Representation.
Sutton, D.
(1997)
“In reality, the eye is no better than the philosophy behind it”: Re-appraising New American Photography and its French influences.
In: British Association of American Studies: Conference on France and America.
Sutton, D.
(1997)
Photography and Cinema from Birth to Death (book review).
film-philosophy.com, 5 (8).
ISSN 1466-4615
Sutton, D.
(1997)
The problem of truth at the Marienbad hotel: Gilles Deleuze and the subjective camera.
In: XXIst Century French Studies Annual Colloquium 2001.
Sutton, D.
(1997)
Review of The Icicle Thief.
Scope Online Journal.