Williams, Matthew and Redmond, Maeve (2026) Glasgow International 2026.

Williams, Matthew and Dagger, Gemma (2026) Let It Come Down. 80 Nicholson St., Glasgow, Scotland, 20 March - 22 May 2026

Ramaswamy, Chitra and Williams, Matthew (2026) Rich Things. Alasdair Gray Archive, Glasgow.

Punton, Lesley (2026) "Les Périades".

Macintyre, Lorna (2026) Interiors, 2025.

Mersinis, Michael (2025) (Reading 1 – The Book / Object) The Olive Tree. The Glasgow School of Art Library, 14 Dec 2025 - 14 Jan 2026

Mersinis, Michael (2025) Dreaming the Acropolis: Freud, Imagination and Ruin of Futures. artED, 1 (3).

Macintyre, Lorna (2025) Interiors (II), 2025.

Williams, Matthew, Tatham, Joanne, Marzaroli, Oscar, O'Sullivan, Tom, Watt, Eric, Timmermans, Iseult, McCartney, Linda, McKenzie, Joseph, Danzinger, Nick, Buchanan, Roderick, Gray, Alasdair, Eustace, David, Azhar, Sadia, Azad, Zubaidah, Aurangzeb, Khadija, Atwood, Jane Evelyn, Aslam, Khansa, Dimmick, Alan, Hardy, Bert, Tancosova, Anetta, Thomson, John T, Soofi, Nazia, Stansfield/Hooykaas, Rani, Shazia, Majid, Khalida, Macdonald, Patricia, Krugova, Nikola, Ingham, Keith and Imatiaz, Shahida (2025) Still Glasgow. Gallery of Modern Art, Glasgow, Scotland, 29 Nov 2025 - 13 Jun 2027

Williams, Matthew Arthur (2025) In Consideration of Our Times. Stills: Centre for Photography, Edinburgh, Scotland, 12 September - 18 October 2025

Mersinis, Michael (2025) Tending An Olive Tree. The Drouth (85). ISSN 1474-6190

Grubb, Lucy, Copestake, Anne-Marie and Salt, Moira (2025) Unfolding into these. Eastside Projects, Birmingham, UK, 4 July 2025

Mersinis, Michael (2025) The Midpoint – a most European Approach, thinking through formative moments in UG education. In: GSA Learning and Teaching Conference 2025 Diverse Learner Journeys: Supporting Students to Succeed, 10-06-2025 and 11-06-2025, Online.

Mersinis, Michael (2025) Sustainable Voices 1 - Interview with Iris May & Gwendolin Kircali.

Mersinis, Michael (2025) Sustainable Voices 2 - Interview with Julia Ashe & Mimi Bhogal.

Mersinis, Michael (2025) Sustainable Voices 3 - Interview with Jane Karweick & Gretchen Hammell.

Mersinis, Michael (2025) Sustainable Voices – Longform Content for Insights (Student Partnership Project with Tom Gibson). In: GSA Learning and Teaching Conference 2025 Diverse Learner Journeys: Supporting Students to Succeed, 10-06-2025 and 11-05-2025, online.

Mersinis, Michael (2025) Acts of Making / Acts of Transgression II. In: Delightful Fun: a Cedric Price Thinkbelt for our Times, 6th -22nd June 2025, The Briggait, 72 Clyde Street, Glasgow G1 5HZ.

Williams, Matthew (2025) Small Mercies. Primary, Nottingham, United Kingdom, 6 June - 16 August 2025

Mersinis, Michael (2025) Man (on phone).

Mersinis, Michael (2025) Street Tattoo.

Douglas, Caroline (2025) Edinburgh to Philadelphia: Elizabeth Fulhame and the Chemical Networks of Early Photography. In: Science and Society in the Age of Revolutions, 25-26 Sept 2025, American Philosophical Society, Philadelphia, USA.

Copestake, Anne-Marie (2025) Meadow.

Mersinis, Michael (2025) Tetrapharmakon (After Epicurus). artED, 1 (2).

Copestake, Anne-Marie and Stuart, Caireen (2025) Made in Castlemilk. Food Solidarity Unit, The Braes, Castlemilk, 27 April 2025

Mersinis, Michael (2025) Olive Tree / in Situ I, II (2023-2025).

Mersinis, Michael (2025) The Olive Tree – Symbol, Icon, Object of Dispute. In: Practicing Landscape: Field Notes, 22 April 2025, Annex Gallery, The Glasgow School of Art.

Mersinis, Michael (2025) Tree Shadow (reworked) 2025.

Mersinis, Michael (2025) Migrant Olive Tree (relocated sapling from Gaza’s olive groves).

Mersinis, Michael (2025) Olive Tree. Pheon Press, Glasgow. ISBN 9781738527557

Mersinis, Michael (2025) Flea Market Painting.

Mersinis, Michael (2025) Appear to Disappear - Photography and Sculpture (A Relationship in the Negative). In: Casting Shadows - A Thing Consumed By Light, 26-02-2025, Annex Gallery, The Glasgow School of Art.

Mersinis, Michael (2025) Garage, 2023.

Mersinis, Michael (2025) Dusk to Nightfall (Hydra Island). artEDition, 1 (1).

Mersinis, Michael (2025) Hours. Pheon Press, Glasgow. ISBN 9781738527533

Mersinis, Michael (2024) Blue Sky Publishing, Blue Sky Printing - Publishing Guides for the Field. In: Reading Landscape Field Guides Book Launch, 14th November 2024, Annex Gallery, The Glasgow School of Art.

Mersinis, Michael and Harold, Jim (2024) On Being a Respondent. In: Reading Landscape Field Guides Book Launch, 14th November 2024, Annex Gallery, The Glasgow School of Art.

Mersinis, Michael (2024) Acts of Making / Acts of Transgression. In: Delightful Fun, 3 December 2024 -13 December 2024, The Glasgow School of Art, Grace & Clark Fyfe Gallery and Bourdon Lecture Theatre.

Douglas, Caroline (2024) Elizabeth Fulhame and the Chemical Networks of Early Photography. In: American Philosophical Society Brown Bag Talks, 12 November 2024, American Philosophical Society, Philadelphia.

Mersinis, Michael (2024) I Long for- and Fight- (και ποθήω και μάομαι).

Ainsley, Sam and Copestake, Anne-Marie (2024) 2024; Circle of strength.

Macintyre, Lorna (2024) House Plants, 2023.

Mersinis, Michael (2024) Transmissions for Ukraine: Art as Weapon and Tool of Change. In: Wild Research, 13th & 14th September 2024, The Revelator, Glasgow.

Mersinis, Michael (2024) Work exhibited at Photiq Gallery Print exhibition 2024.

Mersinis, Michael (2024) Thinking in Photographs with Michael Mersinis. Suboart Magazine, 1 (27). pp. 94-105.

Mersinis, Michael (2024) all these dreamings now hidden. Seedlings, London.

Mersinis, Michael (2024) Selection of work presented in Suboart Magazine.

Mersinis, Michael (2024) Skarbyntsya {СКАРБНИЦЯ} vol III (Fundraiser Event for Ukraine 2024).

Williams, Matthew and McLuskey, Emmie (2024) We All Love The Same Boy. Govan Project Space, 18 - 28 July 2024

Douglas, Caroline (2024) Retouching The Archive: Gender and Class in Early Photography in Scotland. Upper Gulbenkian Gallery, Darwin Building at the Royal College of Art, South Kensington, London, July 4 2024

Copestake, Anne-Marie (2024) Birdsong and a bathroom. LUX, London, 8th June to 4th August 2024

Mersinis, Michael (2024) Navigating the Unknown Unknowns in the Field(s) of The Image. In: GSA L&T Conference: Creative Education as a Creative Sustainable Practice, 05 June 2024, online.

Mersinis, Michael (2024) Operations. Pheon Press, Glasgow. ISBN 978-1-7385275-0-2

Mersinis, Michael (2024) Spider. Pheon Press, Glasgow. ISBN 978-1-7385275-1-9

Mersinis, Michael (2024) Bits + Bytes.

Tinkler, Ted, Copestake, Anne-Marie, Mistry, Janaki, Gray, Margaret, Chi, Shenghan, Sinforiani, Leah, Riechmann, Lottie and McKee, Francis (2024) Speculative Fictioning The GSASA Archives. GSASA Assembly Building, Glasgow, 10-23 May 2024

Mersinis, Michael (2024) Work exhibited at group exhibition "Night Shift".

Mersinis, Michael (2024) Surface Tension. In: Landscapes of Energy and Extraction: Landscape as Archive. Practicing Landscape: Field Guide (2). Reading Landscape, Glasgow, pp. 42-51. ISBN 978-1-7385275-7-1

Douglas, Caroline (2024) La couleur est la lumière: Inventions historiques, experimentations contemporaines, Le Point Du Jour, France.

Mersinis, Michael (2024) Work exhibited in the group exhibition "Salon D' Inclusion".

Mersinis, Michael (2024) Silk Town. In: Practicing Landscape: Field Guide No. 1 Landscapes of Energy and Extraction: Mining the Animal. Practicing Landscape: Field Guide (1). Reading Landscape, Glasgow, pp. 8-26. ISBN 978-1-7385275-4-0

Douglas, Caroline (2024) The chloride of silver answers perfectly, 25 October 1835.

Punton, Lesley (2023) A Solitary Walk in the Dark.

Mersinis, Michael (2023) Intercept / Tool, Intercept / Proof (diptych).

Wall, Gina, Birrell, Ross, Thomson, Amanda, Loder, Dave, Kolesova, Elena, Kapalova, Altyn, Sundar Harris, Usha, Ashrafi, Soheil, Garbutt, Michael and Janani, Setar (2023) A Living Land: Landscape, Place and Care - Presentation on "below, the rocks plunged into darkness". In: A Living Land: Landscape, Place and Care GSA – UCA Research Symposium, 9 November 2023 9.00am-12.00noon GMT // 3.00pm-6.00pm KGT, Online between The Glasgow School of Art and University of Central Asia, Naryn, Kyrgyzstan.

Mersinis, Michael (2023) Featured Artist: Michael Mersinis. Suboart Magazine, 1 (13). p. 42.

Mersinis, Michael (2023) Transmissions for Ukraine. The Institute of Network Cultures (INC).

Copestake, Anne-Marie (2023) Score for a love.

Mersinis, Michael (2023) Transmissions for Ukraine. The Drouth.

MacIntyre, Lorna (2023) RSA Residency for Scotland at Stills, Edinburgh.

Douglas, Caroline (2023) Experiments on Light: On the action of the rays of the spectrum on vegetable juices (revisited).

Mersinis, Michael (2023) Skarbyntsya {СКАРБНИЦЯ} vol II (Fundraiser Event for Ukraine 2023).

Mersinis, Michael (2022) Politics of Land and Strategies of Resistance. In: Politics of Land and Strategies of Resistance, 20 December 2022, online.

Mersinis, Michael (2022) Dispatches to the Front Lines (proposal for Tranmissions). Ladislav Sutnar Gallery, Pilzen, Czech Republic, 16 November 2022 - 23 December 2022

Mersinis, Michael (2022) This is not Tourism - the work of Anastasiia Piatakova. In: This is not Tourism - the work of Anastasiia Piatakova.

Mersinis, Michael (2022) Biographies / Biography - Michael Mersinis. In: 11th International Photography Symposium, 30 November - 2 December 2022, The Ladislav Sutnar Faculty of Design and Art of the University of West Bohemia in Pilsen.

Mersinis, Michael (2022) Image as a Form of Resistance. In: Image as a Form of Resistance, 28 September 2022, online.

Mersinis, Michael (2022) Life to Work. In: Biography to Work, 2 December 2022, The Ladislav Sutnar Faculty of Design and Art of the University of West Bohemia in Pilsen.

Mersinis, Michael (2022) Portfolio Reviews. In: Portfolio Reviews - The Ladislav Sutnar Faculty of Design and Art of the University of West Bohemia in Pilsen, 3 Dec 2022, The Ladislav Sutnar Faculty of Design and Art of the University of West Bohemia in Pilsen.

Mersinis, Michael (2022) War and Dissent - Biography and Current Work. In: War and Dissent - Biography and Current Work, 26 September 2022.

MacIntyre, Lorna (2022) Black Pages #16 LORNA. Publication included in Black Pages 1-100, fjk3, Vienna.

Mersinis, Michael (2022) The Subtle Condition of the Baroque. In: The Vulgarity of Being Three-Dimensional. Disko Bay, Denmark. ISBN 978-87-970520-9-9

Mersinis, Michael, Hodson, Elizabeth and Harold, Jim (2021) Mining the Animal - Silk Town. In: Practicing Landscape: Landscapes of Energy and Extraction, 26 November 2021, Online.

Douglas, Caroline (2021) The sublime truths of science are no longer confined to the wealthy and the learned.

Punton, Lesley (2021) Lesley Punton - artist website. Lesley Punton, Glasgow, UK.

MacIntyre, Lorna, Gertz, Lotte and Dearie, Alisdair (2021) Exercises in Style. 4 Murano Street, Glasgow, Scotland, 11-27 June 2021

Copestake, Anne-Marie (2021) A love.

Copestake, Anne-Marie (2021) A love, Anne-Marie Copestake presents her film for ONE WORK, LUX Scotland. In: A love, March 2021, Online hosted by LUX Scotland.

Laoide-Kemp, Seán, Crowdy, Joe, Robertson, Frances and Mersinis, Michael (2020) ‘Practicing Landscape: Land, Histories and Transformation’, symposium 2020 - Session 3: Histories Respondent. In: ‘Practicing Landscape: Land, Histories and Transformation’, symposium 2020 - Session 3 Histories, 20th November 2020.

Punton, Lesley (2020) Various works shown in "Sharing a View: Contemporary Art from Glasgow".

Copestake, Anne-Marie (2020) Excavate.

Punton, Lesley (2020) GSA; Then & Now. https://www.gsathenandnow.com/, 7 May – 6 July 2020

Biró, Eszter (2020) Beyond the photograph: the phenomenon of confabulation in family photography as counter-memory, narrative and archive. PhD thesis, The Glasgow School of Art.

Copestake, Anne-Marie (2019) A love.

Browning, Jude and Copestake, Anne-Marie (2019) Like an Angel Passing Through My Room.

Cooper, Thomas Joshua (2019) Thomas Joshua Cooper: The World’s Edge. Resnick Pavilion, LA County Museum of Art, CA, USA, 22 Sep 2019 - 02 Feb 2020

Hamlyn, Jim (2019) Properties and Effects: Getting Clear about Resemblances. In: Tenth International Conference on The Image, 05 - 06 September 2019, Manchester School of Art, Manchester Metropolitan University.

Govan, Michael, Morse, Rebecca and Cooper, Thomas Joshua (2019) Thomas Joshua Cooper: The world's edge : the atlas of emptiness and extremity. Los Angeles County Museum of Art and DelMonico Books: Prestel, Los Angeles. ISBN 9783791358260

Cooper, Thomas Joshua (2019) Thomas Joshua Cooper: Refuge. Parrish Art Museum, NY, USA, 5 May - 28 July 2019

Copestake, Anne-Marie (2019) GO! MOVE! SHIFT! screening and presentations by Anne-Marie Copestake at National Library of Scotland. In: GO! MOVE! SHIFT!, 6 April, 10 April, 2019, National Library of Scotland, Glasgow.

Jackson, Jake (2019) In Praise of an Art School Education or, the Impact of Drawing Out and Leading Forth. In: Developing Your Teaching : Towards Excellence, 2nd Edition. Key Guides for Effective Teaching in Higher Education . Taylor & Francis Ltd, Routledge, London, pp. 41-42. ISBN 9781138591189

Copestake, Anne-Marie (2019) Looking in either direction the whole street was filled with people, some singing, moving towards x... Cooper Gallery, Dundee, 15 March to 13 April 2019

Mersinis, Michael (2018) Chalkis.

Macintyre, Lorna (2018) Pieces of You Are Here. Dundee Contemporary Arts, Dundee, Scotland, UK, December 2018 - February 2019

Macintyre, Lorna, Latimer, Quinn and Dara, Eoin (2018) Pieces of You Are Here. Dundee Contemporary Arts (DCA), Dundee, UK. ISBN 9781999322304

Mersinis, Michael (2018) Soufli - Silk Town (Images).

Hamlyn, Jim (2018) Space Represented and Experienced. In: Space & Spatiality in Creative Practice, 5 October 2018, Gray’s School of Art, The Robert Gordon University, Aberdeen.

Punton, Lesley (2018) "The Hide" & "A Darkening".

Punton, Lesley (2018) "Collection" and other pieces in a body of work related to geology and time.

Punton, Lesley (2018) "Last Light, First light" and related works.

Punton, Lesley (2018) Below, the rocks plunged into darkness. Studio Pavilion Gallery, House for an Art Lover, 26 May - 15 July 2018

Punton, Lesley and Finlay, Alec (2018) "Coloured hills" - a series of text based paintings and related work.

Copestake, Anne-Marie and Jones, Stevie (2018) Projections: A Blemished Code with Anne-Marie Copestake & Stevie Jones.

Copestake, Anne-Marie (2018) IFI & AEMI Projections: Soft Fiction & And Under That, Chick Strand and Anne-Marie Copestake. In: IFI & AEMI Projections: Soft Fiction & And Under That, Chick Strand and Anne-Marie Copestake, 28 March 2018, Irish Film Institute, Temple Bar Gallery and Studios, Dublin.

Bird, Nicky (2018) Wanted – New Custodians for Family Photographs: Vernacular Photographs on eBay and the Album as Artwork. In: Picturing the Family: Media, Narrative, Memory. Bloomsbury Academic, London, pp. 171-187. ISBN 978-1-4742-8360-1

Mersinis, Michael (2018) Silk Town.

McBride, Christina (2018) Land of Rulfo.

Mersinis, Michael (2017) Argento - Reconstructing A Family (Album). Vilnius Photography Gallery, Lithuania, October - November 2017

Jackson, Jake (2017) Flipping the Art School: Propositions for an Expanded Studio – A Mindful Contribution to the Education Debate. In: The Porous University - A Critical Exploration Of Openness, Space And Place In Higher Education Symposium, 8 - 9 May 2017, An Lòchran Inverness Campus.

Cooper, Thomas Joshua (2017) Gauging the Distance - The Reach for Extremity and Emptiness. PhD by Publication. PhD thesis, The Glasgow School of Art.

Bird, Nicky (2016) 'Travelling the Archive: Uncovering memory in Kyleakin with the Joan Wilcock Collection'. In: 4th International Conference of Photography & Theory (ICPT2016) PHOTOGRAPHY AND THE EVERYDAY, 2-4 December 2016, Nicosa, Cyprus.

Hamlyn, Jim (2016) Networks of Attribution: The Cultural Origins of Meaning. International Journal of Social, Political, and Community Agendas in the Arts, 12 (1). pp. 23-28. ISSN 2327-2104

Mersinis, Michael (2016) Postcards to Cuba Exhibition. The Glasgow School of Art, Glasgow Scotland and The National Art School in Havana, Cuba, 11 November 2016 - 16 November 2016

Mersinis, Michael (2016) Paper Boat. Bushwick Studios, 345 Elderl Street #114, Brooklyn, New York, October - November 2016

Hamlyn, Jim (2016) The Truth About Images. In: Seventh International Conference on the Image, 1-2 September 2016, Art and Design Academy, Liverpool John Moores University, Liverpool, UK..

Jackson, Jake (2016) Identifying New Cultures of Learning Within the Context of Fine Art Education. In: Fine Art Research Network Symposium Posted 2016 -Research Practice Practice Research, 15 July 2016, The University of Cumbria Institute of the Arts, Arts Research Initiative.

Punton, Lesley (2016) Upland Birds. Shoebox, Glasgow, UK. ISBN 9780993599606

Bird, Nicky (2016) Whither the Roots? Photographing the erased home. In: Home/Land: Women, Citizenship, Photographies. Liverpool University Press, Liverpool, pp. 325-341. ISBN 9781781382806

Mersinis, Michael (2016) The Photographic Event as Pictorial and Imaginative Space. In: Northern Light: Landscape Photography and Evocations of the North, Monday 4th - Tuesday 5th July, 2016, Sheffield Hallam University - Department of Media Arts and Communication.

Punton, Lesley (2016) Kurtz, - from the Lightships Series. In: Future Now. Aesthetica, York, UK.

McBride, Christina (2016) LIGHT BECOMES SILENCE. Reid Building, The Glasgow School of Art, 07 - 25 April 2016

Punton, Lesley (2016) Black & White, Group Exhibition. 511 Gallery, 252 7th Avenue, New York, 1st April 2016 - 1st June 2016

Bird, Nicky (2016) Travelling the Archive, 2016. Kyleakin, Isle of Skye, Scotland, 17 March - 10 September 2016

Bird, Nicky (2016) Travelling the Archive: uncovering memory in Kyleakin with the Joan Wilcock Collection.

Mersinis, Michael and Bird, Nicky (2016) Reading Landscape - Two Artists on Recent Work. In: GSA Research Day, 19 February 2016, Reid Building, The Glasgow School of Art.

Mersinis, Michael (2016) Postcards from Home.

Hamlyn, Jim (2016) How Images Work: Settling a Longstanding Debate. The International Journal of the Image, 7 (1). pp. 13-21. ISSN 2154-8560

Hamlyn, Jim (2016) How Images Work: Settling a Longstanding Debate. In: The 6th International Conference of the Image, 29 – 30 Oct 2015, University of California Berkeley, USA.

Mersinis, Michael (2016) Age of Man. In: Age of Man. The Photographic Earth Sagas, 2 . Earth Saga Press, Glasgow.

Hughes, Alexandra, Allen, Ambrose, Toren, Amikam, Semeiko, Andro, Macrae, Billy, Bunt, Carolyn, Shaw Hughes, Chris, Garrido, Cristina, Taylor, Diana, Stibbon, Emma, Richardson, Frances, Cheung, Gordon, Fugard, Gwenyth, Parker, Jayne, Key, Joan, Plowman, John, Cockburn, Julie, Punton, Lesley, Lake, Lydia & Phoebe, Dunhill, Mark, O'Brien, Tamiko, Hutber, Reynir, Haselden, Ron, Davey, Rose, Hughes, Rowena, Dobai, Sarah, Griffiths, Sean, Wakely, Shelagh, Ward, Simon, Andrews, Tabitha, Wilding, Alison and Wolseley, Tom (2015) ROOM Collaborators 4. 37-39 Bryanston Mews West, London, UK, 4 Oct - 12 Dec 2015

Mersinis, Michael (2015) Family Ties Network Presentation - Subject Missing. In: Family Ties Network Presentation - Subject Missing, Friday 20th November 2015, http://familytiesnetwork.wordpress.com/events/.

Bird, Nicky, Brodie, Ann, Gonzalez, Laura, Butler, Jaqueline and Mersinis, Michael (2015) Family Ties: Subject Missing. In: Family Ties: Subject Missing, 20 November 2015, The Glasgow School of Art, UK.

Mersinis, Michael (2015) Making up the Family Album. In: Family Ties Network: Subject Missing, 20 Nov 2015, The Glasgow School of Art, UK.

Mersinis, Michail (2015) Starlight (for Sophus).

Mersinis, Michael (2015) The Threshold of Practice. In: CRD Launch Conference, 13 Nov 2015, Amsterdam, The Netherlands.

McBride, Christina and Bravo, Roberto (2015) BOUND. Fotohof, Salzburg. ISBN 9783902993199

Brind, Susan, Bird, Nicky, Carter, Justin, Greated, Marianne, McBride, Christina, McMullan, Shauna, Mersinis, Michael, Thomson, Amanda, Punton, Lesley, Watt, Hugh and Brownrigg, Jenny (2015) Practising Landscape 1- Peripatetic Seminar Series.

Mersinis, Michael (2015) Album / Argento. In: Material Culture in Action: Practices of Making, Collecting and Re-enacting Art and Design, 7-8 Sep 2015, The Glasgow School of Art, UK.

Hamlyn, Jim (2015) Networks of Attribution: The Cultural Origins of Meaning. In: 10th International Conference on the Arts in Society and the Arts in Society Knowledge Community, 22-24 Jul 2015, Imperial College, London.

Her, Jiun Jhy and Hamlyn, Jim (2015) Ambient Interaction - Interactivity as a creative medium. Digital Creativity, 26 (3-4). pp. 245-262. ISSN 1462-6268

Her, Jiun and Hamlyn, Jim (2015) Ambient interaction and situational influence: case studies in public sites. Digital Creativity, 26 (3-4). pp. 245-262. ISSN 1462-6268

Mersinis, Michael (2015) Birds do not Sing. Journal of Landscape Architecture, 10 (1). pp. 58-67. ISSN 1862-6033

Jackson (Mckinney), Jake (2015) Mobile Learning Within The Context of Fine Art Education. In: Workshop: Implementing Mobile Learning in Kazakhstan, February 11th-13th 2015, Alamty Management University, Almaty, Kazakhstan.

Cooper, Thomas Joshua (2014) Scattered waters: sources streams rivers. Ingleby Gallery, Edinburgh, 11 Oct - 29 Nov 2014

Bird, Nicky (2014) Family Ties: Reframing Memory, 2014. The Peltz Gallery, London, 3 - 25 July 2014

Bird, Nicky (2014) '‘Blood Oranges Dipped in Salt’ and the Latent Photographic Archive'. In: PAGES: archives and office, stationery and document. Wild Pansy Press, Leeds, pp. 13-15. ISBN 9781900687492

Mersinis, Michael (2013) Convocation.

Punton, Lesley, Watson, David, Clark, Thomas A., Finlay, Alec and Macrae, Sandie (2013) Mountains Without End. ROOMBOOKS, London. ISBN 9780954991562

Bird, Nicky (2013) ‘Looking a Gift Horse in the mouth: Generosity and the Digital Exchange of Family photographs’. In: The Photograph and the Album. MuseumsEtc., Edinburgh, UK & Cambridge, USA, pp. 372-401. ISBN 978-1-907697-91-3

Cooper, Thomas Joshua (2013) Messages. Haunch of Venison, London, UK, 1st February 2013 to 28th March 2013

Bird, Nicky (2012) ‘Jasmin, Ryde, Isle of Wight, July 2000 – January 2001’ from Tracing Echoes (2001), in Seduced by Art: Photography Past and Present. The National Gallery London; CaixaForum Barcelona and CaixaForum Madrid, London: 31 October 2012 - 20 January 2013; Barcelona: 21 February-19 May 2013 and Madrid: 18 June -15 September 2013

Punton, Lesley and Spark, Judy (2012) "Back to the Things Themselves". The Briggait, Glasgow, UK, 20 April - 7 May

Bellingham, David (2012) Animal Vegetable Material. Scottish Poetry Library, Edinburgh. ISBN 978 0 9562191 2 1

Bellingham, David (2012) Meaning is an Added Ingredient. Research Group For Artists Publications, Sheffield. ISSN 978-0-9558273-2-7

Punton, Lesley (2012) Revisiting An Caisteal.

McBride, Christina and Bravo, Roberto (2012) Patagonia (working title). Seeking publisher.

Mersinis, Michael (2011) Photography as a Threefold Sign. In: 3rd Annual International Conference on Visual and Performing Arts, 4-7 Jun 2012, Athens, Greece.

Punton, Lesley and Hamlyn, Jim (2011) Experiments in Situated Knowledge. In: NIEA Experimental Arts Double Conference, 19-20 August 2011, NIEA, University of New South Wales, Sydney, Australia.

Bird, Nicky (2011) 'Assemblage: a toolkit with pictures'. Studies in Photography: The Scottish Society for the History of Photography, 2011. pp. 64-75. ISSN 1462-0510

Mersinis, Michael (2011) Photography in the Era of the Moving Image. In: 3rd Annual International Conference on Visual and Performing Arts, 4-7 June 2012, Athens, Greece.

Mersinis, Michael (2011) Birds do not sing – the Culloden Moor project. Culloden Moor Visitor's Centre, Inverness, UK, April 16th

Mersinis, Michael and Reitmeier, Maximilian (2011) Landmarken. Weltraum Gallery, Rumfordstrasse 26 80469 Munich, 01-30 April 2011

Bird, Nicky, McKenzie, Ray, Lloyd, Kirsten and Warwick, Rhona (2010) Beneath the Surface / Hidden Place. Stills, Edinburgh. ISBN 978-096458-07-5

Bird, Nicky (2010) Beneath the Surface / Hidden Place, 2007-2010.

Bellingham, David (2010) Elected works. Cairn Gallery, Pittenweem, UK, 12 September-16 October 2010

McBride, Christina (2010) Aporia. Duke Street, 18 04 2010

Mersinis, Michael (2010) Heart of The Matter. MacLellan Galleries, Glasgow, September 2010

McKenzie, Ray and Normand, Tom (2010) Michael Scott: Testament. Aristaeus Press, Glasgow. ISBN 978-0-9564294-0-7

McKenzie, Ray and Bird, Nicky (2010) Si Monumentum Requiris, Circumspice: commemoration and loss at Lethanhill. In: Beneath the Surface / Hidden Place. Stills Gallery, Edinburgh, Edinburgh, pp. 11-14. ISBN 978-0-906458-07-5

Mersinis, Michael (2010) Terra Nullius.

McKenzie, Ray (2009) How Not to Commission. PAR+RS (Public Art Reserch and Resource Scotland). ISSN N/A - online journal

Punton, Lesley (2009) ROOM collaborators. R O O M, London, UK, 25th March - 19th April 2009

Mersinis, Michael (2009) Ithaca.

McBride, Christina (2009) The month of May. Leith Hall Gardens, Kennethmont, UK, 30 May - 30 August 2009

Punton, Lesley, Caporael, Suzanne, Alloucherie, Lesley and Ernst, Matt (2008) Works on Paper. 511 Gallery @ Lake Placid, USA, October 2008

Punton, Lesley (2008) Lesley Punton (solo exhibition) 11 pieces. Glasgow, 5th July 2008 to 27th July 2008

Musau, F. and Steemers, K. (2008) Space planning and energy efficiency in office buildings: the role of spatial and temporal diversity. Architectural Science Review, 51 (2). pp. 133-145. ISSN 0003-8628

Punton, Lesley (2008) Series of silverpoint drawings.

McBride, Christina (2008) DarkDayLight. Instituto Veracruzana de la Cultura, Mexico, 17 June 2008 - 20 July 2008

Bird, Nicky (2008) Gay Interest Beefcake, 2008.

Punton, Lesley (2008) Lesley Punton (solo exhibition). London, May to June 2008

McBride, C. (2007) Dark Day Light. Galleria Del Tiempo, Universidad Autonomia Metropolitana, Mexico City

Bellingham, D. (2007) More Spare Parts. UNSPECIFIED.

McBride, C. (2007) Arcade (Title of chapter?). In: Arcade. Black Dog Publishers.

Bellingham, D., Shrigley, David and Fabricus, Jacob (2007) Everything Must Have a Name. Malmö Konsthall. ISBN 91 7704 112-7

Bellingham, D. (2007) Meaning is An Added Ingredient. October Foundation, Eindhoven, The Netherlands. ISBN not yet available

Bellingham, D. (2007) Meaning is An Added Ingredient. October Foundation, Eindhoven, The Netherlands. ISBN 91-7704-112-7

Bellingham, D. (2007) Returning. The Bridge, Easterhouse, Glasgow

Bellingham, D. (2007) Returning. Greater Easterhouse Arts Company. ISBN 9780955574702

Bird, Nicky (2006) Question for Seller, 2006.

Punton, L. (2006) If it didn't exist, you'd have to invent it ; a partial showroom history. the Showroom, 44 Bonner Rd, London, E2 9JS, UK

McBride, C. (2006) Artist in Residence. UNSPECIFIED.

McBride, C. (2006) Best Wishes.

McKenzie, R. (2006) Boys and Girls Come Out to Play. In: Arcade: Artists and place-making. Black Dog Publishing, pp. 128-137. ISBN 1904772544

McKenzie, R. (2006) Boys and girls Come Out to Play, essay in book (title tbc). In: UNSPECIFIED.

Bellingham, D., Hamilton Finlay, Ian, Mills, Stuart and Sackett, Colin (2006) Certain Trees.

Bellingham, D., Hamilton Finlay, Ian, Mills, Stuart and Sackett, Colin (2006) Certain Trees. Centre Des Livres D’Artistes 1, Place Attane, 87500 Saint-Yrieix-La-Perche, France

McBride, Christina, Kissik, Kathy and Ali, Anar (2006) Non Fiction. UNSPECIFIED.

McKenzie, R., Brind, S. and Sutton, D. (2006) The State of the Real: Aesthetics in the Digital Age. I B Tauris & Co. Ltd. ISBN 1845110773

Brind, S., Sutton, D. and McKenzie, R. (2006) The State of the Real: Aesthetics in the digital age. UNSPECIFIED.

Bellingham, D. (2006) Turnout. UNSPECIFIED.

Bellingham, D., Clark, Thomas A., Finlay, Alec and Johnstone, Julie (2006) Word Order (Concrete Poetry and its influence). UNSPECIFIED.

Sutton, D., Brind, Susan and McKenzie, Ray (2006) <i>The State of the Real: Aesthetics in the Digital Age</i>. I B Tauris & Co. Ltd. ISBN 1845110773

Punton, L. (2006) some mountains in Scotland.

Punton, L. (2005) Flower of the West. Tramway, 25 Albert Drive, Glasgow, G41 2PE, UK

Bellingham, D. (2005) Ideas Leave Objects Standing. Baltic, Gateshead,UK / Platform Projects, Edinburgh, UK.. ISBN 0 9546831 5 3

Bellingham, D. (2005) Ideas Leave Objects Standing. Baltic, Gateshead, UK / Platform Projects, Edinburgh, UK.. ISBN 0-9546831-5-3

Punton, Lesley (2005) R O O M Editions.

McBride, C. (2004) Artists who also teach.

Punton, L. and Shone, Olwen (2004) Lesley Punton & Olwen Shone. R O O M 4 Alfred Place, Redcliffe, BristolBS1 6ST, UK

Punton, L. (2004) Images of time and Place - contemporary views of landscape. Lehman College Art Gallery, 250 Bedford Park Boulevard West, Bronx, NY, USA

McBride, C. (2004) Appropriate Place. Miller Geisler Gallery, New York - two x installations and a series

McBride, C. (2004) Black Isle. A three person exhibition following a residency on the Black Isle. Show lasted from 05 May until 08 June 2004.

Punton, Lesley (2004) Gallery Artists.

Punton, L. (2003) New Paintings (solo exhibition). Miller/Geisler Gallery, 511 West 25th Street, New York, NY 10001, USA

Bellingham, D., Sandison, Charles, Palmer, Roger and Bradley, Will (2003) Conversation Pieces. UNSPECIFIED.

McKenzie, R. (2003) Ernest Gillick: 1874-1951. In: UNSPECIFIED.

Punton, L. and Judge, Vaughan (2003) Gallery Artists.

McBride, C. (2003) Group Exhibition. Seven artists ( all GSA ) staff in touring group show in the USA. Venues include Hunter School of Art, Temple University Gallery, Philadelphia and Fairfield University Gallery Conneticut..

McKenzie, R. (2003) The Pre-Photographic Printmaking Work of D O Hill. Publisher: Scottish Society for the History of Photography; conference: The Artful Use of Light; venue: Royal Society of Edinburgh, Edinburgh. pp. 34-41.

McKenzie, R. (2003) Public Sculpture in Budapest and Glasgow: Common Concerns, Divergent Practices. In: Britain and Hungary 2; Contacts in Architecture, Design, Art and Theory during the 19th and 20th Centuries. Published by the Hungarian University of Craft and Design, pp. 55-69. ISBN 963716474X

McKenzie, R. and Thorp, Monica (2003) Studies in Photography 2002-2003. Publisher: Scottish Society for the History of Photography; conference: The Artful Use of Light; venue: Royal Society of Edinburgh, Edinburgh.

Bellingham, D. (2002) Band Wagon Jumping. UNSPECIFIED.

McBride, C. (2002) Boarhills.

McKenzie, R. (2002) Pictorialist Photography in Hungary: International Connections. Studies in Photography, 2001/02 (Journal of the Scottish Society for the History of Photography), pp. 19-28. ISBN ISSN: 1462-0510

McKenzie, R. (2002) Public Sculpture of Glasgow. Liverpool University Press. ISBN 853239274

Bird, N., Roberts, Russell, Wright, Philippa and Nunn Gerrish, Pamela (2001) Tracing Echoes, 2001. Wild Pansy Press, Leeds. ISBN 1900687135

Bellingham, D. (2001) All Spare Parts. Kunsthaus, Nurnberg. ISBN 3-00-005068-X

McBride, C. (2000) Commissioned public artwork. A commission by the Artworks Programme to create a new public artwork to be sited in the Gorbals, Glasgow.