For Shore: How We See the See, Invisible Dust commissioned new work by the filmmakers Margaret Salmon and Ed Webb-Ingall exploring coastal and island communities’ responses to the Scottish Marine Protected Areas.
'Cladach' by Margaret Salmon
40 mins / 35mm / Scotland / 2018
The Wester Ross region of North West Scotland provides grounds to film and explore indigenous habitats and species, as well as human interactions with the sea, and local and tourist culture. Filming revolved around a single community, in Ullapool, existing along the shoreline of a the Wester Ross MPA. Town life and activities filmed provide an entrance into the rhythm of the local, and a space to allow different attitudes and ideas around coastal life to emerge.
A humanist, observational approach creates an open, simple expression throughout. Much like The Days Before Christmas (Stanley Jackson, W. Koenig, Terrance MacCartney – Filigate 1959) the film is essentially a portrait of place, in this instance, a shore, and the communities bordering it. Engaging with different aspects of the everyday in Ullapool – international visitors, local fisherman, ferry passengers, charity shops and pub restaurants Cladach also documents a local ceilidh, featuring musical performances by local children.
Following this notion of the shoreline as a point of meeting between worlds, the film looks to reconnect these organisms, into an earth-bound whole, and the camera seeks to connect nature and society uniformly. Through the image patterns that emerge, forms and colours, bodies and movements are mirrored and continuous, and the inclusiveness of lived experience is laid bare.
