I showed several sculptures and videos in the group exhibition 'Do They Owe Us a Living?', which was staged across two venues; the Royal Standard & Bluecoat Gallery in Liverpool.
The works exhibited were a large sculpture, 'Bonehead',
two videos 'To Do Joy Complete' and 'Circular Holding Pattern' and a series of small sculptures of replicated medicine/pill packets and cast concrete coffee cups.
This exhibition was curated by Dr Simon Willems, British Academy Postdoctoral Fellow at the University of Reading, in collaboration with the the Art of Management & Organisation conference at the University of Liverpool.

'Do They Owe Us A Living?' brings together twelve artists and artist collaborations and takes as its point of departure the conference theme ‘art-as-activism’. Each artist was asked to respond to the theme of activism within the broader context of the conference.

The exhibition features a diverse range of practice: from community-focused projects engaging with care in the workplace and council-approved regeneration programmes; through to artworks directed at the histories of prejudice surrounding different communities; as well as work that questions the efficacy of art to function as an act of political resistance in its vulnerability to political co-option; ‘activism’ proposed less as a given than a complex proposition.

While the Achilles’ heel of activism lies with its susceptibility to sanitisation under capitalism, and the Achilles’ heel of ‘art-as-activism’, the squaring of aesthetic questions with moral ones, what unites these artists is the way in which they seek to critique life under the market forces of neoliberalism, shedding light on the grassroots of lived experience, in the workplace and beyond, whilst throwing caution to the ‘activist’ tag.

Inspired by the 1978 song by the punk band Crass, from which it takes its name, Do They Owe Us A Living? sets out to reveal, as an exhibition and idea, how any “living“ owed is registered solely with quality of life, as distinct from the ubiquitous culture of cost-benefit analysis and transactional thinking that surrounds us.

Artists: Beagles & Ramsay, Terry Bond, Dreamchord (nil00 & Yank Scally), Pil & Galia Kollectiv, Rachel Garfield, Julika Gittner, Al Hopwood, Sumuyya Khader, Manual Labours (Sophie Hope & Jenny Richards), Chad McCail, Ian Monroe, Simon Willems.