A selection of work made in the Quiet Hours. Based the idea of dissection the hours of the Day and Night using a liturgical marker at regular intervals, images are made during ‘Matins’, a later portion of the eighth hour of the night. The act of photography is one that escapes the canon of faith, whilst remaining a liturgy of sorts. A visual record of an hour that exists outside modes of production, the images are transgressive acts that escape Capitalist structures and point towards acts of faith that are illuminated by evental horizons - not credo. The Image is a ritual that hold affirmative dependencies to both transgression and taboo and bring inner and outer experiences together.