Book or Monograph

The Quick

Haynes, Laura (2022) The Quick. JOAN.

Edited Book

I care by...

Fraser, Marita, Blackshaw, Gemma, Baluch, Sohaila, Heidorn, Nora and Hermon, Rosie, eds. (2022) I care by... Research Communiqués: RCA Fine Arts and Humanities . Royal College of Art. ISBN 978-1-8383543-3-6

Parallax 2018-2022

Mendrek, Pawel and Newth, Martin, eds. (2022) Parallax 2018-2022. Academy of Fine Arts and Design in Katowice, Chelsea College of Arts, University of Gothenburg, University of Plymouth, Katowice, Poland. ISBN 978-83-65825-72-8

The Yellow Paper: Journal for Art Writing

Haynes, Laura, ed. (2022) The Yellow Paper: Journal for Art Writing. The Yellow Paper Press. ISBN 978-1-9162092-2-0

Book Section

Raging: Revisiting Raging Dyke Network

Bird, Nicky (2022) Raging: Revisiting Raging Dyke Network. In: Collection Thinking: Within and Without Libraries, Archives and Museums. Routledge, London, UK. ISBN 9781003282303

'Mutable Entities'

Brown, Katrina (2022) 'Mutable Entities'. In: Abbas Akhavan, study for a garden. Mount Stuart Visual Arts, Mount Stuart, Isle of Bute, pp. 41-45. ISBN 978-0-9567262-3-0

It is in all our bodies stretching into materials! Carolee Schneemann, agent in the book repository

Di Franco, Karen (2022) It is in all our bodies stretching into materials! Carolee Schneemann, agent in the book repository. In: Carolee Schneemann: Body Politics. Yale University Press, pp. 234-236. ISBN 9780300260649

Nancy Holt: The Horizon of the Text

Di Franco, Karen (2022) Nancy Holt: The Horizon of the Text. In: Nancy Holt: Inside/Outside. Monacelli: A Phaidon Company, New York, pp. 117-138. ISBN 978-1-58093-597-5

Retouching Postpartum

Douglas, Caroline (2022) Retouching Postpartum. In: ‘I Care By…’. RCA Research Communiqués, London. ISBN 978-1-8383543-3-6

From Our Own Correspondent

Fortnum, Rebecca (2022) From Our Own Correspondent. In: Listening to Kathleen Walne. Obscure Secure, pp. 10-12. ISBN 978-1-3999-3355-1

Jenny Hogarth: Bodies That Tic

Haynes, Laura (2022) Jenny Hogarth: Bodies That Tic. In: Aggregate 2022: Freelands Artist Programme. Freelands Foundation, London, pp. 109-105. ISBN 9781838257217

The Kink in the Arc

Haynes, Laura (2022) The Kink in the Arc. In: The Kink in the Arc. The Kink in the Arc.

Trig Point: an editorial

Haynes, Laura (2022) Trig Point: an editorial. In: The Yellow Paper: Journal for Art Writing. The Yellow Paper Press. ISBN 978-1-9162092-2-0

Iterative Pasts and Linked Futures: A Feminist Approach to Modeling Data in Archives and Collections of Artists’ Publishing

Rossenova, Lozana and Di Franco, Karen (2022) Iterative Pasts and Linked Futures: A Feminist Approach to Modeling Data in Archives and Collections of Artists’ Publishing. In: Perspectives on Data. Perspectives, 2 . The Art Institute of Chicago. ISBN 978-0-86559-315-2

A Conversation on Rainbow Milk: Paul Mendez and Susannah Thompson

Thompson, Susannah (2022) A Conversation on Rainbow Milk: Paul Mendez and Susannah Thompson. In: The Yellow Paper. The Glasgow School of Art, Glasgow, pp. 30-46. ISBN 9781916209220

Letters from Joan

Thompson, Susannah (2022) Letters from Joan. In: All Becomes Art. Speculative Books, pp. 77-124. ISBN 9781912917402

Spark's Spinsters: Bedsits and Boarding Houses in the Novels of Muriel Spark

Thompson, Susannah (2022) Spark's Spinsters: Bedsits and Boarding Houses in the Novels of Muriel Spark. In: The Crooked Dividend: Essays on Muriel Spark. Occasional Papers . Association for Scottish Literary Studies, Glasgow, pp. 44-62. ISBN 9781908980335

Article

Sick Pleasure

Fraser, Marita and Blackshaw, Gemma (2022) Sick Pleasure. PROVA (6).

Tillie Olsen and Time’s Coal: Some Verses on the Limits of Practice and Discipline

Haynes, Laura (2022) Tillie Olsen and Time’s Coal: Some Verses on the Limits of Practice and Discipline. Nothing Personal, 2. pp. 9-15.

Clara Ursitti: Amik

Thompson, Susannah (2022) Clara Ursitti: Amik. Sight and Sound, 32 (9). p. 101. ISSN 0037-4806

Early Eardley: a reconsideration of Joan Eardley (1921-1963)

Thompson, Susannah and Brownrigg, Jenny (2022) Early Eardley: a reconsideration of Joan Eardley (1921-1963). The British Art Journal, XXII (3). pp. 64-79. ISSN 1467-2006

The Man Who Fell to Millom

Topping, Jane (2022) The Man Who Fell to Millom. Gothic Nature Journal: New Directions in Ecohorror and the EcoGothic (3). ISSN 2632-4628

Conference or Workshop Item

A Place for the Work and the Human Being

Brown, Katrina (2022) A Place for the Work and the Human Being. In: 'Sustainable Futures', 6 December 2022, Douglas Hyde Gallery, Trinity College, Dublin.

Unwriting Nature 2

Coutts, Nicky (2022) Unwriting Nature 2. In: Unwriting Nature 2, 3rd October, 2022, Spoleto, Italy.

Seeing and Meaning: Fiction writing at the intersection of art practice in the 1970s

Di Franco, Karen (2022) Seeing and Meaning: Fiction writing at the intersection of art practice in the 1970s. In: Association for Art History Annual Conference 2022, 7-8 April 2022, Online.

“and all we left or lost no longer need here having all together” — Reproducing Carolee Schneemann

Di Franco, Karen (2022) “and all we left or lost no longer need here having all together” — Reproducing Carolee Schneemann. In: American Art Archives in Britain, 6-7 May 2022, The Courtauld / online.

Carelessness as a Method for Care

Fraser, Marita (2022) Carelessness as a Method for Care. In: “Viral With” as part of "Confabulations", Confabulations: Art Practice, Art History, Critical Medical Humanities is a new series of urgent conversations on health, medicine, and medicalized bodies, October 2021 - ongoing, University of Durham; Queens University, Canada; University of Lincoln; Online.

Carolee Schneemann’s Feminist Frottage: “Speaking With” Parts of a Body House

Fraser, Marita (2022) Carolee Schneemann’s Feminist Frottage: “Speaking With” Parts of a Body House. In: Carolee Schneemann: Body Politics, 9th September 2022, The Courtauld Institute of Art, Vernon Square, Penton Rise, London, WC1X 9EW.

A Queer Cosmic Pessimism (Embers)

Hannah, Michelle (2022) A Queer Cosmic Pessimism (Embers). In: Whats the Matter? Queer Materiality and Communities of Making, 29th June 2022, online.

I who want to run in one river and become great: The Maternal Reconciliation of Tillie Olsen

Haynes, Laura (2022) I who want to run in one river and become great: The Maternal Reconciliation of Tillie Olsen. In: Experimental Writing in English (1945-2000) - The Anti-Canon, 15-16 September 2022, The Palace of the Academies, Brussels, organised by Ghent University and Vrije Universiteit Brussel (VUB).

In Conversation with Kirsty Bell

Haynes, Laura (2022) In Conversation with Kirsty Bell. In: In Conversation with Kirsty Bell, 24 June 2022, Outwith Books, Glasgow.

Tillie Olsen and Time's Coal

Haynes, Laura (2022) Tillie Olsen and Time's Coal. In: Nothing Personal, 19 May 2022, Good Press.

Learning as a Spatial Phenomenon

Jackson, Jake (2022) Learning as a Spatial Phenomenon. In: A Focus on Pedagogy:Teaching, Learning and Research in the Modern Academy, 20 - 22 April 2022, Virtual.

Project Loops, Edgelands and the Permanent Reimagining of Landscape

McClanahan, Angela (2022) Project Loops, Edgelands and the Permanent Reimagining of Landscape. In: American Anthropological Association Annual Meeting, 9-13 Nov 2022, Seattle, WA, USA.

Maud Sulter: Poet as Heretic

Thompson, Susannah (2022) Maud Sulter: Poet as Heretic. In: The Anti-Canon: Experimental Writing in English (1945-2000), 15-16 September 2022, The Palace of the Academies, Brussels.

Re-positionings: Tracing an international regionalist imperative in post-war visual arts production in the UK North

Thompson, Susannah (2022) Re-positionings: Tracing an international regionalist imperative in post-war visual arts production in the UK North. In: Re-positionings: Tracing an international regionalist imperative in post-war visual arts production in the UK North: Glasgow, 30 March 2022, University of Newcastle.

Significant Others: Maud Sulter in Relation (symposium)

Thompson, Susannah (2022) Significant Others: Maud Sulter in Relation (symposium). In: Significant Others: Maud Sulter in Relation, 1 June 2022, Online (Glasgow Women's Library).

Significant Others: The Writing of Maud Sulter

Thompson, Susannah (2022) Significant Others: The Writing of Maud Sulter. In: Association of Art History Conference 2022: Panel - The Carrier Bag Theory of Art History: experimental writing in, on and alongside feminist and queer art, 7 April 2022, Online.

How Many Electric Sheep? Yet Another Version of Blade Runner

Topping, Jane (2022) How Many Electric Sheep? Yet Another Version of Blade Runner. In: The North Eastern Modern Language Association's (NeMLA) 53rd Annual Convention, March 10-13, 2022, Baltimore, Maryland Hotel: Baltimore Marriott Waterfront. Local Host Institution: Johns Hopkins University.

The Man Who Fell to Millom - Introduction, Screening and Q&A at GeoWeek 2022 Symposium - Communication Measures to Bridge 4.543 billion years

Topping, Jane (2022) The Man Who Fell to Millom - Introduction, Screening and Q&A at GeoWeek 2022 Symposium - Communication Measures to Bridge 4.543 billion years. In: GeoWeek 2022, May 12 & 13 2022, The University of Cumbria Institute of Arts.

Artefact

Study for 'Two-Sided Sculpture'

Clements, Neil (2022) Study for 'Two-Sided Sculpture'. [Artefact]

Traumatic Objects

Coutts, Nicky (2022) Traumatic Objects. [Artefact]

Experiments on Light (Mary Somerville)

Douglas, Caroline (2022) Experiments on Light (Mary Somerville). [Artefact]

The Hide

Punton, Lesley (2022) The Hide. [Artefact]

Contest

Smith, Stephanie and Stewart, Eddie (2022) Contest. [Artefact]

NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO

Smith, Stephanie and Stewart, Eddie (2022) NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO. [Artefact]

A Talk in Writing (2022)

Smith, Stephanie and Stewart, Eddie (2022) A Talk in Writing (2022). [Artefact]

Show/Exhibition

'May amnesia never kiss us on the mouth'

Brown, Katrina (2022) 'May amnesia never kiss us on the mouth'. Florence Street, Glasgow, 9 September - 9 October 2022 [Show/Exhibition]

Chronicles

Fortnum, Rebecca (2022) Chronicles. 9A Gallery, Todmorden, 18th June - 16th July 2022 [Show/Exhibition]

Dawn Up

Greated, Marianne (2022) Dawn Up. Joya: Arte + Ecologie [Show/Exhibition]

House of Embers

Hannah, Michelle (2022) House of Embers. Gallery of Modern Art, 3 - 4 June 2022 [Show/Exhibition]

Necessary Sequels

Park, Sin (2022) Necessary Sequels. HSBC Space, 8 Canada Square, Canary Wharf, London, E14 5HQ, 13 October 2022 - 13 April 2023 [Show/Exhibition]

Hits & Misses

Ramsay, Graham and Beagles, John (2022) Hits & Misses. Good Press, Glasgow, 6 - 16 April [Show/Exhibition]

Screening of Mercury at Supernormal Festival 2022

Šik, Becky (2022) Screening of Mercury at Supernormal Festival 2022. Braziers Park, 12-14 August 2022 [Show/Exhibition]

Performance

Footnotes

Šik, Becky and Forrest, Sarah (2022) Footnotes. [Performance]

Image

ONYX

Hannah, Michelle (2022) ONYX. [Image]

SHADE

Hannah, Michelle (2022) SHADE. [Image]

Video

Speaking With

Fraser, Marita (2022) Speaking With. [Video]

Audio

Musophobia

Currall, Alan (2022) Musophobia. [Audio]

BEING ON THE BOAT IS NOT REVENGE (Version 2)

Mulholland, Craig and Kubba, Sukaina (2022) BEING ON THE BOAT IS NOT REVENGE (Version 2). [Audio]

BEING ON THIS BOAT IS NOT REVENGE

Mulholland, Craig and Kubba, Sukaina (2022) BEING ON THIS BOAT IS NOT REVENGE. [Audio]

The Curiosity Conversation: Maud Sulter - Significant Others

Thompson, Susannah (2022) The Curiosity Conversation: Maud Sulter - Significant Others. [Audio]

Thesis

Projective Moving Image Installation as Disorientation Device: A Phenomenology of Queer Encounters

Baraúna, Danilo (2022) Projective Moving Image Installation as Disorientation Device: A Phenomenology of Queer Encounters. PhD thesis, The Glasgow School of Art.

What is Seen, What is Said to be Seen: Exploring Doubt as a Critical Tool within Artists' Moving Image Practice

Forrest, Sarah (2022) What is Seen, What is Said to be Seen: Exploring Doubt as a Critical Tool within Artists' Moving Image Practice. PhD thesis, The Glasgow School of Art.

Digital Facture: Painting After New Media Art

Frew, James (2022) Digital Facture: Painting After New Media Art. PhD thesis, The Glasgow School of Art.

Teaching Resource

Biographical Fictioning: The Lyric

Haynes, Laura, Coutts, Nicky, Figgis, Laurence, Salmon, Margaret, Thompson, Susannah, Bennett, Claire-Louise and Pedersen, Michael (2022) Biographical Fictioning: The Lyric. [Teaching Resource]

Biographical Fictioning

Haynes, Laura, Thompson, Susannah, Jardine, Fiona Ann, Draycott, Esther, Fortnum, Rebecca, Briggs, Kate, Mendez, Paul, Hill-Woods, Alice, O'Brien, Sara and Sutcliffe, Stephen (2022) Biographical Fictioning. [Teaching Resource]

Other

Guest Holes

Coutts, Nicky, Sutterwalla, Shehnaz, Kaasa, Adam, Wiesner, Jessica and Graham, Holly (2022) Guest Holes. FAYDDIGITAL.

The Subtle Knife: Michael Ginsborg's Field Notes

Fortnum, Rebecca (2022) The Subtle Knife: Michael Ginsborg's Field Notes. Benjamin Rhodes Gallery.

Live Art in Scotland: Roddy Hunter

Greer, Stephen and Hunter, Roddy (2022) Live Art in Scotland: Roddy Hunter. Live Art in Scotland, Glasgow.

lo ultimo en la avenida

McKee, Francis (2022) lo ultimo en la avenida. La Sociedad del Tiempo Libre.