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Work included in Itinéraires Fantômes Oracle Deck

Barker, Sara (2024) Work included in Itinéraires Fantômes Oracle Deck. [Artefact]

'I once went down to the sea again'

Barker, Sara and Cooper, Will (2024) 'I once went down to the sea again'. The Wyllieum, Greenock, 26th April - 1st September [Show/Exhibition]

Archiving Autonomy: Regenerating The Attic Archive As An Open-Source Infrastructure

Bodor, Judit and Hunter, Roddy (2024) Archiving Autonomy: Regenerating The Attic Archive As An Open-Source Infrastructure. In: XXIV International Image Festival / 2025 International Conference on Media Art History RE:GENERATIVE, 2-9 May 2025, Department of Visual Design, University of Caldas, Manizales in partnership with Jorge Tadeo Lozano University, Bogotá, Colombia.

'NOMADIC DIALOGUES: Site, Place and Dislocation' - artist pages for 'Pedagogy of Place: A Field Guide to Reading Landscape for Artists, Architects, & Designers'

Brind, Susan and Harold, Jim (2024) 'NOMADIC DIALOGUES: Site, Place and Dislocation' - artist pages for 'Pedagogy of Place: A Field Guide to Reading Landscape for Artists, Architects, & Designers'. [Teaching Resource]

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Practicing Landscape Field Guide No. 3: Landscapes of Energy and Extraction: Material Agency and Meaning

Carter, Justin, McCausland, Onya, McNally, Danny and Robertson, Frances (2024) Practicing Landscape Field Guide No. 3: Landscapes of Energy and Extraction: Material Agency and Meaning. Practicing Landscape: Field Guide, 1 (3). Reading Landscape, Glasgow. ISBN 978-1-7385275-6-4

Drawing Beyond Human at the Drawing Research Forum

Coutts, Nicky (2024) Drawing Beyond Human at the Drawing Research Forum. In: Drawing Research Forum, 23 February 2024, The Drawing Room, London, UK.

F

Feminist methodologies of refusal in "speaking with" Yvonne Rainer's 'Trio A'

Fraser, Marita (2024) Feminist methodologies of refusal in "speaking with" Yvonne Rainer's 'Trio A'. In: Feminist Past, Feminist Futures, Wednesday 26th June 2024, Callendar House, Callendar Park, Falkirk.

Speaking With the School Run

Fraser, Marita (2024) Speaking With the School Run. Journal of Contemporary Painting, 10 (1 - 2). pp. 125-154. ISSN 2052-6695

Feminist Methods

Fraser, Marita and Hutchinson, James (2024) Feminist Methods. Annex Gallery, Glasgow School of Art, 23 September 2024 - 1 November 2024 [Show/Exhibition]

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Sound of Violent Images / Violence of Sound Images: Pulling apart Tom and Jerry

Garden, Ren (2024) Sound of Violent Images / Violence of Sound Images: Pulling apart Tom and Jerry. PhD thesis, The Glasgow School of Art.

The Queer Work of Photography / La fotografía como trabajo queer

Guy, Laura (2024) The Queer Work of Photography / La fotografía como trabajo queer. Exit (96). pp. 7-15. ISSN 1577-2721

Showing the Work: Feminist archival practice and exhibition

Guy, Laura (2024) Showing the Work: Feminist archival practice and exhibition. In: Women in Revolt: Radical Acts, Contemporary Resonances, 21-22 March 2025, TATE Britain.

H

GRIEF (for Sinéad)

Hannah, Michelle (2024) GRIEF (for Sinéad). [Performance]

Studio Somewhere Residency at Tramway

Hannah, Michelle (2024) Studio Somewhere Residency at Tramway. Michelle Hannah.

Moving Images Within Precarious Structures: Class Matters

Hannah, Michelle, Jackson, Deborah and Dawson, Hayley Jane (2024) Moving Images Within Precarious Structures: Class Matters. Many Studios, Glasgow, 5th December 2024 [Show/Exhibition]

Art Writing as Reparative and Interdisciplinary Pedagogy

Haynes, Laura (2024) Art Writing as Reparative and Interdisciplinary Pedagogy. In: Routledge, Czech Technical University and AMPS Research & Teaching Conference, 10-12 June 2025, Prague, Czech Republic.

What is Creative Criticism? A Colloquium

Haynes, Laura (2024) What is Creative Criticism? A Colloquium. In: What is Creative Criticism? A Colloquium, 20 June 2024, University of Oxford.

floods the jetty

Haynes, Laura and Timney, Kate (2024) floods the jetty. In: CAESURA. Pala Press, UK: Glasgow.

R E - R E C O R D I N G (Pete Horobin's 'Digestive Biscuit Action', 1986)

Hunter, Roddy (2024) R E - R E C O R D I N G (Pete Horobin's 'Digestive Biscuit Action', 1986). [Performance]

the practice, as was the practice, as is : a performance lecture, a performed film

Hunter, Roddy (2024) the practice, as was the practice, as is : a performance lecture, a performed film. In: Hosts and ghosts. Research-led teaching in performance, Wednesday, October 30, 2024, Gray's School of Art, Robert Gordon University, Aberdeen.

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XYLO

Jameson, Patrick, Jonasson, Ragnar and Nicol, John (2024) XYLO. [Artefact]

Performance 'Burnout' at 'Between any two possibilities there is darkness'

Jones, Hannan, Mallalieu, Miriam and Hannah, Michelle (2024) Performance 'Burnout' at 'Between any two possibilities there is darkness'. [Performance]

M

Rediscovery, Recovery, Revision: An exploration of feminist methodologies in curatorial trends at the centre in Europe and North America since 2007

McDonald, Kyla (2024) Rediscovery, Recovery, Revision: An exploration of feminist methodologies in curatorial trends at the centre in Europe and North America since 2007. PhD thesis, The Glasgow School of Art.

New Artist bookworks

McGraw, Michael (2024) New Artist bookworks. In: New Artist Bookworks, 31st July 2024, Online zoom Lecture, Bristol, UK..

Works included in the Bristol Artist Book Event 2024

McGraw, Michael (2024) Works included in the Bristol Artist Book Event 2024. [Artefact]

Technology of the time

McGraw, Mick (2024) Technology of the time. Bower Ashton Library, Bristol, 4th July 2024- 3rd September 2024 [Show/Exhibition]

Anything Goes Part 1

McKee, Francis (2024) Anything Goes Part 1. Francis McKee's Substack.

Anything Goes Part 2

McKee, Francis (2024) Anything Goes Part 2. Francis McKee's Substack.

Chaos, Clocks, and Watermelons Part 2

McKee, Francis (2024) Chaos, Clocks, and Watermelons Part 2. Francis Mckee Substack.

Chaos, Clocks, and Watermelons Pt 1

McKee, Francis (2024) Chaos, Clocks, and Watermelons Pt 1. Francis McKee Substack.

Wormwood, lizards and the railroad man Pt. 2

McKee, Francis (2024) Wormwood, lizards and the railroad man Pt. 2. Francis McKee Substack.

Work exhibited in group exhibition "Class Matters"

Mersinis, Michael (2024) Work exhibited in group exhibition "Class Matters". [Artefact]

Reading Landscape Field Guides #1-2-3 Book Launch

Mersinis, Michael and Brind, Susan (2024) Reading Landscape Field Guides #1-2-3 Book Launch. In: Reading Landscape Field Guides #1-2-3 Book Launch, 14th November 2024, Annex Gallery, The Glasgow School of Art.

Practicing Landscape Field Guide No. 1: Landscapes of Energy and Extraction: Mining the Animal

Mersinis, Michael, Hodson, Elizabeth, Harold, Jim, Brind, Susan and Bird, Nicky (2024) Practicing Landscape Field Guide No. 1: Landscapes of Energy and Extraction: Mining the Animal. Practicing Landscape: Field Guide, 1 (1). Reading Landscape, Glasgow. ISBN 9781738527540

GESTURES

Morris, Rosie (2024) GESTURES. Church of St. John, Healey, NE44 6BJ, 4-6 October 2024 [Show/Exhibition]

Halo

Morris, Rosie, Watson, Roxanna and Kennedy, Nick (2024) Halo. [Artefact]

Imagining a Polyvocal Prison Image Archive: Dialogical photography and the aesthetics of ethics in spaces of incarceration

Myers, Alice (2024) Imagining a Polyvocal Prison Image Archive: Dialogical photography and the aesthetics of ethics in spaces of incarceration. PhD thesis, Glasgow School of Art.

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In Transit at the AMPS (Architecture, Media, Politics, Society) Research & Teaching Conference Exploring Academia – From Practice to Publishing

Newth, Martin (2024) In Transit at the AMPS (Architecture, Media, Politics, Society) Research & Teaching Conference Exploring Academia – From Practice to Publishing. In: MPS (Architecture, Media, Politics, Society) Research & Teaching Conference Exploring Academia – From Practice to Publishing, 10 - 12 June 2025, Czech Technical University, Prague.

John Morrison & Martin Newth: Art – I know what I like and I like what I know

Newth, Martin (2024) John Morrison & Martin Newth: Art – I know what I like and I like what I know. In: John Morrison & Martin Newth: Art – I know what I like and I like what I know, 13 October, 2024, Maltings Cinema, Berwick upon Tweed.

Live Rooms. From the Individual to the Dialogic in Fine Art Studios

Newth, Martin (2024) Live Rooms. From the Individual to the Dialogic in Fine Art Studios. In: Places and Spaces: The Architectures of Art and Design Education at the Association of Art History 2025 Conference, 9-11 April 2025, University of York.

Assessing Assessment. Dialogic assessment practices, pass/fail regimes and student agency

Newth, Martin and Hunter, Roddy (2024) Assessing Assessment. Dialogic assessment practices, pass/fail regimes and student agency. In: GSA Learning and Teaching Conference 2024: Creative Education as a Creative Sustainable Practice, Wednesday 5th June 2024, The Glasgow School of Art.

Foundations of Belonging in MA Fine Art. Family Groups.

Newth, Martin and Patricia, Ellis (2024) Foundations of Belonging in MA Fine Art. Family Groups. In: FOUNDATIONAL, 29-30 August, 2024, The Royal College of Art, London.

The possibility of things: a teaching case study on addressing global responsibilities in postgraduate education through an interdisciplinary, collaborative, large scale, and blended learning unit.

Newth, Martin, Sowden, Tom, Brownie, Barbara, Denicke-Polcher, Sandra and Mitchell, Chris (2024) The possibility of things: a teaching case study on addressing global responsibilities in postgraduate education through an interdisciplinary, collaborative, large scale, and blended learning unit. In: Digitally Engaged Learning Conference, DEL 2024, 26-27 Septmber, 2024, Nanyang Academy of Fine Art, Singapore.

How Much Percussion Can We Take?

Noonan-Ganley, Joseph, Watney, Simon, Dillon, Tom and Tripp, Sarah (2024) How Much Percussion Can We Take? In: THE CESSPOOL OF RAPTURE ARTIST’S TEXTS 2012-2024. MA Bibliotheque, France, pp. 99-107. ISBN 9781738507917

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Frontiers: Painting in Scotland Now

Park, Sin (2024) Frontiers: Painting in Scotland Now. [Artefact]

Reflection on the Painting: Notes of Carol Rhodes

Park, Sin (2024) Reflection on the Painting: Notes of Carol Rhodes. In: Carol Rhodes: Seen and Unseen, 6 April - 23 April 2024, Reid Leid Lecture Theatre, Glasgow School of Art.

There is A Wild Tree Standing and We Sing Again

Park, Sin (2024) There is A Wild Tree Standing and We Sing Again. The Briggate, 8 July - 12 August 2024 [Show/Exhibition]

R

Black Pudding Self-Portrait

Ramsay, Graham and Beagles, John (2024) Black Pudding Self-Portrait. Scottish National Portrait Gallery, Edinburgh, 26 October 2024 - 16 March 2025 [Show/Exhibition]

Real and Imagined Explorations of Self: A Conversation with Katarina Ranković

Reading, Christina and Rankovic, Katarina (2024) Real and Imagined Explorations of Self: A Conversation with Katarina Ranković. In: Conversations on Creative Process, Methods, Research and Practice: Feminist Approaches to Nurturing the Creative Self. Routledge, Oxon and New York, pp. 36-47. ISBN 9781032259994

tit-bits

Robertson, Fiona (2024) tit-bits. Thomsons, Glasgow. ISBN 9780993120817

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SMITH/STEWART PRESENT TENSE

Smith, Stephanie and Stewart, Eddie (2024) SMITH/STEWART PRESENT TENSE. Reid Gallery & Ground Floor Corridor, 21 September - 19 October 2024 [Show/Exhibition]

T

Scotland and the Origins of Modern Art [Book Review]

Thompson, Susannah (2024) Scotland and the Origins of Modern Art [Book Review]. The Burlington Magazine, 1450 (166). p. 104. ISSN 0007-6287

Bedroom Floor (Queen Body)

Topping, Jane (2024) Bedroom Floor (Queen Body). [Artefact]

How Many Electric Sheep? Yet Another Version of Yet Another Conference Paper on Yet Another Adaptation of Blade Runner

Topping, Jane (2024) How Many Electric Sheep? Yet Another Version of Yet Another Conference Paper on Yet Another Adaptation of Blade Runner. In: Transitions – 2024 Annual Conference of Science Fiction Research Association, 7-11 May 2024, University of Taru, Estonia.

Introduction and screening of two films at In the Cloud of Unknowing: Encounters with the UFO Phenomena

Topping, Jane (2024) Introduction and screening of two films at In the Cloud of Unknowing: Encounters with the UFO Phenomena. In: IN THE CLOUD OF UNKNOWING: ENCOUNTERS WITH THE UFO PHENOMENON A symposium at Mildred’s Lane and “in the cloud”, 17 and 18 July 2024, Mildred’s Lane, Pennsylvania, USA.

Scream for Me Glasgow (2024)

Topping, Jane (2024) Scream for Me Glasgow (2024). [Artefact]

Shit Hair

Topping, Jane (2024) Shit Hair. [Artefact]

Envelope

Tripp, Sarah and Hodgson, Charlie (2024) Envelope. David Dale Gallery and Studios.

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Practicing Landscape Field Guide No. 2: Landscapes of Energy and Extraction: Landscape as Archive

Wall, Gina, Hale, Alex, Mersinis, Michael, Brind, Susan and Bird, Nicky (2024) Practicing Landscape Field Guide No. 2: Landscapes of Energy and Extraction: Landscape as Archive. Practicing Landscape: Field Guide, 1 (2). Reading Landscape, Glasgow. ISBN 9781738527571

My body was their first home

Watson, Roxanna and Morris, Rosie (2024) My body was their first home. [Artefact]

Y

Animating the Surface of the screen and the body

Young, Sharon (2024) Animating the Surface of the screen and the body. Animation Studies 2.0 blog.

The Cloud Collector

Young, Sharon (2024) The Cloud Collector. [Artefact]

Hysterical correspondence: A play for voices

Young, Sharon (2024) Hysterical correspondence: A play for voices. JAWS Journal of Arts Writing by Students, 8 (2). pp. 177-198. ISSN 2055-2823; ONLINE 2055-2831

Š

Mercury Revisited

Šik, Becky (2024) Mercury Revisited. [Performance]