Ronan Breslin
Lecturer Sound for the Moving Image
Digital Design Staff
Glasgow School of Art
Research Interests
Post-production sound, sound design, music composition, sound engineering, 360 video and sound, sound recording, Spatial Sound, Sound for VR and AR, Recording studio culture, History of sound recording
Research Profile
Ronan is Head of Sound at the School of Simulation & Visualisation where his research interests are focussed on 3D audio for VR/AR and 360 media and recording studio practice.
Ronan's research is also concerned with the application of 3D audio technology for content creators, artists and film-makers. Much of the existing research in 3D audio focuses on the development and implementation of the technology and does not consider the wider context of how the technology can be used effectively by the creative community. This exclusive approach is self-defeating as a new medium such as 3D audio requires engaging and innovative content to ensure its successful adoption by the wider public. Ronan aims to empower creatives to engage with the technology with a process of demystification mediatedmore...
Ronan is Head of Sound at the School of Simulation & Visualisation where his research interests are focussed on 3D audio for VR/AR and 360 media and recording studio practice.
Ronan's research is also concerned with the application of 3D audio technology for content creators, artists and film-makers. Much of the existing research in 3D audio focuses on the development and implementation of the technology and does not consider the wider context of how the technology can be used effectively by the creative community. This exclusive approach is self-defeating as a new medium such as 3D audio requires engaging and innovative content to ensure its successful adoption by the wider public. Ronan aims to empower creatives to engage with the technology with a process of demystification mediated via appropriate pedagogical strategies.
Ronan is also an established composer and sound designer, with production credits including music for television network programmes, surround sound mixes for cinematic documentaries and immersive sound design for VR/AR experiences including the AHRC funded Laocoön Project. He also collaborated with BBC Radio 3 on an immersive sound piece inspired by Fingal’s Cave in Staffa.
Prior to joining GSA Ronan worked as an audio broadcast engineer with BBC Scotland and he continues to carry out consultancy work in this field. Ronan is also an accomplished music producer and is a partner in recording facilities, La Chunky Studios.
Ronan's research agenda also includes the impact of technology on recording studio practice and culture - particularly in a Scottish context.