Foundations of Belonging in MA Fine Art. Family Groups.
Newth, Martin and Patricia, Ellis (2024) Foundations of Belonging in MA Fine Art. Family Groups. In: FOUNDATIONAL, 29-30 August, 2024, The Royal College of Art, London.
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Creators/Authors: | Newth, Martin and Patricia, Ellis | ||||||
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Abstract: | This presentation explores the integration of foundational practices and behaviours into post-graduate fine art education. ‘Building Belonging in Higher Education’ (Blake, Capper, Jackson) was a 2022 Pearson research project, which emphasised the importance of fostering students’ sense of belonging in higher education environments. The report highlighted the need for renewed attention to this aspect, particularly in the aftermath of the Covid-19 disruptions, alongside economic uncertainties, and global conflicts. It proposed a framework centred on the ‘Four Foundations of Belonging’: Connection, Inclusion, Support, and Autonomy. This presentation investigates how these foundations of belonging can be applied within the context of the UK Art Foundation programme. By critically examining the traditional Foundation approach, it assesses its efficacy in nurturing a sense of belonging. Drawing on a case study of the MA Fine Art course at Chelsea College of Arts, the presentation evaluates the potential effectiveness of a foundational approach within post-graduate fine art study. Patricia Ellis, as the Course Leader for the MA Fine Art, implemented an approach that could be characterised as ‘radically foundational’. Recognising the diverse international composition of the MA cohort, pedagogical initiatives, particularly at the outset of the course, aimed to celebrate differences such as educational and cultural backgrounds, fostering an inclusive environment. These initiatives, including the formation of ‘family groups’, diverged significantly from past approaches that assumed prior foundational awareness. Instead, they were designed to welcome and cultivate a sense of belonging and provide a foundational experience aimed at enabling students to thrive on the rest of the course. Reflecting on further initiatives at the Royal College of Arts and Glasgow School of Art the presentation will ask how foundations of belonging might be emphasised on PG Art programmes | ||||||
Official URL: | https://www.rca.ac.uk/news-and-events/events/foundational-day-two-three/ | ||||||
Output Type: | Conference or Workshop Item (Paper) | ||||||
Additional Information: | This presentation drew on previous pedagogic research that explores new modes of engaging postgraduate students in fine art education. It sought to challenge assumed, normative experiences, questioning how difference might be embraced as a method for enhancing a sense of belonging. Within the context of this conference, which focused on the Foundation as a pre-HE experience, the paper raised provocative questions about whether current and historic foundational approaches remain suitable in the contemporary, increasingly globalised and decolonised contexts within which art is taught and made. At the HE level, this includes MA and MFA programmes. This research contributes to ongoing investigations into the ways art is made and taught in the post-Covid environment, which will be explored further in a forthcoming book, Survival Strategies. | ||||||
Uncontrolled Keywords: | belonging, foundational, pedagogy | ||||||
Schools and Departments: | School of Fine Art | ||||||
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Status: | Published | ||||||
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Event Title: | FOUNDATIONAL | ||||||
Event Location: | The Royal College of Art, London | ||||||
Event Dates: | 29-30 August, 2024 | ||||||
Output ID: | 9837 | ||||||
Deposited By: | Martin Newth | ||||||
Deposited On: | 09 Dec 2024 12:38 | ||||||
Last Modified: | 11 Dec 2024 10:02 |