Musophobia
Currall, Alan (2022) Musophobia. [Audio]
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Creators/Authors: | Currall, Alan | ||||
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Abstract: | An album of recordings of electronic music performances created with early algorithmic composition software and contemporaneous instruments. An investigation into the expressive capabilities of 35 year old Artificial Intelligence. | ||||
Official URL: | https://alancurrall.bandcamp.com/album/musophobia | ||||
Output Type: | Audio | ||||
Uncontrolled Keywords: | Algorithmic electronic music, Artificial Intelligence, reciprocity. 1. Research Question Does early AI software remain relevant, in the face of recent developments in Generative AI? Do the limitations of this earlier technology engender greater equity between the creative input of both machine and operator? 2. Methods The software application "Music Mouse - An Intelligent Instrument, by Laurie Spiegel" (1986) was run on an Atari STE (1989) computer, and MIDI signals were sent to Kawai K1 (1988) and Casio FZ1 (1987) synthesisers. Both synthesisers were programmed with custom patches and then played using their own keyboards, whilst using the keys and mouse of the computer to effect algorithmic changes in the music. Multiple performances were recorded. With each successive iteration, came a greater understanding of how the algorithms responded to the human performance. With time and practice the relationship between each became more naturally reciprocal. 3. Context of Contribution ‘Unseen Worlds’ by Laurie Spiegel. Unseen Worlds, 2019. ‘Formalized Music: Thought and Mathematics in Composition’ by Iannis Xenakis. Bloomington and London: Indiana University Press, 1971. Innumerable uses of ‘Generative Music’ by Brian Eno, C1970-2023. | ||||
Media of Output: | Digital download | ||||
Schools and Departments: | School of Fine Art | ||||
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Status: | Published | ||||
Funders: | Self-funded | ||||
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Output ID: | 10225 | ||||
Deposited By: | Alan Currall | ||||
Deposited On: | 31 Mar 2025 08:58 | ||||
Last Modified: | 31 Mar 2025 08:58 |
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