My practice based research is a response to the current crisis of identity and climate engendered by the impact of the rise of technology. Through an expanded painting practice that involves film, drawing and sculpture, I use play, humour and reimagining to create a fictional world that could be described as a foreboding or a lament.
I have exhibited nationally and internationally. My experimental film work has been premiered at International Competition including Oberhausen Short Film Festival and Go Short. Recent Solo exhibitions include 'more than a feeling, Beacon Arts Centre (2025), SALTHOUSE (2024), Garnethill Gallery, GSA, and 'titbits' also Glasgow (2023). I regularly collaborate with performance and theatre makers and have curated exhibitions and events (see beggarsteeth.com). My site-specific sculpture 'Green Man' is located in Glasgow's Necropolis. Recent publications include a book of drawings 'INSIDE JOB, Memories of an Art School'.
absurd, anthropocene, body, cinematic, costume, identity, mask, non-verbal, painting, performance, post-industrial landscape, theatre.
Georgie Mc Nichol
‘Practicing the Wild: A field guide to non-binary ecologies in painting and performance.’
Part-time Lecturer Painting and Printmaking Department GSA 1996-present.
Roles within the department have included leading 4rth Year year by co-ordinating teaching, curriculum development, assessment and staffing, leading 3rd Year and Acting Head of Department. Currently teach into years 3 and 4.
# | Item title | ![]() | ![]() |
---|---|---|---|
1 | Beggars Teeth | 719 | 68 |
2 | Bad Spells | 470 | 44 |
3 | The Green Man | 450 | 23 |
4 | Green Head | 421 | 148 |
5 | Learning to Draw/Drawing to Learn: Glasgow School of Art | 393 | |
6 | Paraphernalia | 381 | |
7 | Gasbag | 329 | |
8 | Works on Paper | 320 | |
9 | Gasbag | 319 | |
10 | fallingame | 308 | 11 |