Digital Facture: Painting After New Media Art
Frew, James (2022) Digital Facture: Painting After New Media Art. PhD thesis, The Glasgow School of Art.
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Creators/Authors: | Frew, James |
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Abstract: | By exploring the research question ‘What is the position of expanded painting practices and processes within a perpetually shifting new media art discourse, and how has this affected the translation of the painted gesture?’ this thesis investigates the painted gesture’s translation into a digital discourse. Specifically, the translative properties of the painted gesture, its formal underpinnings, the overall themes associated with new media art and the post-digital, and the key practitioners and processes emerging from painting’s mobilisation within a technologically embedded environment. The impetus for this research arises from the often-contested nature of definition and classification within a new media art setting. |
Official URL: | https://discovery.gsa.ac.uk/permalink/44GSA_INST/1bh8egr/alma991000801158806296 |
Output Type: | Thesis (PhD) |
Additional Information: | A print copy of this thesis is available in the GSA Library. |
Uncontrolled Keywords: | Post-digital, painting, gesture, medium, media, new media, translative, network, re-mediatised, technology, practice-based, mixed methods, inter-, multi-, trans-, discipline |
Schools and Departments: | School of Fine Art |
Dates: | Date Date Type 10 March 2022 Published Online |
Status: | Unpublished |
Output ID: | 7932 |
Deposited By: | Nicola Jane Siminson |
Deposited On: | 10 Mar 2022 11:42 |
Last Modified: | 10 Mar 2022 11:58 |