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In my End is my Beginning

Bottomley, Stephen (2025) In my End is my Beginning. [Artefact]

Welcome Talk at the Symposium -“Swords into Ploughshares: Knives into Jewels” at the Glasgow School of Art

Bottomley, Stephen, Cherry, Norman, Alexander, Dauvit, Gordon, Anna, Birrell, Ross and Fraser, Alistair (2025) Welcome Talk at the Symposium -“Swords into Ploughshares: Knives into Jewels” at the Glasgow School of Art. In: Symposium -“Swords into Ploughshares: Knives into Jewels” Glasgow School of Art, 21.02.2025, Reid Auditorium Glasgow School of Art.

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Caseroom Letterpress Print

Cairns, Brian (2025) Caseroom Letterpress Print. [Artefact]

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Ghosts of Sauchiehall Street

Di Mario, Marco Emilio (2025) Ghosts of Sauchiehall Street. [Artefact]

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A Love Letter to the Shopfront

Flanagan, Pamela (2025) A Love Letter to the Shopfront. [Artefact]

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Çekmece Community Centre: Rebuilding Together After Disaster

Gok, Ela, Price, Sam, Güllüoğlu, Emrah, Üngür, Erdem, Gündoğdu, Emre and Aykaç, Gülşah (2025) Çekmece Community Centre: Rebuilding Together After Disaster. Project Report. Self Published (Architecture For All).

'Linear Brooch' included in the Interwoven: Jewellery Meets Textiles Exhibition

Gordon, Anna (2025) 'Linear Brooch' included in the Interwoven: Jewellery Meets Textiles Exhibition. [Artefact]

re- inspire, passing of time Linlithgow Palace project

Gordon, Anna (2025) re- inspire, passing of time Linlithgow Palace project. [Artefact]

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Interfacing the Somatic and Semiotic: A Weird Touchscreen Unflattening

Kelly, Michael (2025) Interfacing the Somatic and Semiotic: A Weird Touchscreen Unflattening. PhD thesis, Glasgow School of Art.

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Work Exhibited as part of 'Interwoven' Exhibition - Goldsmiths' Centre, London

Lamb, Andrew (2025) Work Exhibited as part of 'Interwoven' Exhibition - Goldsmiths' Centre, London. [Artefact]

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–S–H–O–P–P–I–N–G–

Macklin, Patrick (2025) –S–H–O–P–P–I–N–G–. Edward House, 199 Sauchiehall Street, Glasgow G2, 30 January–13 February [Show/Exhibition]

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Detour from the studio: Novelty and walking as an approach to decenter studio learning.

Nutter, Digger (2025) Detour from the studio: Novelty and walking as an approach to decenter studio learning. Journal of Perspectives in Applied Academic Practice: Creativity in Higher Education Special Issue, 13 (1). pp. 149-170. ISSN 2051-9788

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Art Deco Scotland: Design and Architecture in the Jazz Age

Peter, Bruce (2025) Art Deco Scotland: Design and Architecture in the Jazz Age. Historic Environment Scotland, Edinburgh. ISBN 9781849173445

‘My instinctive decisions are also conscious ones’: The Typography and Lettering of Alasdair Gray, from Micro to Monumental

Pickstone, Edwin (2025) ‘My instinctive decisions are also conscious ones’: The Typography and Lettering of Alasdair Gray, from Micro to Monumental. In: The Edinburgh Companion to Alasdair Gray and the Arts. Edinburgh University Press, Edinburgh.

The Caseroom: 60 Years of Letterpress etc. at The Glasgow School of Art

Pickstone, Edwin and Kirkby, Ruth (2025) The Caseroom: 60 Years of Letterpress etc. at The Glasgow School of Art. Reid Building, The Glasgow School of Art, 7–26 February, 2025 [Show/Exhibition]

The Caseroom: 60 Years of Letterpress etc.

Pickstone, Edwin, Robertson, Frances, Finnie, Ross, Kirkby, Ruth and Walkerdine, Matthew (2025) The Caseroom: 60 Years of Letterpress etc. The Glasgow School of Art, Glasgow. ISBN 9780956764676

Untitled, 2025

Pnevmonidou, Thomai (2025) Untitled, 2025. [Video]

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James Watt’s 1779 Instruction Book: a manual for enterprise

Robertson, Frances (2025) James Watt’s 1779 Instruction Book: a manual for enterprise. In: Around the text. Peter Lang.

Threadbare

Ross, David (2025) Threadbare. [Artefact]

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'With a spaceship at the end': Genre Hybridity in Copenhagen Cowboy by Nicolas Winding Refn

Sweeney, David (2025) 'With a spaceship at the end': Genre Hybridity in Copenhagen Cowboy by Nicolas Winding Refn. Journal of European Popular Culture, 15 (2). pp. 137-151. ISSN 2040-6134

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Woodblock Printed Bio-sensors, SOIL, Somerset House, London

Ward, Andrew, Pickstone, Edwin, Wahome, Caroline, McGarrigle, Aoife and Megundi Njeru, Ezekiel (2025) Woodblock Printed Bio-sensors, SOIL, Somerset House, London. [Artefact]

Frankenstein's Camera

Weir, Catherine (2025) Frankenstein's Camera. [Image]