The Flag Project

Ainsley, S. (2005) The Flag Project. 4 Bethnal Green Road, London, 24-25 September 2005 [Show/Exhibition]

Ideas Leave Objects Standing

Bellingham, D. (2005) Ideas Leave Objects Standing. Baltic, Gateshead,UK / Platform Projects, Edinburgh, UK.. ISBN 0 9546831 5 3

Ideas Leave Objects Standing

Bellingham, D. (2005) Ideas Leave Objects Standing. Baltic, Gateshead, UK / Platform Projects, Edinburgh, UK.. ISBN 0-9546831-5-3

Knowing the Unknown Sitter, 2005-2011

Bird, Nicky, Bruce, V, Cannizzo, J, Hartley, L, Matthews-David, A, Nunn, P.G, Perry, L, Pollen, A, Stoke, B and Veness, A (2005) Knowing the Unknown Sitter, 2005-2011. Not applicable.

Eternal Now

Birrell, Ross (2005) Eternal Now. [Artefact]

The Gift of Terror: Suicide Bombing as Potlatch

Birrell, Ross (2005) The Gift of Terror: Suicide Bombing as Potlatch. In: Art in the Age of Terrorism. Paul Holberton Press, London, pp. 96-113. ISBN 1903470412

Homo Ludens: Works from the Envoy Series, 1998-2005

Birrell, Ross (2005) Homo Ludens: Works from the Envoy Series, 1998-2005. [Show/Exhibition]

Meaningless Work: Art as Abstract labour, notes on Santiago Sierra and the Political Economy of Man Under Capitalism’ and ‘Labour Exchange: A Dialogue with Santiago Sierra

Birrell, Ross (2005) Meaningless Work: Art as Abstract labour, notes on Santiago Sierra and the Political Economy of Man Under Capitalism’ and ‘Labour Exchange: A Dialogue with Santiago Sierra. In: Transcript 2 Cross-Wired: Communication – Interface – Locality. Manchester University Press in association with School of Fine Art, DJCAD, pp. 93-109. ISBN 0719070376

Invisible Fields

Bjerge-Hansen, A. (2005) Invisible Fields. [Show/Exhibition]

Middle Lands

Bjerge-Hansen, A. (2005) Middle Lands. In: UNSPECIFIED Mead Gallery, Warwick Art Centre, Warwick, UK.

Middle Lands

Bjerge-Hansen, A. (2005) Middle Lands. UNSPECIFIED.

Middle Lands

Bjerge-Hansen, A. (2005) Middle Lands. Mead Gallery, Warwick Art Centre, Warwick, UK [Show/Exhibition]

VideoDictionary

Bjerge-Hansen, A. and Bernardez, Enrique (2005) VideoDictionary. [Show/Exhibition]

A Treasury of Human Inheritance, Huntingdon Disease, Entres Case

Borland, C. (2005) A Treasury of Human Inheritance, Huntingdon Disease, Entres Case. Lisson Gallery,67 Lisson St, LondonNW1 5AD [Show/Exhibition]

Wind Blown Clouds

Brind, S. (2005) Wind Blown Clouds. Rizzoli International, New York. ISBN 0-8478-2711-9

Essay of 2,500 words entitled Returning Theseus for hardback, bi-lingual (English/German) publication to accompany Louise Schmids exhibition SwimmingAid, 24 March - 7 May 2005

Calcutt, J. (2005) Essay of 2,500 words entitled Returning Theseus for hardback, bi-lingual (English/German) publication to accompany Louise Schmids exhibition SwimmingAid, 24 March - 7 May 2005. [Show/Exhibition]

Mourning McModernism.

Calcutt, J. (2005) Mourning McModernism. In: Mourning McModernism, October 2, 2005, Albright Knox Museum, Buffalo, NY.

Solar Powered Ice Cream Stall II.

Carter, Justin (2005) Solar Powered Ice Cream Stall II. Toyota Municipal Museum of Art, Toyota City, Japan., 5 to 17 July 2005 [Show/Exhibition]

The Oxford Companion to the Photograph. Edited by Robin Lenman.

Cooper, T. (2005) The Oxford Companion to the Photograph. Edited by Robin Lenman. Thames and Hudson, London England.

Listen- Unity is strength. Public Artwork, commission proposal

Cosgrove, P. (2005) Listen- Unity is strength. Public Artwork, commission proposal. UNSPECIFIED.

Listen- Unity is strength. Public Artwork, commission proposal

Cosgrove, P. (2005) Listen- Unity is strength. Public Artwork, commission proposal. [Artefact]

Public art and interpretation: professional development in fine art education

Cosgrove, P. (2005) Public art and interpretation: professional development in fine art education. In: Engage Scotland.

Fusion: building, dwelling, thinking.

Cosgrove, P. and Barber, Tony (2005) Fusion: building, dwelling, thinking. [Artefact]

Participation in Database Imaginary

Currall, A. (2005) Participation in Database Imaginary. [Show/Exhibition]

Photo/text works commissioned by tranzit.org

Currall, A. (2005) Photo/text works commissioned by tranzit.org. [Artefact]

COAST a visual exploration

Greated, M. and Fisher, Pat (2005) COAST a visual exploration. Redgate Publishing. ISBN 0-9550801-0-X

Freedom of Information: Paintings and drawings 1996-2005

Hopkins, L. (2005) Freedom of Information: Paintings and drawings 1996-2005. The Fruitmarket Gallery, Edinburgh [Show/Exhibition]

Freedom of Information: Paintings and drawings 1996-2005

Hopkins, Louise, Bradley, Fiona, Hilty, Greg and Loock, Ulrich (2005) Freedom of Information: Paintings and drawings 1996-2005. In: Freedom of Information. The Fruitmarket Gallery, Edinburgh. ISBN 0947912 98 3

Portfolio: Dining on Imagination

Jackson, Deborah (2005) Portfolio: Dining on Imagination. MAP Magazine (1). ISSN 2633-8009

Portfolio: Nigel Peake

Jackson, Deborah (2005) Portfolio: Nigel Peake. MAP Magazine (2). ISSN 2633-8009

Review of: Laurie Anderson's The End of the Moon, Edinburgh

Jackson, Deborah (2005) Review of: Laurie Anderson's The End of the Moon, Edinburgh. MAP Magazine (2). ISSN 2633-8009

Scotland Today: The Age of the Digital Image

Judge, V. (2005) Scotland Today: The Age of the Digital Image. UNSPECIFIED.

Reasons to Research

Jung, K. (2005) Reasons to Research. In: re:search - in and through the arts project conference - European League of Institutes of the Arts/Universität der Künste Berlin.

Suitcase Show

MacKenzie, Stuart (2005) Suitcase Show. Harbour Front Gallery, Toronto, Canada [Show/Exhibition]

Ancient Remnant Forest

McGraw, M. (2005) Ancient Remnant Forest. In: Arcadia Id Est, Artists’ Books, Nature and Landscape, University of West of England, Bristol.

Arcadia id est

McGraw, M. (2005) Arcadia id est. Trace Gallery, Dorset, England [Show/Exhibition]

LAND2, Beyond Landscape

McGraw, M. (2005) LAND2, Beyond Landscape. Exhibition, Royal West of England Academy, Bristol, Beyond Landscape? [Show/Exhibition]

LAND2: Art “After Landscape”, Memory, Place and Identity

McGraw, M. (2005) LAND2: Art “After Landscape”, Memory, Place and Identity. Dean Clough Gallery, Halifax, Royal West of England Academy, Bristol [Show/Exhibition]

A Free State

McKee, F. (2005) A Free State. In: Content in Context: New Technologies for Distribution. Netherlands Media Art Institute Montevideo/Time based arts, Amsterdam, 2005, pp. 31-35.

Matthew Barney: Drawing Restraint Vol.1 1987-2002

McKee, F. (2005) Matthew Barney: Drawing Restraint Vol.1 1987-2002. [Composition]

So Everything Joyful is Mobile…Matt Locke, Matthew Chalmers and Francis Mckee in conversation with Simon Yuill

McKee, F. (2005) So Everything Joyful is Mobile…Matt Locke, Matthew Chalmers and Francis Mckee in conversation with Simon Yuill. In: Cross-wired : communication, interface, locality. Manchester University Press, pp. 39-50. ISBN 9780719070365

clean hands pure heart

McKee, F. (2005) clean hands pure heart. UNSPECIFIED.

ireland at venice 2005

McKee, F. (2005) ireland at venice 2005. UNSPECIFIED.

susan philipsz,

McKee, F. (2005) susan philipsz,. UNSPECIFIED.

thinking of the outside: new art and the city of bristol,

McKee, F. (2005) thinking of the outside: new art and the city of bristol,. UNSPECIFIED.

the vanity of allegory

McKee, F. (2005) the vanity of allegory. [Image]

Catalogue entitled; WANDERLUST, 2005 HGB Leipzig/GSA Glasgow

McKinney, J. (2005) Catalogue entitled; WANDERLUST, 2005 HGB Leipzig/GSA Glasgow. Publisher?.

Staff and student Exchange Project between The Academy of Visual Arts in Leipzig (HGB) and The Glasgow School of Art (GSA)

McKinney, J. (2005) Staff and student Exchange Project between The Academy of Visual Arts in Leipzig (HGB) and The Glasgow School of Art (GSA). UNSPECIFIED.

WANDERLUST'. An exhibition that travelled from Leipzig to Glasgow.

McKinney, J. (2005) WANDERLUST'. An exhibition that travelled from Leipzig to Glasgow. Venue? [Show/Exhibition]

Catalogue entitled; WANDERLUST, 2005 HGB Leipzig/GSA Glasgow

McKinney, J. and Mckinney, Jake (2005) Catalogue entitled; WANDERLUST, 2005 HGB Leipzig/GSA Glasgow. Venue [Show/Exhibition]

The Edge of an Island

McMullan, S. (2005) The Edge of an Island. [Artefact]

Via

McMullan, Shauna (2005) Via. The Toyota Museum of Modern Art, Toyota, Japan, 2005 [Show/Exhibition]

Taking Risks: Leaving the safety of our disciplines

Mitchell, K. (2005) Taking Risks: Leaving the safety of our disciplines. In: Foundations in Art, Theory and Education (FATE) Conference, Boston..

ARPHID

Mulholland, Craig (2005) ARPHID. Whitechapel Project Space, London, 15th Oct - 13th Nov 2005 [Show/Exhibition]

BEARER ON DEMAND

Mulholland, Craig (2005) BEARER ON DEMAND. Transmission Gallery, Glasgow, 29th Jan - 26th Feb 2005 [Show/Exhibition]

BEARER ON DEMAND

Mulholland, Craig (2005) BEARER ON DEMAND. In: Bearer On Demand: Artist's lecture, 26th Feb 2005, Transmission Gallery.

HYPERINFLATION

Mulholland, Craig (2005) HYPERINFLATION. Art Now : Tate Britian, 5th November-31st December 2005 [Show/Exhibition]

R.F.I.D.

Mulholland, Craig (2005) R.F.I.D. The Changing Room, Stirling, 6th-31st July 2005 [Show/Exhibition]

ARPHID: Symposium

Mulholland, Craig and Mulholland, Neil (2005) ARPHID: Symposium. In: Arphid, 9th July 2005, The Changing Room, Stirling.

Tower of Babel

Parry, J. (2005) Tower of Babel. [Show/Exhibition]

Flower of the West

Punton, L. (2005) Flower of the West. Tramway, 25 Albert Drive, Glasgow, G41 2PE, UK [Show/Exhibition]

R O O M Editions

Punton, Lesley (2005) R O O M Editions. [Show/Exhibition]

When Humour Becomes Painful - New Meat (2004) DVD, 4:40 minTwo ventriloquist dummy self-portraits voice a series of cryptic monologues. They act in the burlesque, grotesque, melodramatic and slapstick manner typical of the British music hall tradition. The dummies were handbuilt by myself and John Beagles over a period of one year.

Ramsay, G. and Beagles, John (2005) When Humour Becomes Painful - New Meat (2004) DVD, 4:40 minTwo ventriloquist dummy self-portraits voice a series of cryptic monologues. They act in the burlesque, grotesque, melodramatic and slapstick manner typical of the British music hall tradition. The dummies were handbuilt by myself and John Beagles over a period of one year. Migros Museum fur Gegenwartskunst, Zurich Switzerland [Show/Exhibition]

Real Life Family Tree

Sinclair, Ross (2005) Real Life Family Tree. Aichi, Japan, 25 March 2005 to 25 September 2005 [Show/Exhibition]

Ireland in the 1940s and 1950s: The Photographs of Bert Hardy

Smith, Sarah (2005) Ireland in the 1940s and 1950s: The Photographs of Bert Hardy. Field Day Review. pp. 133-155.

Review of They Are The We of Me by Jane Topping at Gallery of Modern Art, Glasgow

Smith, Sarah (2005) Review of They Are The We of Me by Jane Topping at Gallery of Modern Art, Glasgow. UNSPECIFIED.

Barbarism begins at home

Smith, Stephanie and Stewart, Eddie (2005) Barbarism begins at home. Klemens Gasser and Tanja Grunert Inc., New York, 1-26 March 2005 [Show/Exhibition]

Night Sites

Smith, Stephanie and Stewart, Eddie (2005) Night Sites. Kunstverein, Hannover, Germany, 26 November 2005 [Show/Exhibition]

Smith/Stewart

Smith, Stephanie and Stewart, Eddie (2005) Smith/Stewart. Glasgow International, Glasgow, 02 May 2005 [Show/Exhibition]

Death of the Photograph: Laying Roland Barthes’ <i>Camera Lucida</i> to rest

Sutton, D. (2005) Death of the Photograph: Laying Roland Barthes’ <i>Camera Lucida</i> to rest. In: Thinking Photography (Again).

Eugène Atget, Michel de Certeau, Walker Evans, Raymond Loewy, Chris Marker, Photography, John Singer Sargent

Sutton, D. (2005) Eugène Atget, Michel de Certeau, Walker Evans, Raymond Loewy, Chris Marker, Photography, John Singer Sargent. In: Transatlantic Relations: France and the Americas. ABC-CLIO. ISBN 1851094113

Form Follows Fiction, or when design theory met Fred and Ginger

Sutton, D. (2005) Form Follows Fiction, or when design theory met Fred and Ginger. In: Designs for Living: space and place in the cinema.

How do you theorize a digital cinema?

Sutton, D. (2005) How do you theorize a digital cinema? In: Cinema and Technology.

Nokia Moments

Sutton, D. (2005) Nokia Moments. Source. ISSN 1369-2224

Rediagnosing <i>A Matter of Life and Death</i>

Sutton, D. (2005) Rediagnosing <i>A Matter of Life and Death</i>. Screen Journal, 46 (1). pp. 51-61. ISSN 0036-9543

The Potter's Mirror- exhibition based on Iznik Cermaics collection as a result of six months artist's residency at The Burrell Collection, Glasgow.

Thapalyal, R. (2005) The Potter's Mirror- exhibition based on Iznik Cermaics collection as a result of six months artist's residency at The Burrell Collection, Glasgow. The Burrell Collection Glasgow [Show/Exhibition]

The Case for Critical Regionalism in Recent Scottish Art Criticism

Thompson, Susannah (2005) The Case for Critical Regionalism in Recent Scottish Art Criticism. Journal of the Scottish Society for Art History, 10. pp. 64-75. ISSN 1362-248X

The Female Sea: Notes on Distressed Genres

Thompson, Susannah (2005) The Female Sea: Notes on Distressed Genres. In: Laurence Figgis, 'The Great Macguffin'. Transmission Gallery, Glasgow, pp. 2-3. ISBN 0-9529002-4-6

The Map is Not the Recipe

Thompson, Susannah (2005) The Map is Not the Recipe. In: Campbell's Soup. Glasgow School of Art, Glasgow, pp. 18-19. ISBN 9780901904591

Show Some Initiative

Thompson, Susannah (2005) Show Some Initiative. A-N Collections: Shifting Practice. pp. 10-13.

The Nose Knows

Ursitti, C. (2005) The Nose Knows. In: Sensuous Knowledge 2: Aesthetic Practice and Aesthetic Insight. An International Working Conference on Fundamental Problems of Artistic Research and Development.

The Nose Knows

Ursitti, C. (2005) The Nose Knows. In: Sensuous Knowledge 2: Aesthetic Practice and Aesthetic Insight.An International Working Conference on Fundamental Problems of Artistic Research and Development, Soltrand, Norway. Nov 9 -11 2005..

Tail

Ursitti, C. (2005) Tail. [Image]

Afterwards, in the blank wood

Visnes, H. (2005) Afterwards, in the blank wood. Centre for Contemporary Art, Glasgow. ISBN 1 - 873331 - 28 -2

Hotspots

Visnes, H. (2005) Hotspots. Sammlung ESSL Kunst Der Gegenwart [Show/Exhibition]

Beacon Road Paintings

Walker, R. (2005) Beacon Road Paintings. Alexandre Gallery 41 E. 57th St. New York [Show/Exhibition]

Beacon Road Paintings Solo exhibition

Walker, R. (2005) Beacon Road Paintings Solo exhibition. Alexandre Gallery 41 E. 57th St. New York [Show/Exhibition]