Weir, Catherine M. (2018) Programming Light: The Processing and performance of digital photographs. In: PaintingDigitalPhotography: Synthesis and Difference in the Age of Media Equivalence. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 42-63. ISBN 978-1-5275-1110-1

Weir, Catherine (2024) 'Frankenstein's Camera': Reflections on practice between photography and AI. In: Photography in Virtual Culture International Conference, 13-14 May 2024, University of Westminster and The Photographers' Gallery, London.

Weir, Catherine (2024) Frankenstein's Camera – Guest Lecture at Falmouth University. In: Guest Lecture - Catherine M. Weir, 12th March 2025, Falmouth University [Online].

Hooper, Alan, Abbott, Daisy, Murphy, Correy and Weir, Catherine (2024) ChatTKT: A framework for understanding and engaging with ChatGPT. In: The Glasgow School of Art Learning and Teaching Conference 2024, 5th June 2024, Glasgow, UK.

Weir, Catherine (2023) How I use AI in my creative practice. In: RGU AI Week, 18 October 2023, Gray's School of Art, Robert Gordon University, Aberdeen.

Zioga, Polina and Weir, Catherine M. (2023) 'This Place Has Its Own Air': A Proof of Concept for Urban Air Quality Data Visceralisation. In: 5th International Conference: Digital Culture and AudioVisual Challenges, 12 - 13 May 2023, Hybrid - Corfu/Online.

Weir, Catherine M. (2019) Writing Images as Programs: Coding as a challenge to the program of the camera apparatus. In: The Post-photographic Apparatus: International Conference, 14 - 15 November 2019, Lucerne University of Applied Arts and Sciences, Switzerland.

Weir, Catherine M. (2017) Custom Software (302 Lines of Code). In: The Stuff of Research Postgraduate Research Symposium, 12 June 2017, Kelvinhall, Glasgow, UK.

Weir, Catherine M. (2016) A Photograph Blowing in the Data Winds. In: Everywhere and Nowhere: An Interdisciplinary Postgraduate Symposium on Imagined Spaces, 20 June 2016, University of Nottingham, UK.

Weir, Catherine M. (2015) The Ghosts of Google Street View: Revealing the fractured temporality of the image. In: Material Culture in Action: Practices of Making, Collecting and Re-enacting Art and Design, 7-8 Sep 2015, The Glasgow School of Art, UK.

Weir, Catherine (2022) Light Leaks.

Zioga, Polina and Weir, Catherine (2024) 'This Place Has Its Own Air' – SPARK Festival 2024: 'Healthy Futures'. AIRSIDE, Hong Kong, 18 – 20 October 2024

Biró, Eszter, Butler, Jacqueline, Calvo, Mirian, Bento Coelho, Inês, Keehan, Allyson, MacLellan, Fiona Jane, Weir, Catherine M., Worsley, Dawn, Makki Zakari, Hanan, Zioga, Polina and Checchia, Viviana (2016) Whereabouts you are. Reid Gallery, Glasgow School of Art, UK, 15 Oct – 10 Nov 2016

Weir, Catherine (2025) Frankenstein's Camera.

Weir, Catherine M. (2018) The digital index: creating immediacy through the integration of digital photography and captured data. PhD thesis, The Glasgow School of Art.

Zioga, Polina, Weir, Catherine, Ip, Tony and Fung, Patrick (2024) 'Breathing Cities: Art, Air, and Architecture' – SPARK Festival 2024: 'Healthy Futures'. British Council Hong Kong.