In collaboration with Lux Scotland, the second episode of a year-long programme Moving Images Within Precarious Structures is curated by Deborah Jackson, Michelle Hannah and Hayley Jane Dawson. This screening explores themes of social class and its theoretical, practical and ideological implications that intersect with, for example, education, migration, sex, gender, race, ethnicity, and inclusionary /​exclusionary politics.

Delivered in partnership with Fine Art Research (School of Fine Art) at the Glasgow School of Art (GSA), and LUX Scotland, Moving Images Within Precarious Structures is a year-long programme of episodes that start from the proposition that precarity is a condition of artist moving image practice. Through screenings, talks, workshops, and publishing, Moving Images Within Precarious Structures examines the ways precarity structures the aesthetics and politics of artist moving image, and how new ways of making, materialising and thinking the moving image can work in opposition to the conditions, effects and affects of precarity.

Programme:

‘The Irreducible Difference of the Other’ (2013), Vivienne Dick (26 mins)

‘Tower XYZ’ (2016), Ayo Akingbade (3 mins)

‘The Expulsion’ (2019), Larry Achiampong (15 mins)

‘Tory Stories – An Ugly Steak of Violence’ (1984), Peter Savage (2 mins)

‘Soon Come’ (2022), Matthew Arthur Williams (20 mins)