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Creators/Authors: | Brind, Susan and Harold, Jim | ||||
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Abstract: | ‘Beside the Yialias River’ was a propositional work comprising 4 digital prints and a set of 5 postcards (produced in a limited edition of 25). The proposition, was to plant a grove of trees and copper rods, at Ayios Sozomenos (Arpalik) in the Republic of South Cyprus, and at Kirklar (Tymvou) in the Turkish Republic of North Cyprus, either side of the UN de-militarized Buffer Zone through which the course of the Yialias River runs. The positions of the trees and copper rods should be plotted from the pattern of bullet marks visible on one of the few remaining ruins in Ayios Sozomenos, once an inter-communal village. The work was shown as part of the Buffer Fringe Festival VI, 2019, which was held in a series of UN Tents, erected inside no-man’s land at Ledra Palace Crossing between North and South Nicosia. The work formed part of ‘Urban Glendi: CCFT’, a group show curated for the Buffer Fringe by Urban Gorillas–Yiorgos Hadjichristou, comprising site responsive works to the context of the Buffer Fringe's theme: "Defining the buffer zone, in between spaces". | ||||
Official URL: | http://www.home4cooperation.info/node/8796 | ||||
Output Type: | Artefact | ||||
Additional Information: | This output builds on a body of research undertaken in association with the Creative Centre for Fluid Territories (CCFT), an international, inter-disciplinary research group comprising artists, designers, architects and theorists from academic institutions in the UK, Norway and Cyprus interrogating how interdisciplinary research practices contribute to and share critical insights about place making, belonging and occupation. The CCFT collaboration focuses on practice-based research methods, exploiting the creative intersection between image and text, presented as performance, publication, installation, architectural and design interventions, and spatial practices – notably including travelling colloquia and nomadic dialogues – which individually and collectively, seek to consider the role of artistic research in shaping narratives of place. See also outputs: 7386, 7168, 7133, 6596, 6551, 6549, 4562. The research that informed the development of 'Besides the Yialias River' was undertaken in preparation for 'Ayios Sozomenos: Timeless Encounters – Place of Barley', 2018, but only in 2019 became realised in the form of this propositional work. Our research in Ayios Sozomenos covered both the recent social and political significance of the place as a former inter-communal village, and the depth of history of the site. Hundreds of years ago, the whole area around Ayios Sozomenos and Kirklar – the Mesaoria (Mesarya) plain – was a landscape of open woodland associated with the production of copper. These two places were later sites for spiritual retreat: respectively, a hermitage for Sozomenos of Potamia, an early Christian saint, and A Sufi Tekke. So deep is its history, it is said that the blood of Adonis – killed whilst hunting in the forest – lies on the land of Cyprus and that the Mesaoria (Mesarya) plain once lay under the sea. | ||||
Uncontrolled Keywords: | Place Identity, Conflict Zones, Border Territories, Liminality, Peripheral Spaces and Voices, Access to Spaces, Right to Speak and Dissemination. | ||||
Media of Output: | 4 Digital prints, A1 and related postcards, A6 (limited edition of 25) | ||||
Schools and Departments: | School of Fine Art > Sculpture & Environmental Art | ||||
Dates: |
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Funders: | In kind support from ARC, Department of Architecture, University of Nicosia,, Nottingham Trent University, UN, Dendros Ltd | ||||
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Projects: | Creative Centre for Fluid Territories, READING LANDSCAPE | ||||
Output ID: | 7387 | ||||
Deposited By: | Susan Brind | ||||
Deposited On: | 15 Jul 2020 15:57 | ||||
Last Modified: | 15 Jun 2023 09:12 |