‘Let the Day Perish’ was a scripted performance describing a journey, its detours and coincidences, around and between the churches of Guthrie and Fowlis Easter, which sit some 15 miles apart in Angus. It is a poetic speculation that draws in layers of fiction, myth and history and an investigation into the lure of ancient artefacts, an enquiry into the possibilities of discovery, and a portrait of the area. Broadly, the script is topographical - looking at the 'topos' of topography as the persistence of place and the instability of information.