I contributed work to ‘Material Culture In Action: Practices of making, collecting and re-enacting’ conference at GSA in the form of a film screening of 'Autumn – After William James Muller' at CCA cinema, Glasgow.

Mullers study of Leigh Woods was probably painted outdoors and demonstrates an almost impressionistic approach to rendering landscape. It is characterised by spontaneous gesture but presented to the public in an overly elaborate gilt frame that fixes it within the stifled environment of the museum. My response to Mullers work was an attempt to ‘unframe’ the work in space and time, returning the spirit of the work to the landscape in which it was conceived.