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Blanchot, Tel Quel and the formation of a Sadean aesthetic in the work of Vito Acconci

Greenman, Benjamin (2013) Blanchot, Tel Quel and the formation of a Sadean aesthetic in the work of Vito Acconci. In: French Theory and American Art. (SIC) and Sternberg Press, Brussels and Berlin, pp. 296-322. ISBN 978-2-930667-04-1

A Living Man Declared Dead and its Ground of Displacement

Greenman, Benjamin (2015) A Living Man Declared Dead and its Ground of Displacement. In: Association of Art Historians Conference, 9-11 Apr 2015, University of East Anglia, Norwich, UK.

Meta-politics and the deconstruction of Western aesthetics: re-reading Kant’s Critique of Judgement according to Rancière and Spivak

Greenman, Benjamin (2011) Meta-politics and the deconstruction of Western aesthetics: re-reading Kant’s Critique of Judgement according to Rancière and Spivak. In: Sociedades en crisis. Europa y el concepto de estética. Ministerio de Cultura, Spain, Madrid, pp. 194-200. ISBN 978-84-8181-500-9

‘Seedbed and the Wedge of Chastity: the erotic play of interpretation,’ Journal of the Scottish Society for Art History, Vol. 16, 2011, pp. 30-33.

Greenman, Benjamin (2011) ‘Seedbed and the Wedge of Chastity: the erotic play of interpretation,’ Journal of the Scottish Society for Art History, Vol. 16, 2011, pp. 30-33. Journal of the Scottish Society for Art History, 16. pp. 30-33. ISSN 1362-248X

Stonewall, Seedbed and the Contestations of Masculinity: Vito Acconci and the New York of the late 1960s and early 1970s

Greenman, Benjamin (2016) Stonewall, Seedbed and the Contestations of Masculinity: Vito Acconci and the New York of the late 1960s and early 1970s. In: Masculinity and the Metropolis, 22-23 Apr 2016, University of Kent, Canterbury, UK.