Number of items: 5.
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Blanchot, Tel Quel and the formation of a Sadean aesthetic in the work of Vito Acconci
Greenman, Benjamin
(2013)
Blanchot, Tel Quel and the formation of a Sadean aesthetic in the work of Vito Acconci.
In:
French Theory and American Art.
(SIC) and Sternberg Press, Brussels and Berlin, pp. 296-322.
ISBN 978-2-930667-04-1
A Living Man Declared Dead and its Ground of Displacement
Greenman, Benjamin
(2015)
A Living Man Declared Dead and its Ground of Displacement.
In: Association of Art Historians Conference, 9-11 Apr 2015, University of East Anglia, Norwich, UK.
Meta-politics and the deconstruction of Western aesthetics: re-reading Kant’s Critique of Judgement according to Rancière and Spivak
Greenman, Benjamin
(2011)
Meta-politics and the deconstruction of Western aesthetics: re-reading Kant’s Critique of Judgement according to Rancière and Spivak.
In:
Sociedades en crisis. Europa y el concepto de estética.
Ministerio de Cultura, Spain, Madrid, pp. 194-200.
ISBN 978-84-8181-500-9
‘Seedbed and the Wedge of Chastity: the erotic play of interpretation,’ Journal of the Scottish Society for Art History, Vol. 16, 2011, pp. 30-33.
Greenman, Benjamin
(2011)
‘Seedbed and the Wedge of Chastity: the erotic play of interpretation,’ Journal of the Scottish Society for Art History, Vol. 16, 2011, pp. 30-33.
Journal of the Scottish Society for Art History, 16.
pp. 30-33.
ISSN 1362-248X
Stonewall, Seedbed and the Contestations of Masculinity: Vito Acconci and the New York of the late 1960s and early 1970s
Greenman, Benjamin
(2016)
Stonewall, Seedbed and the Contestations of Masculinity: Vito Acconci and the New York of the late 1960s and early 1970s.
In: Masculinity and the Metropolis, 22-23 Apr 2016, University of Kent, Canterbury, UK.
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