This article for Map magazine's inaugural online issue, takes the all-woman DIY group exhibition, Strohwitwe (2012), as a starting point to map women's art collaborations in Glasgow from the late 1980s to today, contextualising these in relation to international feminist art practices. In particular it argues that the domestic space - used by many artists in Glasgow's DIY art scene - provides a politically germane environment for showing work by women artists, the roots of which can be traced back to the groundbreaking Womanhouse exhibition of 1972, one of the earliest public exhibitions of feminist art.