Dinnseanchas is a solo exhibition of new lens based works, which forms part of a larger body of research which has been in development over the last few years. The work is generated in the north west coast of Ireland and focuses on the interconnectedness between landscape , language and lineage. Fundamental to the research is the development of new sustainable processes in which to make images, utilising the specific plants and fauna of the area.

Dinnseanchas is a new series of photographic works which form part of a larger body of research developed during a recent residency in the west coast of Ireland. The research is centred on the specifics of the landscape, and its interweaving with the Irish language and family lineage. Working methodologies include expanding more sustainable materials and processes within the production of work, and testing the produce from both the land and the sea as plant-based developers.

The term Dinnseanchas is an ancient practice which began as a process of naming places, informed by a combination of their natural and physical forms, or reference to some of the historical layers and legends specific to that place. As it developed it became a form of mapping of the entire country and is now recognised as a rich and important branch of knowledge in the Gaelic world. Dinnseanchas is also associated with perceptions of ‘place wisdom’ – and ways of understanding the landscape, through ‘reading the manuscript of the land.’

The exhibition includes a commissioned text work by Sara O Brien, a writer/ researcher based between Glasgow and Dublin.