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Transformation, translation, or reproduction? How did digitalisation affect non-digital artworks from the global pandemic? And how can this re-understanding of digitally transformed artworks provide insight into art practice and curation in such a digitalising tendency?

Mao, Chengwei (Toby) (2023) Transformation, translation, or reproduction? How did digitalisation affect non-digital artworks from the global pandemic? And how can this re-understanding of digitally transformed artworks provide insight into art practice and curation in such a digitalising tendency? MRes thesis, The Glasgow School of Art.

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