Items where School / Department is "School of Fine Art" and Year is 2019
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Number of items: 39.

B

it is this it is this, it is this

Bean, Anne, Richards, Cullinan, Edbrook, Laura, Forrest, Sarah, English, Rose, Harrison, Margaret, Greenan, Althea, Gordon-Nesbitt, Rebecca, Yadong Hao, Sophia, Hiller, Susan, Jones, Amelia, Kelly, Mary, Kokoli, Alexandra, Linder, /, Logan, Kirsty, Morris, Lynda, Mulvey, Laura, Nicolson, Annabel, Patrick, Adele, Richardson, Su, O'Shea, Hannah, Starr, Georgina, Spencer, Catherine and Vishmidt, Marina (2019) it is this it is this, it is this. In: Of Other Spaces: Where Does Gesture Become Event? Sternberg Press. ISBN 978-3-95679-378-3

Performing Sites: choreographic approaches in installation practice

Bento Coelho, Ines (2019) Performing Sites: choreographic approaches in installation practice. PhD thesis, The Glasgow School of Art.

On the cusp: artist, community and intangible heritage

Bird, Nicky (2019) On the cusp: artist, community and intangible heritage. In: Mapping Contemporary Art in the Heritage Experience, 29-30 July 2019, Newcastle University.

An ongoing case - Shadowing Rogovin: Retracing Family of Miners, Scotland 1982

Bird, Nicky (2019) An ongoing case - Shadowing Rogovin: Retracing Family of Miners, Scotland 1982. In: Through the Years: A joint symposium by the Family Ties Network (FTN) and The Visual Culture Research Group (University of West England, Bristol), 6 December 2019, Watershed, Bristol.

Aerial Landscapes

Bird, Nicky, Jackson, Katherine, McCausland, Anya and Sleeman, Joy (2019) Aerial Landscapes. In: Aerial Landscapes, 19 October 2019, Flat Time House (FTHo), Studio home of John Latham (1921-2006), London.

The Representation of Memory: Activating Archives

Bird, Nicky, Molloy, Caroline, Shepherdson, Karen and Schultz, Deborah (2019) The Representation of Memory: Activating Archives. In: The Representation of Memory: Activating Archives, 14 June 2019, Regent's University, London.

'Celebrating Scalan': Workshop at Scalan Mills, Moray in association with Tomintoul and Glenlivet Landscape Partnership

Brind, Susan, Brownrigg, Jenny, Wall, Gina, Hale, Alex and Jorgensen, Birthe (2019) 'Celebrating Scalan': Workshop at Scalan Mills, Moray in association with Tomintoul and Glenlivet Landscape Partnership. [Experiment]

Artist Pages: Beside the Yialias River (2018) and Telavåg, Sotra Island, Norway (13th November 2018)

Brind, Susan and Harold, Jim (2019) Artist Pages: Beside the Yialias River (2018) and Telavåg, Sotra Island, Norway (13th November 2018). In: Fluid Territories. University of Bergen, Bergen, Norway, pp. 97-120. ISBN 978-82-690937-9-7

Exploring liminality in Cyprus: spaces, voices and means of expression

Brind, Susan, Harold, Jim and Souto, Ana (2019) Exploring liminality in Cyprus: spaces, voices and means of expression. RUUKU: Peripheries in artistic research, 12. ISSN 2341-9687

'A Place for The Work and The Human Being'

Brown, Katrina, Wermers, Nicole, Macdonald, Stephanie, Kalmar, Stefan, Fobert, Jamie, von Hantelmann, Dorothee, Barber, Jude, Abbas, Basel, Abou-Rahme, Ruanne, Dyangani Ose, Elvira, Shaw, Jeremy and Jeffreys, Tom (2019) 'A Place for The Work and The Human Being'. The Common Guild.

Katinka Bock: Balance and Coexistence

Brown, Katrina M. (2019) Katinka Bock: Balance and Coexistence. In: Le Prix Marcel Duchamp 2019. Silvana Editoriale, Paris, France, pp. 26-35. ISBN 9788836640744

C

Thomas Joshua Cooper: Refuge

Cooper, Thomas Joshua, Sultan, Terrie, Kastan, David Scott and Pinto, Michael (2019) Thomas Joshua Cooper: Refuge. Prestel, New York. ISBN 9783791358185

E

As if*: an editorial

Edbrook, Laura (2019) As if*: an editorial. In: The Yellow Paper: Journal for Art Writing. The Glasgow School of Art, Glasgow, pp. 5-7. ISBN 978-1-9162092-0-6

G

Internationalisation, levier d’attraction et de fidélisation - Présentation d’une plateforme des écoles d’art à l’échelle européenne

Greenough, Thomas (2019) Internationalisation, levier d’attraction et de fidélisation - Présentation d’une plateforme des écoles d’art à l’échelle européenne. In: 4èmes Rencontres Prospectives internationales de l’AGERA, 7 June 2019, Lyon, France.

H

Resorption: working (in) the gap between artistic and curatorial production

Hutchinson, James N. (2019) Resorption: working (in) the gap between artistic and curatorial production. PhD thesis, The Glasgow School of Art.

M

The Accelerating Exodus

McGraw, Mick (2019) The Accelerating Exodus. [Artefact]

The Photographic Archive

Molloy, Caroline, Bird, Nicky, Shepherdson, Karen and Schultz, Deborah (2019) The Photographic Archive. In: Memories of the Future, 29-30 March 2019, Centre for the Study of Cultural Memory, Institute of Modern Languages Research, School of Advanced Study, University of London.

O

Finding internationalisation in the disciplines

Owen, Catherine and Greenough, Thomas (2019) Finding internationalisation in the disciplines. In: Internationalisation: What does it mean for us?, 16-17 May 2019, Glasgow, UK.

The international curriculum: developing a quantitative overview of the literature for practitioners and teachers in art and design disciplines

Owen, Catherine and Greenough, Thomas (2019) The international curriculum: developing a quantitative overview of the literature for practitioners and teachers in art and design disciplines. Discussion Paper. The Glasgow School of Art.

P

Alternative Routes into Glasgow School of Art

Paul, Shona and Greenough, Thomas (2019) Alternative Routes into Glasgow School of Art. In: ELIA Seminar | Becoming an Artist Routes for aspiring artists and designers wanting to join an arts school, 14-15 March 2019, St. Nazaire and Nantes, France.

R

Art & Work

Ramsay, Graham and Beagles, John (2019) Art & Work. Parse (9). ISSN 2002-0953

Data Loam: Sometimes Hard, Usually Soft (The future of knowledge systems)

Rogers, Henry (2019) Data Loam: Sometimes Hard, Usually Soft (The future of knowledge systems). Angewandte Innovation Laboratory (Vienna), 25 - 28 Feb 2019 [Show/Exhibition]

Fabulosity

Rogers, Henry (2019) Fabulosity. [Artefact]

S

Home, 2019

Salmon, Margaret (2019) Home, 2019. [Artefact]

Handheld (2019)

Smith, Stephanie and Stewart, Eddie (2019) Handheld (2019). [Artefact]

Round (2019)

Smith, Stephanie and Stewart, Eddie (2019) Round (2019). [Artefact]

T

Finding the Self in the City of Multitudes

Thapalyal, Ranjana (2019) Finding the Self in the City of Multitudes. In: Resilience and the City- Art, Education, Urbanism. ELIA, Amsterdam, pp. 143-152. ISBN 978-90-810357-8-1

M.Litt Art Society and Culture: an inter-cultural and inter-sectional 12-month masters programme combining creative practice and academic study

Thapalyal, Ranjana (2019) M.Litt Art Society and Culture: an inter-cultural and inter-sectional 12-month masters programme combining creative practice and academic study. [Teaching Resource]

After (After)

Thompson, Susannah (2019) After (After). The Yellow Paper, 1 (1). pp. 59-64.

'The Bitter Cup' Q & A with Joanne Tatham and Tom O'Sullivan

Thompson, Susannah (2019) 'The Bitter Cup' Q & A with Joanne Tatham and Tom O'Sullivan. In: The Bitter Cup - Q & A with Joanne Tatham and Tom O'Sullivan, 15 September 2019, Hospitalfield House, Abroath.

Exhibition review - Cut and Paste: 400 Years of Collage

Thompson, Susannah (2019) Exhibition review - Cut and Paste: 400 Years of Collage. The Burlington Magazine, 161 (1398). pp. 776-779. ISSN 0007-6287

Moyna Flannigan and Susannah Thompson in conversation

Thompson, Susannah (2019) Moyna Flannigan and Susannah Thompson in conversation. Andrew Mummery Gallery.

The Unbroken Thread: Art History as Narrative (Fiction with Footnotes)

Thompson, Susannah (2019) The Unbroken Thread: Art History as Narrative (Fiction with Footnotes). In: Association for Art History 2019 Annual Conference, 5-8 April 2019, Brighton, UK.

Outside Right at The Sunset Gate (The Creative Critic)

Thompson, Susannah, Steven, Campbell and Grainne, Rice (2019) Outside Right at The Sunset Gate (The Creative Critic). In: Convocation: On Expanded Language-based Practices / Venice Biennale, 16-18 June 2019, Research Pavilion, Venice Biennale.

W

Photographic Futures: teaching the image as diffracted, polytemporal array

Wall, Gina (2019) Photographic Futures: teaching the image as diffracted, polytemporal array. In: European Fine Art Forum Bienniale Conference: Art Future/Future Signs, 12-14 September 2019, Art Academy Latvia, Riga.

Showing off: the fine art degree show in and beyond the art school

Wall, Gina (2019) Showing off: the fine art degree show in and beyond the art school. In: Making Public: the Fine Art Degree Show, 12 April 2019, School of Art and Architecture, Leeds Beckett University.

Spectral Encounters: Archaeospectrography and the hauntology of place

Wall, Gina (2019) Spectral Encounters: Archaeospectrography and the hauntology of place. Access Archaeology.

Three burnt books: an unconventional conservation narrative

Worsley, Dawn (2019) Three burnt books: an unconventional conservation narrative. PhD thesis, The Glasgow School of Art.

Š

Next Top Model

Šik, Becky (2019) Next Top Model. Govan Project Space, 15-24 Feb 2019 [Show/Exhibition]

This list was generated on Wed Aug 12 04:36:05 2020 UTC.