In my End is my Beginning
Bottomley, Stephen (2025) In my End is my Beginning. [Artefact]
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Creators/Authors: | Bottomley, Stephen | ||||
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Abstract: | “In my End is my Beginning”. Brooch. 2025. Aluminium, white metal, steel. 83mm Diam. x 8 mm The origins of the great church of Linlithgow date back to the Royal charter of King David I in 1138. Over 400 years later, Mary, Queen of Scots, was born in Linlithgow Palace on December 8th 1542 and baptised in St Michael’s church. Mary was a political prisoner of her cousin Elizabeth I for over eighteen and a half years, before her final execution in 1587. During her imprisonment, Mary crafted a number of embroideries; the rectangular hangings were often surrounded by smaller geometric badges or patch-like “decorated with letters or symbols” (V&A archives). One lost embroidery, recorded as on a ‘Cloth of State’, was stitched with the words The badge reflects these themes and narratives in its layered construction. The brooch features a central panel of the original 1960s anodised aluminium cladding of the Crown of Thorns (1964 Clarke) removed during the renovation. Themes of eternity are reinforced by the cutting of the spiral motif in the brooch's central panel and the traces of Mary’s words on the reverse silver disc. The historic aluminium is juxtaposed when mounted on a frame of modern 21st-century sintered aluminium. References: V&A. ‘The prison embroideries of Mary, Queen of Scots.” Collections. 2025. https://www.vam.ac.uk/articles/prison-embroideries-mary-queen-of-scots/ | ||||
Output Type: | Artefact | ||||
Additional Information: | This piece will form part of the Re-Inspired exhibition, the first group exhibition by members of the drawing Threads Cluster. The exhibition presents contemporary metalwork and designs made from the recycled sheets of the 1960s Aluminium metal cladding from the Crown of Thorns sculpture (1964, Clarke) that was situated on the spire of St Michael’s Parish Church, Linlithgow Palace, Scotland. These original gold-coloured anodised aluminium panels were removed and replaced in 2024 with a new metal alloy as part of the restoration of the Crown's woodwork and metalwork. GSA Design School staff, all established makers and researchers are members of a research group called ‘Drawing Threads’ that was formed in 2022. This, their first group exhibition, has afforded the opportunity to work with the original metal that spent sixty years above the church and interrogate their practice-based and led approaches to making and material innovation through personal and collaborative work. Prior to the show in Linlithgow, work-in-progress was exhibited during Munich International Jewellery Week 12-16th March at the Mineralogischen Staatssammlung München. | ||||
Uncontrolled Keywords: | materiality, place, circular design, narrative, heritage | ||||
Schools and Departments: | School of Design | ||||
Dates: |
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Output ID: | 9894 | ||||
Deposited By: | Stephen Bottomley | ||||
Deposited On: | 30 Jan 2025 11:20 | ||||
Last Modified: | 30 Jan 2025 11:20 |