Output details

The Art of Maximal Ventriloquy: Femininity as Labour in the Films of Rachel Maclean

Neely, Sarah and Smith, Sarah (2019) The Art of Maximal Ventriloquy: Femininity as Labour in the Films of Rachel Maclean. In: Women Artists, Feminism and the Moving Image: Context and Practices. Bloomsbury Academic, London, pp. 165-177. ISBN 9781784537005
Secured
 
Documents
 
Details
 
Profiles
[img]
(1MB)
GSA Staff Only: request a change | Repository Staff Only: item control page