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Dr Benjamin Greenman

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Dr Benjamin Greenman

  • Lecturer
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Job Title
Lecturer
School or Academic Area
School of Fine Art
School or Academic Area Supervised for
School of Fine Art
Professional Address
167 Renfrew Street Glasgow G3 6RQ
Country
Scotland

Biography

Dr Ben Greenman is a Lecturer in the Department of Fine Art Critical Studies. He studied Philosophical Aesthetics and Art History at the University of Essex, where he completed his PhD.
His research is preoccupied with the relationship between art and politics, especially in and through moments of politicisation. North American art of the 1960s and 1970s has been central to his research, especially in performance, photography, and video art, and in relation to a questioning of normative subjectivities (such as in art practices that have questioned paradigms of masculinity). His current research focuses on contemporary photographic practices and their interplay with the material conditions and concepts of political subjectivity, and specifically what Étienne Balibar has called the ‘citizen subject. Most recently, he has written about the enduring value of Critical Theory (when reconnected with its emancipatory premise) in art school education.

Latest Additions

  1. Greenman, Benjamin, ed. (2015) Special Issue: Scottish Art in the Great War. Journal of the Scottish Society for Art History, 20 . Scottish Society for Art History, Dundee.
  2. Greenman, Benjamin (2013) Blanchot, Tel Quel and the formation of a Sadean aesthetic in the work of Vito Acconci. In: French Theory and American Art. (SIC) and Sternberg Press, Brussels and Berlin, pp. 296-322. ISBN 978-2-930667-04-1
  3. Greenman, Benjamin (2011) Meta-politics and the deconstruction of Western aesthetics: re-reading Kant’s Critique of Judgement according to Rancière and Spivak. In: Sociedades en crisis. Europa y el concepto de estética. Ministerio de Cultura, Spain, Madrid, pp. 194-200. ISBN 978-84-8181-500-9
  4. Greenman, Benjamin (2011) ‘Seedbed and the Wedge of Chastity: the erotic play of interpretation,’ Journal of the Scottish Society for Art History, Vol. 16, 2011, pp. 30-33. Journal of the Scottish Society for Art History, 16. pp. 30-33. ISSN 1362-248X