Professor Duncan MacLeod
Professor Duncan MacLeod
- Head of Postgraduate Research
- ORCID
https://orcid.org/0000-0002-8731-1615
- Professional Title
- Professor of Sonic Arts & Creative Practice Research
- Job Title
- Head of Postgraduate Research
- School or Academic Area
- Interdisciplinary Research
- School or Academic Area Supervised for
- Mackintosh School of Architecture, School of Design, School of Fine Art, School of Innovation and Technology, Interdisciplinary Research
- D.MacLeod@gsa.ac.uk
- Professional Address
- 167 Renfrew Street, Glasgow, G3 6RF
Biography
Professor Duncan MacLeod (FRSA) is an award-winning composer, sound artist, and interdisciplinary researcher, whose work spans concert music, sound installations, and participatory arts. Influenced by folklore, sociopolitical issues, and a connection to place, his work explores human relationships with land and ecosystems in the Anthropocene. An area of focus is placemaking through interactive soundwalks, which include a series of works mapped across Uist developed in partnership with Taigh Chearsabhagh Museum & Arts Centre, that seek to promote kinship with the islands’ heritage, culture, and landscapes through spoken word, music and creative sound practices.
Duncan studied composition and sonic arts at the Guildhall School of Music & Drama, the Institute of Sonology and Royal Conservatoire (Netherlands), and holds a PhD in composition from the University of Kent/Trinity Laban Conservatoire of Music & Dance. He is a fellow of the Higher Education Academy and Royal Society of Arts, and chair of the Ivors Academy Senate Scotland.
http://duncanmacleod.org
Research Interests
Audio Production; Arts education; Cultural heritage; Creative practice; Digital humanities; Environmental humanities; Experimental music; Immersive media & technologies; Interdisciplinary practice; Living Heritage; Placemaking; Radio arts; Socially engaged arts practice; Sonic art; Sound design; Sound studies.
PGR Supervision Interests
I supervise PhDs in composition, sound studies, sonic art practices, including experimental music, performance, and sound/music for media, with interests in heritage, placemaking, participatory/socially engaged art, immersive media, environmental and digital humanities, and interdisciplinary practice.
Latest Additions
- MacLeod, Duncan (2020) The Cries of London: On costers, pedlars, hawkers, fishwives, tinkers and barrow boys. In: The Political Voice. Sonic Urbanism . &Beyond Collective for Theatrum Mundi, London, pp. 28-37. ISBN 978191678615

