With creation, publication and distribution no longer distinct, interesting opportunities arise for public creativity. With specific reference to networks like Central Station, it is equally possible to see potential in the (web)site as a place for creation, not just connection and distribution, a continuation of some of the work of net-art pioneers and protagonists such as Anton Vidokle. The web can perhaps lay claim to being a primary location for 'public art' if we accept, as Seth Price suggests, that “collective experience is now based (as much) on simultaneous private experiences, distributed across the field of media culture”. In this sense, if a popular mp3 could be regarded as a more 'successful' incidence of 'public art' than a civic sculpture or intervention, the web opens up some contentious debates as a tool and a vehicle.